Pyromania [1]

It was a particularly pointless but spectacular crime that shook the town, the nation, the world.

It could not be explained, even though the Earnest Psychologist tried, on TV, to find reason for it, or if not reason, then at least rhyme. It could not be put to use, even though the Angry Prophet admonished the people for failing to see its hidden purpose; and it could not, so it seemed—oh could it ever?—be forgiven.

The Sacred Sage counselled thus, but the offence was so severe, the laceration so visceral, and the shock so unshakeable that the hand of mercy may not extend for millennia. As for the Messenger? The furious rabble killed her on the spot.

George had recently moved to the area, and he was in no way unusual, other than in the ways that everyone is a bit, especially when puberty all of a sudden gives way to sullen teenage anguish.

George’s anguish was no different to most, so most would have said, but he alone had to bear it, and he knew that nobody knew what it was. Nor did he care. Nor did he think about it or dwell on its nature. He felt an ache of malcontent with the world that was heavy and sad, and he didn’t have words to talk about it, nor did he have friends who would have responded in terms of pure friendship if he had ever articulated it.

The Earnest Psychologist, in retrospect, tried to reason that the breakup of his parents two years prior would have been an incision of trauma and separation in his life. The Angry Prophet berated the people: your passive aggression, your smug disengagement, your unbearable peace! Someone needed to come and infuriate you! Shake you! His pain is now yours. Own his pain! And turn it on the system that pains you!

The Sacred Sage knew not of pain or system, but he knew of love. ‘Love this boy, he is your son,’ he said, as they shouted him down. ‘The world you are part of—that you are a creation and at the same time creators of—is the world that has all of you in it and all that you hold dear, and it has also him in it, and all that you despise; if you despise him, you despise part of you: the hatred that pains you is the hatred for the part of you that you don’t want to know. Love him like your son; more than your son! Love him and forgive him: extend the hand of friendship to him and say these words: “you are forgiven.”’

But George was not forgiven. They cried, ‘he has not atoned, and he has not shown remorse, he has not begged for our forgiveness, on his knees, as he must, since the horrendousness of his deed has no bounds.’ The Sacred Sage sighed.

George had been wandering along the beach that he had recently moved to, with his father, a spruce man called Mark. Mark was a good dad to George, and he loved his son in an uncomplicated way that as far as he knew and was able to tell made sense and sufficed. It was not an ungenerous love, it was genuine. Real. George had no reason to doubt that his dad loved him, and his dad was far from his mind.

On his mind was nothing specific as he ambled, listlessly, on the promenade from his new flat—he did not think of it yet as his home; events he himself was about to unleash were to make sure that he never would—by Boscombe Pier towards Bournemouth town. He wasn’t thinking of his friends (he had one or two), or his class mates (he was mostly indifferent to them), nor was he thinking of any girl.

Sometimes he thought of a girl; there was one in his class who was undeniably pretty, and sassy too, and whose lips curled up by the edge of her mouth when she smiled, which he thought was attractive, and her name was Sarah, which reminded him of his aunt, who was also called Sarah, but he was not thinking of his aunt either that evening, making his way slowly towards Bournemouth.

He wasn’t thinking of homework, nor of any sports team he may or may not have had a passing interest in, and he wasn’t thinking of a nondescript future. Nor was he thinking there was no future, or that the future would be nondescript. (As it turned out, the future for George would be highly specific.)

He was moving at the languid pace of a lanky youth westwards, and he was going to meet up with some mates. This thought, such as it was, neither uneased nor excited him: it was one of those things that you did. So George’s head was not filled with anything in particular at this time: he was neither angry nor sad, not lonely nor elated. He hadn’t had anything to drink at this point, and he had not taken any drugs either. The Earnest Psychologist found this hardest to deal with in retrospect: there was no trigger, no immediate cause. Not now, and not in the hours and days that followed. The Angry Prophet disagreed: the cause was all around! The cause was there right in front of everyone: just look and you see it, open your eyes!

The Sacred Sage knew not of any cause or what causes might be ‘good’ or ‘sufficient’ or ‘real’; he spake unto them: ‘have done with fear and loathing and hatred and cause. Love him as if he had given or needed no cause.’ They yelled at him chants of shame and abuse.

What caught George’s eye and his attention, and filled his head with a leftfield thought—one that seemed to come out of nowhere and should have fleeted through his mind without trace, but didn’t: it lodged itself there and nested, and laid its eggs and sat on them, warm and soft and heavy, till these thought-eggs hatched, and they were not quiet or timid, but loud and vigorous and demanding to be fed with action—what ignited the spark of mischievous unrest that would have to (there already was no escape) yield onto abject disaster, but also glorious ecstasy, if but for one moment: what was on his mind were the beach huts.


< V RANDOM — {Coda}

Pyromania [2] >


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{Closure}

Somebody I speak to at length on a regular if not particularly frequent basis, and whose thoughts I greatly respect—not least because they are more abstract than any other thoughts I hear routinely expressed—plays through the possibility apparently inherent in a Large Hadron Collider, such as the one operated by CERN near Geneva, of accidentally causing a mini black hole and thus precipitating and essentially causing the End of the World.

Instinctively, I consider the likelihood of this happening minute, but she holds my gaze a little longer than I expect, and I read from this that to her mind—and this is one of the finest minds, certainly in theoretical matters, I have ever come across—the probability is not so remote as to be dismissed lightly, let alone completely.

In a philosophical sense you could argue, and I possibly would, that no probability is so remote as to ever be altogether dismissed, whether lightly or not, but I’m a little startled that of all the people in the world she should contemplate this particular portent so earnestly.

I forget—as I do most things—our conversation momentarily, but then it keeps nudging its way back into my thoughts where, far from frightening or even greatly disturbing me, it fills me with a curiously warm feeling of comfort: If the world were to end, I seem to feel (rather than think, because thinking this would to my mind in turn seem counterintuitive and quite irrational), then, no matter how likely or unlikely that may be, the idea of the world ending by a picturesque lakeside near Geneva strikes me as strangely appropriate and disarmingly ironic. And, I should say, because of this alone more probable (if, at this diminutive level of probability, that is still the right word) than almost anywhere else…


< Indiscretion       Entreatment >


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Projection

Sedartis sets no store by opinion:

‘If you want to know the giants, the masters, the geniuses of your age, look whom the critics disparage. You’ll find no surer guide to greatness than them: they dance on the ashes of the works their alleged wit has burnt to the ground, congratulating themselves on their deconstruction, but from these ashes rise the phoenices that will soar for future generations to emulate, admire, and study. Trust me, on this, for I know.’

What we project onto our heroes. How we prize them; how we invest in them. How we see our own inadequacies fade into nothing and our misdemeanours absolved: those sporting legends in their own lifetime, their career years elevated to seasons of gods. Who are we then, without them. Why would we not heap fortunes upon them for the privilege of watching them chasing a ball? Why would we not conspire to see in one artist’s work all our selves reflected, while in another’s we discern nothing and resent being confronted with our own shadows, to the point of hatred? We are so simple, when it comes to our primaeval responses and, yes, so complex; so light, so effervescent, so intricate, so delicate and delicious, and then again at a stroke so basic. So instinctive, so brute.

I let Sedartis understand that I don’t know what he’s talking about.

‘No matter,’ he shrugs, in his calm, forever reassuring and slightly annoying because also so-sure-of-himself manner, ‘it will all make sense.’

‘It will?’

‘It will. Liberate yourself from the urge to understand, within your head, immediately. That may seem, to you, sophisticated: it is not. Not at the level you will want to attain. Allow yourself to be subsumed into the thing around, within and through you. You will begin to sense your truths and untruths and their inbetweens in a whole different way.’

Sedartis to me seems like the philosopher from a different world who in his spare time drives a minicab in the towns I happen to visit. There is no other explanation. I would book him through an app if I had to, but he sits next to me, whenever I’m on a train. Sometimes—rarely—when I’m on a bench or at a cafe, waiting for a friend. Never when I’m having a drink. Is Sedartis only of the unadulterated mind?

What we want to see in ourselves we see in others, and vice versa. We need these icons, these exponents, these majestic figures, even though we don’t know who they are. And so we make them. Of whomsoever offers themselves up. We sacrifice them to our hunger for existence: build them up, tear them down, abuse them on the way, pretend to love them, really love them. Want to be them; glad not to be them, but feeling as if we were, because we know, deep down, their invention is monstrous. How strange, and, yes, how elated.

I separate myself from my intention and begin to float. That feels lovely. Nary a care in the world. Compos mentis and completely lost. In that agreeable way. Sedartis smiles at me and takes his leave, for the time being only. I know he’ll be back and tell me more. I just know.


< Counsel       Practice >


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Counsel

‘Enlightenment,’ proposes Sedartis, with troubled eyes turned toward mine, ‘does not keep, on its own, forever, sweet, like honey in a jar; it needs nurture, refreshing; the darkness around it is strong, and it forever encroaches. Without care, the flame will go out: the flame of enlightenment requires our hearts, indeed, our soul; you live in a soulless world where your science and your money have made you sceptical, cynical.

‘You do not believe in a soul, because your science has not found a measure or word for it yet. Be not so hostile, my friend’—this is the first time Sedartis addresses me ‘friend’—‘to things you can’t see, you can’t measure, you can’t understand in your mind: that would be arrogance supreme. Generations before you thought not things would ever be possible that to you are now commonplace, why would you assume that today you know everything?

‘Allow time to infuse you with humility and passion in equal measure. And feed, forever, with these the light, because, if you do not, it will go out; but if you do,’ his eyes now newly aflame, ‘the light conquers darkness for certain, always, just as it must.’


< The Sedartis Effect       Projection >


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Istanbul

We wander on for a bit, and I breathe it all in: the people, the tourists, the tram and vendors; the noise and the scent and the flavour.

George, I’m beginning to realise, is telling me everything I need to know. He’s hardly said more than a couple of dozen sentences since we met, improbably and unfathomably, a few hours ago, but I know now that seeing him, listening to him, looking at him, being with him—in his presence, in no other than that simple, literal sense—has triggered in me the abundance of memories, connexions and emotions, the thoughts and the synaptic excursions, the diversions, the captions, the mild insurrections of heart, mind and soul, that I need, to move on.

Move on from what? Had I got stuck? Most severely. Had I manoeuvred myself into a dead end? More than of sorts. Was I on the verge of becoming obsolete, not just to myself, but to the universe that has somehow produced me? I fear me I was. Is that now all at an end? Who knows…

I again put my arm around George, instinctively, without thinking, and he doesn’t shirk or pause or look at me, he just lets it be. My George: that’s how I know him. We wander, like father and son, like brothers, like friends, but not lovers—can one constellation embody all these in one, even, ever?—and I feel me an abundant sensation of love. Of loss too, and of forgiveness. Most of all of forgiveness: I forgive you, George, for everything, really. All your inadequacies. Your presumptions, your misunderstandings. Your aloofnesses and your hesitancies. Your delusions and your noble intentions. Your foibles, all of your weaknesses. Your constant quest to connect, your patent inability to do so in so many senses. There are too many things to mention.

Too many things too, for which I do not need to forgive you, for which I can quietly, humbly, respect you: even admire you. Your sense of justice and your faith in humans. Your optimism, your hope. Your openness, your curiosity. It may, ultimately, have killed the cat, but the cat had nine lives and so it continued. It lived. You’re not unlike a cat, George, I’ve known this for centuries, for all the millennia that I’ve known you. And I’m beginning to know you now, George, and I’m glad on’t.

We reach Taksim Square where we take a turn to the right and keep wandering. Not aimlessly so much as non-directionally. We both have no particular place to go, not at the moment. We end up by a steep small street that looks a little familiar and quite attractive, and decide to head up it, rather than down, and before long we recognise a wooden house and a half hidden entrance: we have inadvertently come back to right where we started: the Limonlu Bahçe.

There is, probably, in some way some significance to this: have we actually gone round in a circle? I like to think not, not least because we are not moving in three dimensions. We have, at any rate, walked a spiral, a triangular shaped one, as it turns out, but that is most likely quite by the by. Some things have meaning, others less so. Some things are profound though we but capture the surface, others are really surface. Or maybe I’m being lazy. At some level, most likely, everything has some other layer, some other meaning, some other significance that could or could not be, or become, at some point quite relevant. We can’t take it all in, all at the same time: we do need a filter. And that’s yet another insight I’m having, right there.

We’ve not walked very far, maybe less than an hour, perhaps a bit more; we’ve been ambling really, rather than striding. We’ve not been saying all that much more. Metaphorically, though, we have come a long way. In my mind I have travelled a little light year. Is there a big light year? Or even one of average length? Aren’t all light years the same? It is not, of course, and I realise, a year, and it’s not one of light. Some metaphors don’t stack up. I have percolated, I feel me, through my own conscience and come out enriched. If that makes sense. Does it have to? Make sense? To me, it doesn’t have to, even though somehow it does. I don’t think it matters to George if it does. Does it matter to you?

I realise I have a reader. I realise I need you as my reader, because without you I don’t exist. I realise I am not alone in this, nor only with George: I realise we are, in our own constellation, triangular. Hello, Reader: welcome to my world.

George and I are both creatures of habit, and having walked for an hour or so—maybe a little less, possibly just a bit more—we both fancy another drink, and we readily, easily, without thinking or negotiation, decide to go back to the Limonlu Bahçe: we liked it there, we were comfortable there, why would we not now go back there, seeing we are already here.

I like that about George and about me: we can stay in one place for hours and never get bored. We both never get bored, George and I. That is a realisation I had and passed on to him long before I knew I would be him: if you watch paint dry close enough, it’s entirely riveting. At molecular level, let alone subatomic: there’s a riot of things happening, a mesmerising display of spectacular wonder. How could you ever get bored?

We head down the hidden staircase back into the garden which is now not full and not empty, but at that agreeable mid-to-late afternoon state when luncheon has petered out and dinner hasn’t yet started. The table we had been sitting at has been taken, but we find one as pleasant in the mid-to-late afternoon speckled shade two or three tables removed and sit down, and our angular waitress returns and recognises us and smiles, and we order another couple of mojitos and some chips, just to nibble.

Now, for the first time in maybe a million years, I am here. George, because of the configuration of the table, the bench and the chairs, has naturally sat down next to me, not opposite, so he can survey the garden with me, this paradise of our own making. This Eden. “Look at me now, and here I am,” she had said, and I had understood her, immediately. Joyce, Shakespeare, Stein. Then Shakespeare again, then no particular order.

I can be at home with myself in a paradise of my making that doesn’t know what it is, in a city I’ve never been before, within an instant and find me not tempted by knowledge, in no need of a companion, at ease. Not forever, of course, just for now. The curiosity and the fascination, the alertness and also the need will soon get the better of me, that I know, it has ever been thus.

But now. And here. We are.


< {Memories of the Past}

SEDARTIS — Sedartis >


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EDEN miniatures

 

{Memories of the Past}

a surreptitious glance in a doorway: you
had been waiting for me
but how long?
i can’t remember, i remember
seeing you at the cinema and us
exchanging glances
(those were the days, mostly, of
glances)
and us not speaking, i was too shy, you shy too
so i started walking
across the river, there: a cafe, old style; what
was i doing in there, could it be, really, that you
waited
outside while i was having coffee inside?
or did i pop in to see if i liked it, but didn’t, or whether you would follow (but why would you? it was an old style cafe; and you didn’t), so i
popped out again, straight away? that seems more likely, certainly it seems more
reasonable…*

you were in the entrance as i came out and i saw you again and you me and it was clear
you’d been waiting for me, there
in the doorway
but we still didn’t speak
how was that even possible: it was obvious
you had been waiting for me, yet
we didn’t speak, i not to you, you not to me
i was incredibly young, you a bit younger,
there by the rhine, in basel, at that time
of glances, mostly, and quietly aching
silences

you were there too maybe two, three years later
now on the southbank
in london
you looked different, a bit, though not much
you had those same eyes, longing
uncertain, a
querying glance, that
glance
that i must have had too
it was the era of glances, of not saying what any of us wanted, ever, of
uncertainty, being afraid
but of what?
of being found out
of revealing too much
too much to the wrong kind of person, of being
vulnerable
literally, viscerally, in danger of injury, death
or afraid merely of actually having, enjoying, living a moment, such one
brief encounter?
who knows

those were days of unspoken desires
at night time
near rivers
only this time i actually asked you
for a light
or you me?
i you or you me, one of us asked the other for a cigarette or a light or for both and
another glance was exchanged and a flame lit up and in that flame we did not look at each other again, we just looked at the hands touching, cupping the cigarette, and that
once again
just was that
how curious
how timid, how cautious, how wary i was
of you
always
and yet how much i wanted to be with you
still

and then there you were in st james’s park: another you, another glance
i on my way home
you on your way where? i didn’t ask and you didn’t say
it was nice
there
to finally meet you
at night, late
by the pond, not the river
to feel your hands on me, taste your lips
such a long time ago now
such a situation between two and three, thereabouts, in the morning
when that park is not closed and not open but we both were
closed and open and there: those were the days
of such stolen moments, so
rare
i miss them no more than i miss you
and i don’t miss you, i’m just maybe sorry
a bit
that it took me so long to pluck up the courage to finally meet you
albeit briefly
we wasted, it seems, a few opportunities, you and i, but

you live and you learn, and nothing
but nothing
can be rewound, reconfigured, restored, it can not even be really
relived, it can
of course be
in one way or another
remembered, redeemed?
(to what end? none other than to know that there was such a thing as a path, a trajectory,
or an arc:
a semblance of something resembling a story
a sequence of inconsequential instances, now implanted, the shapes
along which the currents of time have mostly been channelled, each curve, each bend
not just leaving traces but forming them too
until
at last
there’s a torrent
and the river, the brook or the stream
floods its banks and
ignores
these patterns, these half
designs, half
instinctive behaviours half
needed half wanted half detested half worn and half
overthrown memories
only half
ever
because the half that sits underground under consciousness under skin under mind
remains there forever somehow, and
so be it

albeit not always appreciated not always valued not always wanted or loved
you are always
a part of me still, and
welcome
to stay

whatever became of you, i do wonder
and then i forget that i ever did
because life goes on and
there are many more rivers to cross and bridges to burn and transgressions that must be traversed and
comings together
to fathom, just

know that i never not wanted
to know you


< World       Istanbul >


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{Amble}

he is walking quietly
slowly
across the bridge which spans over
his restless despair

the river
looks so wet in the rain
and the birds in the water
have brought joyous pursuit they
have clear meaning but they confused it
with sacrifice

he is walking aimlessly
slowly across the sky while his neglect
is fixed on the ground, such a wonderful
heavensent shower this is it is
soaking the mind
it’s a worldly world it’s a bridge he
walks across it’s a water worth in
reality only a smile
slowly he walks*  

the haze doesn’t clear yet
in the distance but as the soothing liquid
is running outside and inside
his hopeful body his temper
has lost its
imagination
what a pity ooh
and his fingers gently touch the railing
if only someone had seen
that at this time he was an Angel.*

the light shone through my eyelids straight into my soul into my central nervous system
and i asked the lamp post standing next to me
isn’t life full of complexity
the answer i received was fluttered
and overwhelmed, aghast, it burned out
and my palms were suddenly
becoming a pillow
so i rested my baffled nose and cheek and second rib
while slowly he was
crossing
the bridge

*


< No Compromise       World >


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