Expiration

We are not doomed.

We may well be determined and we may be defined but we are not definitive and we won’t go on forever and we won’t ever die. Immortality is granted, though the wish is monstrous, as long as we take it upon ourselves to be the centre of our attention.

Conduits to the stream. The energy, the code, the connection. We may yet go extinct; we need not mourn ourselves: we leave behind perhaps no legacy but our intention to do well.

Complex situations, simple choices: do you put anger in the world and hatred and want and division and them versus us and incomprehension and rejection hostility enmity loss, or do you put hope. Do you put recognition, respect. Enjoinment. What we call empathy. Different, diverse, differentiated manifestations of one and the same.

Never even mind that we’re human: remember we are god. When every mistake we’ve ever made is multiplied with every other mistake we’ve ever made, our hearts may hurt from the unwisdom that we yield to. And yet: we can make it so, we can make it other.

The thing that we’re a part of may yet lift us up. We can, whether we want to or not, and wanting to is harder than saying no. Everything is known, everyone can be understood.

Accept as the deepest part of you that which you loathe most. The person you despise: you are him, you are her. Embrace them. The child murderess. The suicide bomber. The bludgeoner to death. You celebrate, you cheer, you dance your pride when your football team wins. When your psychopath strikes: suffer him to be your disaster no less than you appropriate your goal scorer’s triumph to be your own. The medals on the athlete’s chest are badges of your honour no more and no less than the bloodstains on the knife stabber’s hand are witness to your failure. Own it.

Grow up into the painful truths and free yourself. There is no freedom without truth. There is no truth without pain. There is no pain that does not carry a reward. When all is said and done: start again. There is no reward without loss. There is no loss without self. There is no self that stands alone.

Surrender to the motion of a greater purpose. Even if you don’t understand. Even if you do not believe. Even if you’re not convinced. Your heart knows long before your brain, because your brain is much more powerful than you think: when knowledge is you and you are the world and the world is an instance in just one universe and the universe is a thought and the thought is expressed then you are god: you are god.

Accept the burden of being all powerful. Make good on your promise. Dare love.

120664 Loss

How grown ups ruin things. 

The little boy on the District Line is giddy with insight, aglow with love, his voice alive with excitement. Swinging round the pole he’s meant to just hold on to he tells his friend, ‘sometimes I think that everything is just a dream.’

The slightly taller but still little boy, his friend, says: ‘so do I!’

It’s a moment of sheer wonder. A wonder dad has lost. Dad says: ‘That’s the question my dad likes to think about, how do you know that everything isn’t just a dream, that we’re not in someone’s brain…’

The boys try to ignore him, they’re not quite ready for his existential, inherited angst. But dad now has the upper hand: ‘How do you know,’ he insists, ‘how do you know you’re not dreaming right now?’ There’s a smile on his face, but it doesn’t look as benign as he possibly means it to be: there is power at play now, it’s a smirk.

Slightly older but still very young boy has no answer: ‘I just know,’ he says.

Dad – to the younger boy, they don’t look like brothers to me – is like a dog with his bone: ‘But how can you be sure? Have you ever had a dream?’

This strikes me as near-cruel a question. These boys are maybe seven, eight?

Older, slightly taller, but still nine-years-old, I imagine, at-the-most, boy is now unsure: ‘Yes…?’

The uncertainty infuses a slight quiver in his voice now.

My heart breaks, I want to hug him and say: everything is all right, and you’re quite right too, and your little friend: sometimes everything is just a dream, but not in this cynical, clinical way your little friend’s dad now makes you think and worry about.’ Still dad won’t let go and instead pushes on with his inquisition, until: ‘you start freaking me out,’ the little boy says.

At last dad relents, sensing the fear he has just poured over his son and his son’s gschpänli, who were just a moment ago so excited that everything could still be a dream, and to whom until just a moment ago it probably was…

The tear I shed for these boys is as heavy as the joy was light that I felt for their innocence. If only dad had had a wiser father. The prism of your childhood casts the world in colours that but slowly fade…

11 Death (Imagined)

I noticed I was dead when I saw myself lying dead in my bed; looking down on myself from a great height: there I was. Gone. A lifelong flirtation with significance, over. And nothing dreadful in consequence. No pain, no loss, no uncertainty. Just the remorseless ease of an expired existence. Of almost failure. Of having nearly been. Something or other. Someone? Then I woke up and realised that it had been a dream. I don’t like to say ‘only’, but it had been ‘only’ a dream. I had dreamt my self dead. What new joys. Wait on me.

It’s hard now to say what perplexed me more. Being dead (in my dream), or being alive (after all). But finding myself thus among the quick in a hitherto slow existence, I believed I had heard, and was minded to heed, a call for action: I got out of bed and made coffee.

Mug in hand I stood in front of the bathroom mirror, naked. I do that a lot these days, I examine my body. I marvel at it, not admiringly: bemused. I don’t look for blemishes or signs of decay, I look for signs of familiarity; for something that says: this is you. I don’t find it. The person standing naked in the mirror in front of me could be anybody. It’s not that I’m alien to myself or strange, just: unfamiliar. I’m roughly fifty and not beautiful. What I marvel at is not beauty. What I marvel at is the fact that I don’t recognise myself in the shape I’ve become. I’m not even unattractive. In fact, I may be more attractive now than I’ve ever been. And I’m not even sure if that’s a good thing or a bad thing. I’m not sure it’s a thing. Any more. ‘Attractive.’ To what and to whom and to what end. Nevertheless, I’m a little alarmed because it seems late in the day to suddenly start feeling attractive. Alarmed but a little reassured too, because perhaps it just means I’m not over the hill. What is the hill? Going down is supposed to be easier than going up. What ride am I in for? Now?

Mug in hand I stand in front of the mirror naked, looking for signs of familiarity. The eyes maybe. Or the nose. Maybe the lips. I’m stubbly and I like it. There. That’s something to hold on to: seeing as it is that I’m alive there’s one thing that I’m happy with and that’s worth holding on to: my stubble.

I remind myself I am sitting opposite my young self and I had promised my young self – not so much promised, perhaps, as enticed him over by means of the prospect of – a question. My mind goes blank. The memory of imagining my own death, even just as a dream, and the image of my standing in front of the mirror naked, mug in hand, and content that I have inexplicably become ‘attractive’, possibly owing to stubble (which has since grown somewhat into a near-mature beard) sends a shudder down my spine and I put down my Mojito too firmly.

‘George,’ I say, sensing that something – anything – is required from me at this point, ‘what are you doing in Istanbul?’

This is not, obviously, the question I’d had in mind for him, but then I can’t begin to conceive of what question I might have had in mind for him, and since it’s a question that is playing on my mind about myself (what am I doing in Istanbul?) I feel it is pertinent, or if not pertinent then perhaps justified, or if not justified then at least maybe useful, useful in as much at least as it might open the conversation and at this point in the proceedings (are these ‘proceedings’, and if so what are they?) I yearn for a touch of conversation.

I startle myself at realising I also yearn for a touch, his touch, any touch, some contact beyond verbal, visual, aural, and I want to place my hand over his in a fatherly gesture. I don’t. But there are now two versions of us sitting at this table in the garden of the Limonlu Bahçe: one, the ‘real’ one, in which he still holds his glass in both his hands and has his eyes not exactly fixed but nevertheless on it, whereas I look at him in my ongoing state of bewilderment, and one, the ‘imagined’ one in my mind where he has put down his glass and I have cupped my left hand over both his hands and I look him in the eyes and he looks back into mine.

‘Not exactly sure,’ he says – in one version examining the glass in his hands and twisting it slightly, in the other holding my gaze with a blend of confidence and the uncertainty his words imply – ‘I was doing Interrail with a friend, I had no intention of coming here really, but maybe circumstances conspired…’

I know at once that they did, even though I still don’t remember this scene from my past, and I am immeasurably relieved; he is, although he doesn’t know it, similarly displaced from his own reality: we are on the same page, more or less.

I imagine squeezing his hand and cupping my right hand around his neck and pulling him close so he can rest his head for a while on my shoulder, but instead I pick up my glass and lift it up to him and say, as if I had any authority to do so: ‘welcome to Istanbul,’ to which, in both versions, he too raises his glass and clinks it with mine and, once again gamely, says: ‘welcome to Istanbul.’