{Displacement}

As I sit watching George sip his mojito, slowly, deliberately, the memories of the past and the memories of the future congeal to form a slush into which my brain slowly dissolves. I feel it already trickling out of my ear. The right one, as my head is somewhat rightward inclined.

I was, I was beautiful. I never once thought so then, and I most certainly don’t think me so now, but looking at myself then I cannot escape this devastating realisation: I was really beautiful.

My best friend in London, Michael, once asked, when looking at a picture of me from my teens, ‘how did this’—he points at the picture—‘turn into this’: he gestures at me. Between me and George lie three decades of the unknown.

Must it, though, must it be so unknown. If I’d known then what I know now would I not have avoided so many mistakes? Would these regrets, three or four only, maybe, but two or three of them profound, not simply have turned into gorgeous memories of ever fulfilling wistfully relivable ecstasy? Unaided?

Soon, I want to say to my young self, you’ll meet, quite by chance, a boy who is so roundly adorable, so sunny, so sweet, so entirely lovely, that you’ll feel in a trance for six days around him. He will call you, on your answerphone, and say: ‘Hello, it’s Stefan here, I’m a friend of Soandso who’s a friend of Beatrice. She said I could give you a call and maybe stay with you for a few days in London?’ Once you live in London, George, you will have friends and friends of friends, and of course family and friends of family come to visit: you will not want for guests!

On this particular occasion though you may not be so keen, you may only just have arrived in your first flatshare and not know the others too well, but in particular also your best friend from school, Peggy, may be staying with you, for six weeks as it happens. How you ever got that past your still new flatmates whom you don’t really know yet will be beyond you once you get to the stage where you are me. But be that as it may, you will think—and Peggy will agree—and you both will be pretty much of a mind, that the last thing you need, or even want for that matter, is some strange boy who happens to be the friend of really in all seriousness an ex-girlfriend of yours to come and spoil your quality time together for you. You’ve never been one to say no, though, so you say yes, but you don’t want to change your plans, and your plans for the night he arrives are to go to the theatre with Peggy, and so you say to him, just ring the buzzer, there’ll be somebody around to let you in while we’re out; you can sleep on the sofa, make yourself at home.

So you go out with your best friend from your school days, Peggy, and you have a lovely time, and then you get back home, and on the sofa there is this unbearably cute little face, tucked into a sleeping bag, happy as peaches in lala-land, and you know you’re already a little in love. And you both look at him in unabashed wonder and you decide to let him sleep and when you all wake up in the morning you all feel like you’ve always been friends, and from then on you do practically everything together, you go out together, you drink together, you dance together; and at one point, and you don’t quite know how, probably because Peggy happens to be at school, she is, after all, here to learn English, you find yourselves sitting next to each other on your slim single bed and he’s wearing his funky skintight jeans and no top and you are wearing whatever it is you are wearing at the time, probably black, and you will nearly but not quite put your hand on his thigh or his hand and you bask in his presence and you cannot get over how beautiful is his torso, and how charming his smile and how big his blond hair, and you don’t know how you do it but somehow you let the moment pass and nothing happens at all and you won’t ever quite understand how you let that happen, because soon after he leaves and you write to each other once or twice only and he says something along the lines of he liked you and how wonderful a time you had together and that maybe it was better that nothing happened that day, it would only have spoilt things. This you will never be quite able to believe, you will forever know, deep at heart, that kissing him, holding him, caressing him, touching him, being with him would not have spoilt anything, it would simply have made those six days complete.

There’ll be that, I want to tell my young self: don’t let it happen like that, don’t let that moment pass. Live it, grab it, make a fool of yourself, risk him saying you’re overstepping a mark. It may be embarrassing, it may feel painful and cruel if he rejects you, but so is this, so is knowing you didn’t seize that day, that half day even, so is knowing you lived one afternoon less than you could have, as it turns out should have done. One afternoon? An early lifetime. Precious, precious days, while you are young. I want to extend my arm and put my tan and since late slightly freckled hand upon George’s. When do you stop thinking ‘what will he think?’ At what point will you simply not care? But then, should you not care? Is not the other person as far away from you as you are from them? Could not they make the first move, or say the first word; be first to break the glass that divides you?

And then it hits you, out of the blue: they don’t see the glass! They send all the signals, they make all the moves, they simply wonder why you don’t respond, and you wonder how can they not know that you’re surrounded by a bell made of glass: the sounds are muffled, the scent is dead, the gestures distorted, the temperature inside is always too high. The effort it takes you to break through to them is gargantuan. They just smile and think it strange that you barely smile back; the way that you read them would to them be entirely unintelligible. Suddenly it strikes you: you’re under a bell, George, and you don’t even know it.

I reach out to myself, but not to my hand, I put my hand on my shoulder instead. That seems to be more in tune with the overall situation. Oddly, this doesn’t surprise young me. George looks back at me, half-knowing, half expectant; a look that, as a youth, you might give your grandparent who’s about to say something really obvious, like: you’re an intelligent boy.

Being thus indavertently cast in the role of my dad’s father or my mum’s mother startles me and I withdraw my hand, almost too quickly. I need to think of a reason for having put it on my shoulder in the first place and so I say: ‘If you ever come to London, you must get in touch.’ It sounds like a disingenuous offer, saying this to my younger self, but with anyone else in a comparable case it would be perfectly genuine, and pure of intent, too.

He nods gravely. It hasn’t quite done the trick, I’m convinced, but George here seems to be un-further-perturbed. ‘This is nice,’ he says, in the involuntary generic understatement of the youth who hasn’t yet mastered the language, about his mojito. It’s oddly appropriate. This is nice, I agree without saying it, and instead I ask him if he wants another. Knowing now who I’m with, it doesn’t surprise me that he says ‘sure?’ with an upward inflexion that suggests question where there ought to be assertion. The young. If only I could make it lighter for you, thinner, the bell, more penetrable, the fortress of isolation around you. You will find a way. You will find a way: I have found a way, so will you.

Advice time. I’m about to say something along the lines of: just do what you want to do your way, or, it’s not going to be so easy, you know, but you’ll somehow muddle through, or, deep in your heart you know that no matter what the ups and the downs, you’re on a fairly stable track, like a roller coaster. And then it strikes me how ludicrous that is.

You’re not on a track at all, you’re in free flow. You have no way of knowing what’s right or wrong for you, you have to find out step by perilous step. Sometimes it will feel ridiculously easy and other times it will feel impossible. They will not understand you. Seriously. They will smile, but they will think: what the fuck? You have the right to be whoever, whatever you want to be, everybody else has the right to think what the fuck. At times you will feel: nobody gets me. At all. You will be so alone in the world that you will want to sit in a corner and cry, and you will sit in the corner and cry. You will need to be stronger than you ever thought you could be, because sometimes they will not just think what the fuck, they will hate you and say so. And you will wonder what have I ever done to you that you hate me, I have written some words. I have thought some thoughts. I have put them out there. Ah, I have trodden on your reality by putting them out there. And then you have to say to yourself: I have the right to write words and think thoughts and to put them out there, they have the right to hate me for it. It is not wise nor generous, nor really humane, but sadly it’s only human of them if they do so. Forgive them for being human.

Angular waitress is still nowhere to be seen, so once again I hold my hand up to Ahmed who takes my order for two more mojitos. ‘These are nice,’ I say to Ahmed, unnecessarily, ‘could we have two more, please.’ I wonder should I ask him at the same time if he knows a good place for me to stay, like a hotel he can recommend somewhere nearby, but then I realise what this might sound like to him, so instead I wait until Ahmed has gone, and I ask George here where he is staying. ‘Round the corner, at a hostel.’ To my utter relief George doesn’t ask me where I’m staying: I just realise what a potential trap I’ve set myself, when it occurs to me that I have a discontinuity here. At the time when I’m George, this place most likely doesn’t exist. It’s too now. So, past me is in my world, not I in the world of past me. But my world at this point ought to be Kingston-upon-fucking-Thames. Practical considerations and logic have both been rendered imponderable, by what I know not.

What do you want to be when you grow up? I ask myself and I notice I’m not saying this out loud and so I can’t tell whether this is Now Me asking Young Me or Young Me asking Now Me or Now Me asking Now Me or Young Me asking Young Me or all of Me at the same time.

Sundown. I shall wait until sundown. I shall hold out as long as George here holds out. I will I will just stay with me until sundown.


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10 Secrets, No Lies

Everything can be true, to a greater or lesser extent.

Is what I imagine any less real than what I say before I do it, and when I do it is it then real or could I forget it and make it undone, or could I apologise for my faults, of which there are many, to myself, even, and having done so be forgiven, even by myself, or could I be better or worse than I am and still be the same, or is what’s in my mind any different to what’s on the screen black on white, and should I edit. And prune. And emend.

The bit of me that thinks I have no chance of survival outwith the trappings of civilisation knows that even this is as much true and as much false as I want it to be. Must everything be known, and to whom? Even my deepest inadequacies?

I stood in his bathroom, for no reason other than that I was round his house because he was helping me out by doing a piece of work for me that I couldn’t then do myself. The first time I saw him I was sitting at a desk in a large open room where maybe a dozen or so other people sat at or by desks, and we were all working on a project that was very exciting. It was exciting not because it had any meaning, but because the task was formidable, the challenge demanding, the technology thrilling; and the people assembled were good: they had crest-of-the-wave, or, as one of them liked to put it, ‘bleeding edge’ competencies. (I’m not sure I like the word ‘competencies’, but still; that’s the kind of context we are talking about…) There was no more of a point to any of it than there ever was to any of these corporate projects, beyond making a big brand look like what its executives could be coaxed into thinking was ‘cool’, and apart from one product that this particular project now helped this particular brand launch that was pretty crap on the inside but won hands down on design, the world would not have been any worse a place without any of what we were doing being done, but as I was sitting at my desk, making up inane scenarios of attractive young people using handsets, in walked the most attractive young person I thought I had ever seen. (If you imagine this as a film, here is where the music swells and—depending on genre and era—we may just go into slow motion.)

Since then, and several years of sporadically working together later, we had settled into a comfortable arrangement whereby I adored him and he let me do so. I once drunkenly at a party told him that I would never do anything to jeopardise our friendship, and he, similarly drunkenly, had shrugged his shoulders and said something along the lines of ‘that’s good to know,’ I can’t quite remember. Whenever we went out as a group, which we did now and then before he got married, I completely failed to disguise being smitten, which, after a while, became something of a running gag in said group: I adored him, he let me. There was nothing more to it. Now I’d asked him for a favour and he’d graciously said yes. I went round his house to help him do the work he was helping me out with and I went to the bathroom and there hung two of his shirts.

Maybe not everything needs to be told. Maybe some things are best left unsaid. Imaginations run wild. I stood close to his shirts that hung from a hook or a line on two hangers and guided one to my face and inhaled. Or did I think I would like to but couldn’t? It was as if he were in the room: for a moment I felt, this is you. Two seconds, three seconds, four seconds, five. That’s enough. You don’t cling on to that which undoes you. Or maybe you do, in your mind.

This is and remains my unending flaw (I want to say ‘tragic’ but ‘farcical’ would be more accurate): the realities of my heart are unhinged. I meet somebody, I fall for them, I imagine the world adjusted and changed, and project onto them my idea of perfection and see a settled ideal that requires no more explanation. The other person, more likely than not, is oblivious to any of this, and if I make the mistake to draw their attention to it and make them aware, they annihilate me with bewildered indifference, not unkind but bemused, not intentional, but lethal.

George has been looking at me as if he were studying me, and I still wonder does he know who I am. Not ‘know’ as in possess factual evidence, of which none can exist, but know as in sense, as in experience that profound certainty—inaccurate though it may be—that you have when you are in a reality that compels.

Ahmed arrives with our second mojito, and I think there would be something tremendously entertaining about getting drunk with myself. That would undoubtedly loosen things up, I fancy, if we both simply got plastered. Then again, it’s still only about two, two thirty in the afternoon, I still don’t know why I’m here at the Limonlu Bahçe in Istanbul and I can’t begin to think where I’ll be spending the night, but then there is really no hurry about any of this, and it occurs to me: we could go for a walk, but that would entail leaving this delectable oasis, it would mean dodging traffic and weaving through throngs of people, and it would mean being reminded that there is a world out there that is simply there and cannot, in essence, be argued with, whereas here, in the speckled shade of the trees, and with Ahmed and his angular colleague our waiters, and with the mojitos softening the edges of perception, and with George in clearly no more of a hurry than I am, I feel safe and, more than comfortable, content. Content just to be, and to be for a little while longer.

I look at him and think: you’re going to be just fine. Just don’t make all the mistakes I’ve made and keep making, right to this day. I can be so very inept, sometimes. He looks back at me, and I think he knows what I mean. And I say: ‘I do not understand my heart at all.’ And I don’t.


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9 Dust

Maxl has left and I go over the flat with the Dyson and some degree of resentment, directed not at Maxl, though clearly over the six months or so that he’s been here he never once did the same, and neither did I over the six months or so that he’s been here, because let’s face it: he’s the houseguest, does he expect me to go around and clean up after him? Then again, he’s the houseguest, so do I expect him to go round and clean up after me? Clearly not. And since neither of us found it necessary to go round the flat with the Dyson for the six months or so that we’ve been here together, to clean up after each other or let alone after ourselves, there is now a considerable amount of dust about the place.

I end up cleaning up after him because he leaves with a hug and a, ‘so this I suppose is goodbye,’ which it is only in as much as he’s not staying here any longer, he’s moving across town to North London and we’ll be seeing each other by the end of the week.

And so, no, my resentment is not of Maxl, whom I love and continue to love even though I’m seriously glad he’s moved out now, my resentment is of the dust. Dust in itself to me is objectionable to the point of being offensive. Why make people dusty? Isn’t that just adding insult to injury? I pause and reflect: what injury? The dust twirls around in the Dyson and I look at it this way instead: the good thing about leaving a little dust to accumulate in the flat is that when then you go round it with a Dyson you really notice the difference. Both in the flat, which suddenly seems altogether less, erm, dusty, but also in the little Dyson which visibly fills up, and you think most of this is just dead skin cells: I litter my space with this; how many Dysons have I filled since, well, ever?…

I look at George and I notice we haven’t said anything for a while now and that has not felt strange, it has felt comfortable. As comfortable as it should when you are sitting opposite yourself—even your much younger self—and you are actually quite happy to be there: with you, but not you. That was now, and this is then. I opt not to ask him any more questions for at least another such moment, and he looks at me and seems content. The moment is so comfortable that I try to remember it from his perspective, and it feels like I can, though it’s much more likely that I can’t and that I’m just constructing that memory in my mind even as I reflect on it, like a seven-dimensional puzzle. We’re coming to the end of our mojitos and I catch Ahmed’s eye.


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8 The Leopard (and His Spots)

We’re into weird territory now, and I’m a little excited. My hold on reality—loose as it’s been (so as not to say non-existent) since early this morning—has just undergone one more lateral nudge. Whatever I’m clasping at now is clearly not what I’m used to. I can’t blame the Bloody Mary: it may have been perfect, but it was not nearly so strong as to give me hallucinations. Do Bloody Marys ever? Is seeing yourself as a youthful rendering in your current day environment a hallucination? Then again, is a somewhat trendy garden bar cafe restaurant in the currently fashionable part of Istanbul ‘my environment’? And what are they thinking of me in Kingston, Surrey, right now? Should I care?

I resolve, for the first time really today, to ‘deal’ with the situation. Right up until now, I have been essentially bewildered and in no small measure bemused by my overall predicament, but now it transpires there’s something I must do. This fills me with gloom quite as much as it stirs me. Ideally, I would do nothing. I would sit here and wait for it all—whatever ‘it’ is—to just go away. But conditions are no longer ideal. Whereas until a few minutes ago I was maybe disorientated but principally happy to just exist in a reality that didn’t quite make sense but that would probably, I surmised, explain itself to me in one way or another sooner or later, I am now deeply discomfited. And as the extraordinariness of my state begins to dawn on me, it also begins to impose itself on me with a meaning, a forceful declamation of purpose: it seems to be saying you are here precisely to confront your own younger self. And that is plainly absurd.

The angular waitress is nowhere to be seen and so I halfheartedly wave at a sweet looking colleague of hers who is and has been all smiles. He looks about twenty-seven-and-three-and-a-half-months and wears one discreet earring and a handsome tattoo that encircles his arm below a deliberately high-rolled shirt sleeve. He likes me, I think, but then at the moment I am quite likeable, and quite helpless, as I glance up at him and ask him what it was that the young man over there had eaten, offering him an innocent smile: before you interfere with your reality, check it.

He glances halfway over his shoulder and furrows his brow for an instant or two, and my heart sinks. There’s nobody there. I’m imagining him, I am losing control. Hah, losing control, I’ve lost it several hours ago, possibly several decades…

He slowly turns back to me and declares: ‘Kebab. Mixed kebab and salad. Are you still hungry?’ – ‘No,’ I reply, only now aware of how odd a question that must have seemed, ‘no, not at all, I was just wondering; it looked nice.’ This satisfies him, and from his expectant look I deduce that he thinks I will want to order something anyway, maybe another coffee? I pause for a moment and then say, as if that was the most natural thing in the world: ‘do you think he would mind if I asked him a question?’

Ahmed—I later find out is his name—cocks his head a bit as if to say ‘are you serious?’ but instead, with a still growing smile says: ‘There is no harm in asking a question.’ I am relieved, but not sure that he’s right, necessarily. Would that not depend on the question?

I feel I have caught myself on the hop and I order, somewhat on a whim, a mojito this time round and—sensing my window of opportunity close and the boldness in my adrenalin-fuelled heart wane—ask Ahmed to ask young me (without referring to him as young me, for obvious reasons) if he would join me for one, as I would like to, there being no harm in asking a question, ask him a question.

Ahmed seems to enjoy this task, one he has never, I fancy, been given before, and brazenly marches up to young me and asks me if I would care to join the gentleman over there for a mojito. To my unending surprise I say yes. But then I have always been good for a new conversation, even back then, when I was, or believe to remember being, naturally disposed towards caution.

As I sit there watching myself saunter over to me, I sense an overpowering surge of affection and care. God, I think to myself, if only I knew…

{Mojito}

breakfast mojito

i had never had

a mojito

before but: why not?

i was on my last twenty pounds of which i’d just spent fourteen on breakfast, so 

a cocktail at noon

seemed 

apt…

*

i got to istanbul on my own after christoph and i parted ways back in budapest: he’d had enough and wanted to go home, i

wanted to see

amsterdam.

how i ended up in istanbul i’m not sure, i

suppose

i must have got on the wrong train –

different train: what can be

wrong

about a train that takes you 

where you’ve not been before

*

he’d sent over the waiter. that

in itself

was

brazen

i thought. he looked maybe forty, thirty-eight? forty?

(i later find out he was pushing fifty; i wasn’t meaning to flatter him though)

i went across to his table, and all the while he was looking at me the way your uncle who hasn’t seen you in years looks at you, or a friend of your mum’s who remembers you as a baby: a familiarity that says, you don’t know who i am, but i changed your nappies when you were little.

maybe that’s why i accepted his invitation to

mojito

in the first place: he felt harmless. forlorn, perhaps, and a bit quizzical maybe, but benign

*

i sat down and he said, ‘don’t tell me: it’s george.’ and that made me wonder.

‘isn’t it?’

‘yes.’

‘good to meet you george, my name is sebastian.’

i’d always liked

sebastian

as a name

*

he looked at me with his nearly-a-stare that spoke of

curiosity, even

wonder –

i asked him: ‘what are you doing in

istanbul?’

‘if only i knew,’ he laughed, and there was a silence.

‘how about you?’

*

soon

the waiter

ahmed

arrived

with mojitos


No Compromise >


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{Displacement}

This post has moved. You can now find it here.

 

EDEN was originally published in random order. Starting 1st August 2018 it is being reposted in sequence. To follow it, choose from the subscribe options in the lefthand panel (from a laptop) or in the drop-down menu (from a mobile device).

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10 Secrets, No Lies

This post has moved. You can now find it here.

 

EDEN was originally published in random order. Starting 1st August 2018 it is being reposted in sequence. To follow it, choose from the subscribe options in the lefthand panel (from a laptop) or in the drop-down menu (from a mobile device).

If you are the owner of the link that brought you here, please update it; or if you know them, then please do let them know.

 

Thanks & enjoy.