{Orlando)

i am orlando

..

breathless

at the bacchanal

bewitched, senses

submerged, my image

mirrored, my mind

magicked, my emotions

modulated

magnified

unmoderated and maybe

immodest, myself

multiplied:

..

masked dancer at the carnival

bald bearded lady, fashionista

beehive diva, torch song bearer of my soul

pole-dancing scientist

shop floor assistant checking out

the other side, experimenter, part-time genius

moustachioed hipster sophist nerd geek self-inventor and

bespectacled spectator

taking in, in-

haling, hailing without praise or

condemnation

participant observer, being-done-to

doer

..

all exposed

..

the pushing

to the fore, persistent rushing shoreward of

wave upon wave:

the daily deluge of disaster 

wilfully

constructed, or else

wantonly permitted to occur and then

dispersed

with breathless kick and fury

horned-up with excitement

round the clock

catastrophe porn paired with power penetration to the 

brain: every

second someone selling something

a tsunami of musthave dispensables

then news again the weather breaking down ten thousand perish in a flood

security alert

three men arrested at the airport

one who fled

soft-spoken leaker of state secrets swears allegiance to

the people; people

protest

the police, the army

bullets rifles hand grenades, ex-

superpower eyeing up her neighbours’ territories, boundaries

unkept, unrecognised, rendered irrelevant

space probe touchdown on the comet, cheers and champagne at

base, break through

the tunnel, high speed trains

dark matter and dark energy

the murder of the messengers

a million on the streets in solidarity, fighters

of and for freedom feeling pain, offenders

in each other’s eyes – our

tears taste all the same

..

a smartphone

with an app the university that taps into the global lecture hall

a telescope array across a mountain table peering deep into the origin of

time, and

cupcakes

talent shows, made-up

realities

downloads, stolen

identities and

printed body parts

milestones in mending memories, the

tantalising likelihood that we are not alone

sandcastles made of stars, stars

made of frivolities

cat videos

and piles

and piles

of rubbish

..

rejects

refugees

residents of uncertainty, nomads by 

adverse conditions, the

collateral of calamity

unwanted

unloved, un-

understood   

disowned dishonoured dismissed dishevelled, dis-

affected

indistinct

in the morass

of mass

morbidity, in-

visible

..

flashes of inspiration

fascinations

colours, glitter

decadences

balls: exuberances

festivals and

congregations, close

communions

travel at the speed of sound, lightspeed

communication

instantaneous pools of

commonality

the vibe and exultation, the

euphoria

the sharpwit razor of precision, the

ingeniousness

the shared experience

the climactic joy, the

sacred orgasm of

life

..

..

..

i rest

i pause

i meditate, i am

orlando

i reflect

..

i have no solution, there are no solutions

i have no anger: anger is void, i 

ease

i learn

i think

i offer

..

..

silence

..

..

i

become

the citizen

and i see sparks of wisdom and then once again i laugh

i love

i give

i take

i lose myself

i win

i love again, i want and want not and want not to want, i 

realise

i am a part of it: i am

a part 

of everything, every

thing

is part of me

..

i am the gods

i am the universe

i am the energy

i am the code

i am the probability

i am the failure and the hope and the despair 

i am the triumph

of existence

..

that is what i am:

i

am

..

orlando

..

..

..

[{Orlando} was first published as part of Orlando in the Cities in A Quantum CityBirkhäuser 2015]

The Snowflake Collector – 11: He Was, Now More Than Ever, His Own Man

Winter did return to the valley, a little later each year now, it seemed, and with winter returned the snow and with the snow began in earnest The Snowflake Collector’s work.

He applied his formula and mixed according to it his extraordinary liquid that had just the right qualities, the exact consistency and molecular structure to capture snowflakes as they sank into it, without melting them, without damaging, harming them, but able to, so far as the continued existence of George suggested, preserve them for not only seconds or minutes or hours or days, but for months, maybe years. And he quickly found that the differentials of success over failure were minuscule. It took him many days and every day several attempts just to recreate a small quantity of the solution, and even then the snowflake that sank into it only kept its shape for a moment before it melted and passed.

Not only were the proportions of the ingredients to each other of critical importance, but the stillness of the liquid inside the cube – one inch by one inch by one – and, particularly, the precise temperature at the point of entry made the difference between death and a continuation of life, in some sense, of the snowflake that was being captured. Even how long it took him to seal the cube after capturing a snowflake mattered to how likely the snowflake was to stay intact.

His task, he soon realised, was not just immense, it was also extraordinarily difficult and demanding. But he did not mind. And he no longer despaired. He had, on his shelf in his hut, one pristine, perfect specimen of a snowflake, the one he had named George, and George was still there, he still shone like a tiny beacon that whispered of the attainable, and as long as he was there, there was a point, there was a purpose, there was a reason, and if it was one reason only, to persist.

Innumerable may be the failures now – and innumerable, though they weren’t, they felt – before The Snowflake Collector would succeed in capturing even just one snowflake as exquisite as George, but he knew now it was possible, and that was all he needed to know. And as he persevered he was able to, slowly, gradually, attain other, similar miniature triumphs. None, perhaps, felt as glorious as George had felt, that surprising day in the wrong season when he had landed upon him, but each brought its own little joy, its own advancement, sometimes followed, shortly after, by a setback, a failure, even a minor catastrophe. But none now were in that sense a disaster.

He carefully crafted more sturdy boxes for the glass cubes that he made, and he filled one, then another, with snowflakes that he named, each as he caught it; and regularly Yanosh would come up to his hut, and now they often found they had something to talk about. They still mainly just nodded at each other to signal ‘hello’, and then when they parted they signalled ‘goodbye’ in a similar way, but as The Snowflake Collector himself now spent so little time sitting outside his hut and so much time cutting glass plates, assembling them into cubes, building boxes, mixing liquids, studying the effects these liquids had on the snowflakes and the effects that these snowflakes had on the liquids, and perfecting his practice, Yanosh seldom now simply sat outside The Snowflake Collector’s hut to watch him, or watch the world go by – which didn’t go by here, as both of them knew, even though both of them knew also that it also never stood still – but helping him, if there was some way to help, or, if not, then photographing these snowflakes in their exceptional beauty.

And as The Snowflake Collector honed his technique, he became not only better at what he was doing, he slowly turned into an expert at snowflake collecting and beyond an expert he became a master at it. He began to understand these snowflakes as they spoke to him in their silent presence, and he learnt to absorb and to internalise their essence. He still wasn’t able to communicate it, but he felt that maybe that wasn’t so necessary now, because as he was becoming a master at snowflake collecting, Yanosh kept taking pictures of them, and he too got better at taking pictures of snowflakes, and although he did not have any desire to become an expert at snowflake photography, or let alone, in these young years of his, a master at anything yet, his pictures were astonishingly compelling, and, as he did with any picture he had taken and of which he thought that someone might like it, he posted some of these snowflakes online, and predictably people were struck by their wondrousness.

Without knowing it, The Snowflake Collector acquired a following. Yanosh didn’t make much of the fact that the picture collections he set up on his social network began to spread and attract the attention of admirers all over the world. To him, that was just what happened when you posted pretty pictures online. But there was something about these snowflakes that set them apart from other pictures of snowflakes. Maybe it was the way in which they were kept, in these glass cubes, floating, it seemed, in a gel that lent them their luminous sheen; maybe it was the names that The Snowflake Collector gave them and that Yanosh faithfully transferred when he labelled these pictures; or maybe it was just the unfussy tenderness of Yanosh’s framing, the gentle exposure and understated postproduction that made them look as complex as nature and as simple as geometrical art: it was impossible to tell.

What was certain was that The Snowflake Collector’s snowflake collection grew, and as it grew and grew more captivating, it captured the imagination of more people, and it wasn’t so long before some of these people, either because they happened to be in the relative vicinity of the valley already, or because they felt this was as good a reason as they needed to come to the valley, started to visit him. The Snowflake Collector was not keen on visitors, by and large, but as they were few only in number, and their appearance in the valley was infrequent enough, he welcomed them and introduced them to some of his snowflakes, individually, selectively, and by name; and the visitors would tell their friends about these encounters in conversations and post their own pictures of the snowflakes and of The Snowflake Collector, recounting their stories; and invariably, as The Snowflake Collector’s reputation spread, ‘the media’ finally cottoned on to him. At first it was just a young journalist who took an interest in these curious tales she’d heard and who was fascinated by the pictures she ‘discovered’ when doing a quick search online, and she came to the valley and did a sensitive portrait of him that appeared somewhere in a paper that few people read.

This was picked up by another and soon yet another, and without ever wishing it so, The Snowflake Collector found himself famous. He did not understand the reason for this. He was The Snowflake Collector, what he did was collect snowflakes. He was generous with his snowflakes and he would introduce them to anyone who came to him curious to meet them, but he did not think that what he was doing – although as a task immense and demanding – was something that anyone else so disposed as he could not easily do.

The people who came to visit him, most particularly those who came from ‘the media’, found this quaint and endearing. The Snowflake Collector knew they were patronising him, but he did not mind about that either. He felt no anger towards them, and no contempt. These were the same people – not the same individuals, of course, but broadly speaking representatives of the same culture – that had for decades ignored and belittled him. Even ridiculed him. But those long years he had spent in the big city among them, trying to be taken seriously by them, attempting to create, wishing himself noticed by them, they had washed away with the meltwater that had rushed down the stream by which he kept his small plot of land with the trees that he planted, two for each one that he cut down to use for his modest needs. He had no fear of them now and no regard other than the regard he had, and had kept, always, for all human beings: they were friends in as much as they were certainly not enemies, for to grant someone the status of enemy is to give them power over you, and The Snowflake Collector had long ceased to give anyone power over himself. He was, now more than ever, his own man.


10: George <

> 12: There Was Nothing Now But the Snow


The Snowflake Collector – 8: It Was, in Every Imaginable Sense, a Disaster

No matter how Yanosh tried, no matter where he looked and what he put in his search field, the world did not seem to possess for The Snowflake Collector an answer. Innumerable were the sites and video clips that explained how to preserve snowflakes on microscopic slides or small sheets of acetate, using either – as he had been doing – superglue or hairspray or an artist’s fixative; and they all arrived, going by the evidence Yanosh could find, at results similar to the ones that The Snowflake Collector so far had reached.

But this, Yanosh knew, for The Snowflake Collector had told him, would not do. He would need, The Snowflake Collector had said and determined to a degree that to him was now irrevocable, a way of collecting his snowflakes in the fullness of their dimensions. And while it may have been the case that in their majority these snowflakes seemed, at first glance, so flat as to fit neatly within a thin layer of superglue trapped between two small plates of glass, The Snowflake Collector knew that this was nothing but a deception. A deception and a crass simplification by the lazy mind.

In reality, all these snowflakes – even the flattest among them, but most certainly those that came in the shape of short studs or even, as often they did, in a formation of nearly flat hexagonal structures enjoined with or indeed by short column shaped ones – were miniature crystals of infinitesimal complexity. To squeeze them between two glass plates and store them flat in a wooden case, no matter how carefully crafted, was, to The Snowflake Collector, as looking at the world and declaring it a disk off the edge of which one might fall…

The Snowflake Collector knew, then, that he would have to develop his own substance. He would have to acquire some knowledge, and applying this knowledge he would, through a process of trial and error and elimination, have to come up with a liquid, a gel that would have just the right consistency, that would be clear as glass, and that would dry, at habitable temperatures, with untarnished translucence and would keep the shape and the intricacy and the character of the snowflake he would encase in it, in three dimensions, for the relative eternity he or any other human being could envisage; not an eternity, then, perhaps, but a lifespan of civilisations: the extent of a physically appreciative intelligent presence on this planet.

A deep crisis of confidence soon engulfed him, for Yanosh’s research online remained fruitless. The Snowflake Collector now even undertook his rare and adventurous journey two or three times, by yellow bus and little red train and larger green or white train along the lakes into the biggest of any of the cities in his country and to the enormous library of the university there, to study the properties of chemical solutions at different temperatures and their reaction to coming in contact with ice. But hours and days and nights and weeks and months of labour both in theory in the city and in practice at home in his valley did not yield up to him any liquid or gel or substance of any kind that would catch a snowflake and leave it intact and absolutely unharmed, suspended in a glass cube in three dimensions, one inch by one inch by one.

The Snowflake Collector sensed the end of the season draw near, and with it he felt this abyss of despair once more gaping up before him, calling him to fall, drawing him close to surrender, willing him to give in. He did not feel, The Snowflake Collector, that if in this undertaking, as in so many others before, he failed, he would find the strength, the courage, the spirit to pursue it again next winter. Or any other endeavour. He was now, he felt certain, exhausted, spent. He had given the universe his all, and the universe had, once more, rejected his offering. Yet again, crushed by defeat and destroyed by his own, maybe lofty, ambition, he had exerted himself, but he had not excelled. It was, in every imaginable sense, a disaster.

The snow melted. The stream, where he had a small plot of land on which he planted two young fir trees for each mature one he cut down, had already swollen with the water from the fast disappearing masses of white that had covered the meadows and the sharp inclines of the mountainside, and The Snowflake Collector was no more. He had ceased to exist, his purpose evaporated like the miserable puddle of water left on the window sill from the erstwhile snow, with the warm morning sun. The devastation was drawn into the furrows of his troubled forehead, and when Yanosh now came to sit with him outside his hut, their silence was one of sadness and loss.

The stale stench of failure now clung about him, The Snowflake Collector knew, and he felt despair not just for himself but also for Yanosh. This friend. This loyal lad, still growing up, still becoming a person. Had he not let him down terribly too. Had he not drawn him into his project and made him a part of it and did the ruins of it now not lie scattered before his innocent eyes, his young heart cut and bleeding; for what? A delusion? A whim? A fantasy? For a false and forever frustrated illusion that there could be such a thing as meaning, as purpose, as friendship and love?

Tears ran down The Snowflake Collector’s face and fell on the cold folded hands in his lap and he felt he was already dead. Yanosh could not bear to look at him. But he sat still by his side and bore with him his pain. And thus they remained, awaiting in silence the dread bounce of spring.


7: Every Day Brought New Gifts Now <

> 9: So as Not to Chase Away its Wonder


11 Death (Imagined)

I noticed I was dead when I saw myself lying dead in my bed; looking down on myself from a great height: there I was. Gone. A lifelong flirtation with significance, over. And nothing dreadful in consequence. No pain, no loss, no uncertainty. Just the remorseless ease of an expired existence. Of almost failure. Of having nearly been. Something or other. Someone? Then I woke up and realised that it had been a dream. I don’t like to say ‘only’, but it had been ‘only’ a dream. I had dreamt my self dead. What new joys. Wait on me.

It’s hard now to say what perplexed me more. Being dead (in my dream), or being alive (after all). But finding myself thus among the quick in a hitherto slow existence, I believed I had heard, and was minded to heed, a call for action: I got out of bed and made coffee.

Mug in hand I stood in front of the bathroom mirror, naked. I do that a lot these days, I examine my body. I marvel at it, not admiringly: bemused. I don’t look for blemishes or signs of decay, I look for signs of familiarity; for something that says: this is you. I don’t find it. The person standing naked in the mirror in front of me could be anybody. It’s not that I’m alien to myself or strange, just: unfamiliar. I’m roughly fifty and not beautiful. What I marvel at is not beauty. What I marvel at is the fact that I don’t recognise myself in the shape I’ve become. I’m not even unattractive. In fact, I may be more attractive now than I’ve ever been. And I’m not even sure if that’s a good thing or a bad thing. I’m not sure it’s a thing. Any more. ‘Attractive.’ To what and to whom and to what end. Nevertheless, I’m a little alarmed because it seems late in the day to suddenly start feeling attractive. Alarmed but a little reassured too, because perhaps it just means I’m not over the hill. What is the hill? Going down is supposed to be easier than going up. What ride am I in for? Now?

Mug in hand I stand in front of the mirror naked, looking for signs of familiarity. The eyes maybe. Or the nose. Maybe the lips. I’m stubbly and I like it. There. That’s something to hold on to: seeing as it is that I’m alive there’s one thing that I’m happy with and that’s worth holding on to: my stubble.

I remind myself I am sitting opposite my young self and I had promised my young self – not so much promised, perhaps, as enticed him over by means of the prospect of – a question. My mind goes blank. The memory of imagining my own death, even just as a dream, and the image of my standing in front of the mirror naked, mug in hand, and content that I have inexplicably become ‘attractive’, possibly owing to stubble (which has since grown somewhat into a near-mature beard) sends a shudder down my spine and I put down my Mojito too firmly.

‘George,’ I say, sensing that something – anything – is required from me at this point, ‘what are you doing in Istanbul?’

This is not, obviously, the question I’d had in mind for him, but then I can’t begin to conceive of what question I might have had in mind for him, and since it’s a question that is playing on my mind about myself (what am I doing in Istanbul?) I feel it is pertinent, or if not pertinent then perhaps justified, or if not justified then at least maybe useful, useful in as much at least as it might open the conversation and at this point in the proceedings (are these ‘proceedings’, and if so what are they?) I yearn for a touch of conversation.

I startle myself at realising I also yearn for a touch, his touch, any touch, some contact beyond verbal, visual, aural, and I want to place my hand over his in a fatherly gesture. I don’t. But there are now two versions of us sitting at this table in the garden of the Limonlu Bahçe: one, the ‘real’ one, in which he still holds his glass in both his hands and has his eyes not exactly fixed but nevertheless on it, whereas I look at him in my ongoing state of bewilderment, and one, the ‘imagined’ one in my mind where he has put down his glass and I have cupped my left hand over both his hands and I look him in the eyes and he looks back into mine.

‘Not exactly sure,’ he says – in one version examining the glass in his hands and twisting it slightly, in the other holding my gaze with a blend of confidence and the uncertainty his words imply – ‘I was doing Interrail with a friend, I had no intention of coming here really, but maybe circumstances conspired…’

I know at once that they did, even though I still don’t remember this scene from my past, and I am immeasurably relieved; he is, although he doesn’t know it, similarly displaced from his own reality: we are on the same page, more or less.

I imagine squeezing his hand and cupping my right hand around his neck and pulling him close so he can rest his head for a while on my shoulder, but instead I pick up my glass and lift it up to him and say, as if I had any authority to do so: ‘welcome to Istanbul,’ to which, in both versions, he too raises his glass and clinks it with mine and, once again gamely, says: ‘welcome to Istanbul.’