Touch – EDEN by FREI

Neptune

I sit on the edge of the solar system, with Neptune, invisible. I’m known to exist, but nobody sees me. I think I see them, from a distance, through a haze. I can’t be sure. Twinkles, here and there, allover really: wondrous…

I have, inadvertently, become a god. This is both puzzling and absurd: those powers they invest in me are merely mythical. I am not even drawn to water, not as other people are. Some see the sea and jump right in. I don’t. I am content to sit there, pondering. Until the time comes. Until I’m ready. Until I feel the need. Until curiosity gets the better of me. Or temptation. Or just the wanting to have been in the water before going home. Not so much the desire to be in the water, as the desire not to have not been in the water at all. For a moment. Or two. With the lover, the dolphins, the mermaids, the waves and the fishes. The other gods. This propensity to ponder. It may be an affliction; but why not. ‘Why not?’ seems to be the overriding question. Is that what it is: a question?

I walk from Neptune towards the sun through the snow – like shooting stars, falling. I love the snow falling on my face as I look up at the sky, at the space, at these planets, the aboveness and the aroundness of it all; the path ahead is white and clear, and there’s no one about. Of course not: I’m alone. Alone on the edge of the universe.

A pang of love, a moment of pain. Love for whom? Pain of what? A special one now, this time, really? A sense of myself, now, really? Or of the idea of myself. Of the Concept. The Unreality.

I like my reality right now, I can deal with it, I can live up to it, make sense of it, or so I tell myself, knowing this not to be true, not entirely.

I walk, steadily—not fast, not slow—along the path of the planets, thinking myself Neptune. I am not a planet. I am not a god. I am not a myth. I feel millions of miles away from the allness of it all, but I’m about to dissolve into it, and this thrills me.

Is that a lonely path I walk or is it just deserted? Because it’s late. Because it’s out of season. Because it normally is deserted, the path, around now. Is it too late? This turns into a portentous question all of a sudden. Am I too far along the path, do I circle too slowly? But we know, we know, we are not planets, we are not rivers, we are barely human.

We are human. So bare though, so vulnerable, so thoughtful, so cautious, so hesitant, so almost capable. So willing, yet, to survive. So surviving. Thriving, even, against the odds. So gentle. So soft. So curly, the hair. So even the teeth. So tender the lips. So lovely the legs. So quirkily satin the belly button. So elegant the fingers. So delicate the eyelashes. So warm, so warm though the chest.

So fleeting, so insubstantial as I walk under fir trees and the snow they are clothed in, so naked, so wrapped up in my delusion, my reading the signs that aren’t there, my wanting it all to be and to mean something. Wanting it all. To be and to mean. Something.

I take pictures of the snow so I can send them to him, though I don’t even know if he wants to look at the snow through my lens through my eyes through the synapses of my brain that miss him, but I know he has never seen snow for real and I want to show it to him. His mind is not here any more than his body. What of his soul? It sits right in me. He would love the snow, I know, if he saw it for real. If he were with me now. If we were insubstantial now in the snow together, seeping into the ground.

I know these things. I now know them all, and they all make sense, and they will come to pass, and it all just needs time to arrange itself now. I want to be sure.

I missed Uranus on my journey, I realise, as I pass Saturn, wondering why that took so long, and I don’t mind. There’s an irony in this, but it is not a metaphor, not even a pun. Not a sign. It’s a coincidence: sometimes you miss a planet, that’s all.

I’d decided to surrender, to go with the flow, just to be. I’m calm at the thought, now, at ease. I feel a greater certainty than ever before, but I’m not sure about what. Just about. And I know I don’t need to investigate this, I don’t need to probe.

I don’t need to understand, because I already know. I don’t want to be the one any more who longs. I don’t want to be the one any more who pines and freezes. The one made of ice. And rocks. Enveloped in abundant gases. Who errs on the side of reason, out of sight, out of mind, out of being. I want to thaw and to melt and to meld with the one and to bloom and to lose myself in the all and to be.

And so I walk on, sunward.

< Preamble Jupiter >

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The Ice King – 2: The Kiss

The Ice King doesn’t speak, and I don’t ask; the questions are too many, too small: too trivial by comparison.

I feel my body tremble, not with fear, not with cold; with unfamiliarity? I look him in the eyes, and their glint reassures me: I want his power to be absolute, but benign.

As I take off my heavy boots and both pairs of socks, I expect the ice under my feet to sting or to burn me, but with my eyes on him still, and his gaze still steady on me, there is only the glow that expands from inside my spine.

I take a step towards him, and his presence feels no longer silent, it hums, or so my mind makes me believe; in truth he lies still and alert, and my breathing is no longer shallow: I want to melt into him, meld with him, and as I step closer, he sits up just enough to extend his hand and bring me into his orbit.

Now the colours, the touch, the sensations, the heat from within, the cold from without; this surface I lie on is as hard as polished marble, this skin that I breathe is softer than ermine, but his grip and his hold and his motion are firm; no longer can I tell what am I and what he, my focus is gone, the ice and The Ice King, the light and the scent are all one; I dissolve into it, into him, into the fire of him in me; into the ice that is no longer chill but a mould of clean edges that envelop us like multiple layers of soothing gauze, like everything ever imagined but more, and more real, like losing myself, my thought and my fear, like everything ever felt but not known, like owning the universe through being owned, desiring only being desired, like being The Ice King through being his, not wanting not pining not longing not hoping not dreading not doing not acting not willing not giving not taking not talking not buying not selling not looking forward and not thinking back, not imagining and not dreaming. Being and ceasing to be all at once in the now and forever.

The Now. The Forever. We breathe. We hold on to each other. I think I smile, but I can’t be sure. He tilts his head back and exhales. I feel his breath on my neck and bury my face in his shoulder. The light is orange and blue and a bit purple too, and we are embedded in the ice that feels now as if it had melted and made a pool of clear water that seems to flow warm, although this may just be the pulse in my temple and the beat of his heart and the protective embrace of his arm and the comfort, the comfort of him.

We lie thus for hours, or so it seems, as I drift in and out of awareness, and The Ice King is deep in my mind, quiet and quite majestic. I know I can’t stay here but nor can I leave. I bathe in the silence, but words are bubbling inside me. I want for nothing now, but I wonder how deep, how old, how immaterial is the ice. I lift my head to look at his face, in repose. His lips are not of this world. I hesitate. I pause. I cannot ask permission. I cannot resist. I kiss him.

< 1: The Chamber 3: The Thought >

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11 Death (Imagined)

I noticed I was dead when I saw myself lying dead in my bed, looking down on myself from a great height: there I was. Gone. A lifelong flirtation with significance, over. And nothing dreadful in consequence. No pain, no loss, no uncertainty. Just the remorseless ease of an expired existence. Of almost failure. Of having nearly been. Something or other. Someone? Then I woke up and realised that it had been a dream. I don’t like to say ‘only’, but it had been ‘only’ a dream. I had dreamt my self dead. What new joys. Wait on me.

It’s hard now to say what perplexed me more. Being dead (in my dream), or being alive (after all). But finding myself thus among the quick in a hitherto slow existence, I believed I had heard, and was minded to heed, a call for action: I got out of bed and made coffee.

Mug in hand I stood in front of the bathroom mirror, naked. I do that a lot these days, I examine my body. I marvel at it, not admiringly: bemused. I don’t look for blemishes or signs of decay, I look for signs of familiarity; for something that says: this is you. I don’t find it. The person standing naked in the mirror in front of me could be anybody. It’s not that I’m alien to myself or strange, just: unfamiliar. I’m roughly fifty and not beautiful. What I marvel at is not beauty. What I marvel at is the fact that I don’t recognise myself in the shape I’ve become. I’m not even unattractive. In fact, I may be more attractive now than I’ve ever been. And I’m not even sure if that’s a good thing or a bad thing. I’m not sure it’s a thing. Any more. ‘Attractive’. To what and to whom and to what end. Nevertheless, I’m a little alarmed because it seems late in the day to suddenly start feeling attractive. Alarmed but a little reassured too, because perhaps it just means I’m not over the hill. What is the hill? Going down is supposed to be easier than going up. What ride am I in for? Now?

Mug in hand I stand in front of the mirror naked, looking for signs of familiarity. The eyes maybe. Or the nose. Maybe the lips. I’m stubbly, and I like it. There. That’s something to hold on to: seeing as it is that I’m alive, there’s one thing that I’m happy with and that’s worth holding on to: my stubble.

I remind myself I am sitting opposite my young self and I had promised my young self—not so much promised, perhaps, as enticed him over by means of the prospect of—a question. My mind goes blank. The memory of imagining my own death, even just as a dream, and the image of my standing in front of the mirror naked, mug in hand and content that I have inexplicably become ‘attractive’, possibly owing to stubble (which has since grown somewhat into a near-mature beard), sends a shudder down my spine, and I put down my mojito too firmly.

‘George,’ I say, sensing that something—anything—is required from me at this point, ‘what are you doing in Istanbul?’

This is not, obviously, the question I’d had in mind for him, but then I can’t begin to conceive of what question I might have had in mind for him, and since it’s a question that is playing on my mind about myself (what am I doing in Istanbul?) I feel it is pertinent, or if not pertinent then perhaps justified, or if not justified then at least maybe useful, useful in as much at least as it might open the conversation; and at this point in the proceedings (are these ‘proceedings’, and if so what are they?) I yearn for a touch of conversation.

I startle myself at realising I also yearn for a touch, his touch, any touch, some contact beyond verbal, visual, aural, and I want to place my hand over his in a fatherly gesture. I don’t. But there are now two versions of us sitting at this table in the garden of the Limonlu Bahçe: one, the ‘real’ one, in which he still holds his glass in both his hands and has his eyes not exactly fixed but nevertheless on it, whereas I look at him in my ongoing state of bewilderment, and one, the ‘imagined’ one in my mind, where he has put down his glass and I have cupped my left hand over both his hands and I look him in the eyes and he looks back into mine.

‘Not exactly sure,’ he says—in one version examining the glass in his hands and twisting it slightly, in the other holding my gaze with a blend of confidence and the uncertainty his words imply—’I was doing Interrail with a friend, I had no intention of coming here really, but maybe circumstances conspired…’

I know at once that they did, even though I still don’t remember this scene from my past, and I am immeasurably relieved; he is, although he doesn’t know it, similarly displaced from his own reality: we are on the same page, more or less.

I imagine squeezing his hand and cupping my right hand around his neck and pulling him close so he can rest his head for a while on my shoulder, but instead I pick up my glass and lift it up to him and say, as if I had any authority to do so: ‘welcome to Istanbul,’ to which, in both versions, he too raises his glass and clinks it with mine and, once again gamely, says: ‘welcome to Istanbul.’

< 10 Choices 12 The Sultaness (Revisited) >

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Neptune

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EDEN was originally published in random order. Starting 1st August 2018 it is being reposted in sequence. To follow it, choose from the subscribe options in the lefthand panel (from a laptop) or in the drop-down menu (from a mobile device).

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The Ice King – 2: The Kiss

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11 Death (Imagined)

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