{Orlando}

i am orlando

breathless at the bacchanal bewitched, senses submerged, my image mirrored, my mind magicked, my emotions modulated magnified unmoderated and maybe immodest, myself multiplied:

masked dancer at the carnival bald bearded lady, fashionista beehive diva, torch song bearer of my soul pole-dancing scientist shop floor assistant checking out the other side, experimenter, part-time genius moustachioed hipster sophist nerd geek self-inventor and bespectacled spectator taking in, in- haling, hailing without praise or condemnation participant observer, being-done-to doer

all exposed

the pushing to the fore, persistent rushing shoreward of wave upon wave: the daily deluge of disaster 

wilfully constructed, or else wantonly permitted to occur and then dispersed with breathless kick and fury horned-up with excitement round the clock catastrophe porn paired with power penetration to the brain: every second someone selling something a tsunami of musthave dispensables then news again the weather breaking down ten thousand perish in a flood security alert three men arrested at the airport one who fled soft-spoken leaker of state secrets swears allegiance to the people; people protest the police, the army bullets rifles hand grenades, ex- superpower eyeing up her neighbours’ territories, boundaries unkept, unrecognised, rendered irrelevant space probe touchdown on the comet, cheers and champagne at base, break through the tunnel, high speed trains dark matter and dark energy the murder of the messengers a million on the streets in solidarity, fighters of and for freedom feeling pain, offenders in each other’s eyes – our tears all taste the same

a smartphone with an app the university that taps into the global lecture hall a telescope array across a mountain table peering deep into the origin of time, and cupcakes talent shows, made-up realities downloads, stolen identities and printed body parts milestones in mending memories, the tantalising likelihood that we are not alone sandcastles made of stars, stars made of frivolities cat videos and piles and piles of rubbish

rejects refugees residents of uncertainty, nomads by adverse conditions, the collateral of calamity unwanted unloved, un- understood disowned dishonoured dismissed dishevelled, dis- affected indistinct in the morass of mass morbidity, in- visible

flashes of inspiration fascinations colours, glitter decadences balls: exuberances festivals and congregations, close communions travel at the speed of sound, lightspeed communication instantaneous pools of commonality the vibe and exultation, the euphoria the sharpwit razor of precision, the ingeniousness the shared experience the climactic joy, the sacred orgasm of life

.. ..

i rest i pause i meditate, i am orlando i reflect

i have no solution, there are no solutions i have no anger: anger is void, i ease i learn i think i offer

..

silence

..

i become the citizen and i see sparks of wisdom and then once again i laugh i love i give i take i lose myself i win i love again, i want and want not and want not to want, i realise i am a part of it: i am a part of everything, every thing is part of me

i am the gods i am the universe i am the energy i am the code i am the probability i am the failure and the hope and the despair i am the triumph of existence

that is what i am: i am

orlando

.. [{Orlando} was first published as part of Orlando in the Cities in A Quantum CityBirkhäuser 2015]

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Projection

Sedartis sets no store by opinion:

‘If you want to know the giants, the masters, the geniuses of your age, look whom the critics disparage. You’ll find no surer guide to greatness than them: they dance on the ashes of the works their alleged wit has burnt to the ground, congratulating themselves on their deconstruction, but from these ashes rise the phoenices that will soar for future generations to emulate, admire, and study. Trust me, on this, for I know.’

What we project onto our heroes. How we prize them; how we invest in them. How we see our own inadequacies fade into nothing and our misdemeanours absolved: those sporting legends in their own lifetime, their career years elevated to seasons of gods. Who are we then, without them. Why would we not heap fortunes upon them for the privilege of watching them chasing a ball? Why would we not conspire to see in one artist’s work all our selves reflected, while in another’s we discern nothing and resent being confronted with our own shadows, to the point of hatred? We are so simple, when it comes to our primaeval responses and, yes, so complex; so light, so effervescent, so intricate, so delicate and delicious, and then again at a stroke so basic. So instinctive, so brute.

I let Sedartis understand that I don’t know what he’s talking about.

‘No matter,’ he shrugs, in his calm, forever reassuring and slightly annoying because also so-sure-of-himself manner, ‘it will all make sense.’

‘It will?’

‘It will. Liberate yourself from the urge to understand, within your head, immediately. That may seem, to you, sophisticated: it is not. Not at the level you will want to attain. Allow yourself to be subsumed into the thing around, within and through you. You will begin to sense your truths and untruths and their inbetweens in a whole different way.’

Sedartis to me seems like the philosopher from a different world who in his spare time drives a minicab in the towns I happen to visit. There is no other explanation. I would book him through an app if I had to, but he sits next to me, whenever I’m on a train. Sometimes—rarely—when I’m on a bench or at a cafe, waiting for a friend. Never when I’m having a drink. Is Sedartis only of the unadulterated mind?

What we want to see in ourselves we see in others, and vice versa. We need these icons, these exponents, these majestic figures, even though we don’t know who they are. And so we make them. Of whomsoever offers themselves up. We sacrifice them to our hunger for existence: build them up, tear them down, abuse them on the way, pretend to love them, really love them. Want to be them; glad not to be them, but feeling as if we were, because we know, deep down, their invention is monstrous. How strange, and, yes, how elated.

I separate myself from my intention and begin to float. That feels lovely. Nary a care in the world. Compos mentis and completely lost. In that agreeable way. Sedartis smiles at me and takes his leave, for the time being only. I know he’ll be back and tell me more. I just know.


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{Orlando}

This post has moved. You can now find it here.

 

EDEN was originally published in random order. Starting 1st August 2018 it is being reposted in sequence. To follow it, choose from the subscribe options in the lefthand panel (from a laptop) or in the drop-down menu (from a mobile device).

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Projection

This post has moved. You can now find it here.

 

EDEN was originally published in random order. Starting 1st August 2018 it is being reposted in sequence. To follow it, choose from the subscribe options in the lefthand panel (from a laptop) or in the drop-down menu (from a mobile device).

If you are the owner of the link that brought you here, please update it; or if you know them, then please do let them know.

 

Thanks & enjoy.