Earth

And so, back. Down. To Earth. Where I belong? This, my home? This desert wilderness of beauty and voluptuousness, this abundance of colour, vegetation, insects and beasts; these cities, these people, these civilisations? This art, these quantities of stuff and rubbish; these tears, these cruelties, these abominations? This joy? These excellences, these wonders? These tastes, these smells, these flavours, these sensualities, these sweet transgressions, these experiences? This catharsis? This messiness, these quarrelsome foibles; these imperfections, these obstacles? And this weather? 

This air that I breathe, this need to do so; these urges, this hunger, this thirst for immersion, this drowning, these rocks on the road, these symbols, these signs? These abstractions? These metaphors, this poetry, this song and this dance? That we make? About what? This love.

Everything suddenly feels disconcertingly real again, and I’m not sure I like it. I’m sure I don’t dislike it, not as such, but I find these certainties confusing. These obligations to respond. These figures of speech, these formulations. These competitions for superlatives. These hyperboles. These headlines, these star-ratings, these ceremonies, these awards. These absurdities. These traumas of rejection or attraction, of interpretation of behaviour of looks and of glances, these whispered words, these games I refuse to play. These rules. These obediences, these categories, these schedules, these expectations. These parochial wordlinesses. This world.

This world perplexes, awes and bewilders me. Here I am, stunned to find myself on it, in it, part of it, and I am momentarily paralysed. This will not last, I feel sure, though why I should feel so I don’t know.

For a long time now I have felt like wading through treacle, slowly, cumbersomely, glued to the ground by a sticky morass that would not let go. There is no escape from gravity in this place, except perhaps on aerial silks or on skis. The former are not for me, the latter very much so. I think me on the mountain, gliding down the glorious white, with the Alps in the distance and the molecules in my lungs, and I know what it is to be free. That I know; that, I can relate to. Everything else does not quite make sense. Which is strange: I’ve been learning and trying to understand, but it still is mostly as alien to me as the planets from which I’ve returned, richer in mind yet not much the wiser. At the end of the day there is always the here and now to make something of, and now that I’m here, I might as well make the most of it. Thus I tell myself, over again.

‘Most’ meaning ‘best’: meaning all I can do. What could that possibly be? If I allow my youth up to say about eighteen, nineteen – why not twenty-one: if I allow that to be my formative phase that doesn’t yet count as my adult existence, then I’m now halfway at least through what my adult existence can reasonably be expected to be: I can still look forward, but as much can I, must I, look back. That frightens the hell out of me. That I’m here on Earth, effectively halfway through—way over, if you’re counting from birth—feeling pretty much as I felt right at the beginning, and not having made any impact at all. Not having really moved from the spot. Not having done more than tried, but without ever really succeeding, to take flight. Does that mean it’s too late? Is it ever, can it ever be simply too late? But for what? For some sort of attainment, of what? Of acclaim, recognition, notoriety, ‘fame’? Or even just love? Can love be attained?

“Be not afraid of moving slowly, be only afraid of standing still.” I want to know what the soul is. At a quantum level: the science, the understandable, perceptible, conceptualisable part of existence that is not material, not intelligent, not rational, not emotional; intangible, insubstantial but essential and real. A Quantum Philosophy. I want to know what that is.

That part of me that I can’t see when I look in the mirror and that I can’t choose one of my names to put an identity to, that I can’t express in words—and if I write another million or ten—that I sense is forming and taking shape (without shape, of course), that is there and that others, some others, recognise in an instant (others, of course, never will): that is what interests me, makes me curious to go further, encourages me, yet to delve.

And so I take my cue, once again, and affirm: I’m here now. I might as well make the most of it. Whatever that turns out to be: it probably really doesn’t matter at all, but for my soul—if nothing else—it’s better to sense me alive than just there; more joyful than to reject, to embrace; more gracious to receive what is given with thanks; and wiser to do what I can, but leave for someone else or another time what I can’t; more courageous to take the challenge, than to say no; more human, altogether, after all, to say ‘yes.’


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THE TAPE — Divestment >


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Earth

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{Orlando}

i am orlando

breathless
at the bacchanal
bewitched, senses
submerged, my image
mirrored, my mind
magicked, my emotions
modulated
magnified
unmoderated and maybe
immodest, myself
multiplied:

masked dancer at the carnival
bald bearded lady, fashionista
beehive diva, torch song bearer of my soul
pole-dancing scientist
shop floor assistant checking out
the other side, experimenter, part-time genius
moustachioed hipster sophist nerd geek self-inventor and
bespectacled spectator
taking in, in-
haling, hailing without praise or
condemnation
participant observer, being-done-to
doer

all exposed

the pushing
to the fore, persistent rushing shoreward of
wave upon wave:
the daily deluge of disaster 

wilfully
constructed, or else
wantonly permitted to occur and then
dispersed
with breathless kick and fury
horned-up with excitement
round the clock
catastrophe porn paired with power penetration to the
brain: every
second someone selling something
a tsunami of musthave dispensables
then news again the weather breaking down ten thousand perish in a flood
security alert
three men arrested at the airport
one who fled
soft-spoken leaker of state secrets swears allegiance to
the people; people
protest
the police, the army
bullets rifles hand grenades, ex-
superpower eyeing up her neighbours’ territories, boundaries
unkept, unrecognised, rendered irrelevant
space probe touchdown on the comet, cheers and champagne at
base, break through
the tunnel, high speed trains
dark matter and dark energy
the murder of the messengers
a million on the streets in solidarity, fighters
of and for freedom feeling pain, offenders
in each other’s eyes – our
tears taste all the same

a smartphone
with an app the university that taps into the global lecture hall
a telescope array across a mountain table peering deep into the origin of
time, and
cupcakes
talent shows, made-up
realities
downloads, stolen
identities and
printed body parts
milestones in mending memories, the
tantalising likelihood that we are not alone
sandcastles made of stars, stars
made of frivolities
cat videos
and piles
and piles
of rubbish

rejects
refugees
residents of uncertainty, nomads by
adverse conditions, the
collateral of calamity
unwanted
unloved, un-
understood
disowned dishonoured dismissed dishevelled, dis-
affected
indistinct
in the morass
of mass
morbidity, in-
visible

flashes of inspiration
fascinations
colours, glitter
decadences
balls: exuberances
festivals and
congregations, close
communions
travel at the speed of sound, lightspeed
communication
instantaneous pools of
commonality
the vibe and exultation, the
euphoria
the sharpwit razor of precision, the
ingeniousness
the shared experience
the climactic joy, the
sacred orgasm of
life

..

..

i rest
i pause
i meditate, i am
orlando
i reflect

i have no solution, there are no solutions
i have no anger: anger is void, i
ease
i learn
i think
i offer

..

silence

..

i
become
the citizen
and i see sparks of wisdom and then once again i laugh
i love
i give
i take
i lose myself
i win
i love again, i want and want not and want not to want, i
realise
i am a part of it: i am
a part
of everything, every
thing
is part of me

i am the gods
i am the universe
i am the energy
i am the code
i am the probability
i am the failure and the hope and the despair
i am the triumph
of existence

that is what i am:
i
am

orlando

..

[{Orlando} was first published as part of Orlando in the Cities in A Quantum CityBirkhäuser 2015]