Euphoria

I look at myself. Not in the mirror, not as a person with a yen for profundity and meaning, but in a picture. I find the picture among my belongings as I clear out my flat because it’s being renovated: for the first time in decades I go through every object I own and therefore am owned by and decide whether to keep it, or whether to part. Keep it or part. Keep? Or part: divest, my mind mostly suggests, and my heart, in most cases, though not quite all, affirms, yes divest!

I am unambitious but consistent in the pursuit of my task, as I progress through each item one by one. I look at every photograph, and every photograph looks at me. I don’t notice me at first, not in an ‘oh, here I am, look at me!’ kind of way. I just know I’m there. In the picture. As anyone ever photographed by necessity is. In this particular stack, I am part of a collection of early black and white ten by eights that I must have had done when I first decided to be an actor. This dates them in the mid to late nineteen-eighties and me at about twenty-two, twenty-three. I don’t notice me, not this time round. I’m simply there.

The second time round I notice myself. I have been away for seven weeks, nearly eight, and I’ve come back into my flat, which is all new and fresh and still so familiar and more home now than ever, and as I unpack the boxes I once again go through almost every thing I own and am therefore owned by, only this time I do so not one by one but in batches, just to make sure. And this time round I jump out at myself: I am beautiful. I wish I’d known that. I wish I’d known then that I was beautiful, but I didn’t. I still don’t. But I was. And I am. Only I can’t feel it now, I can’t even see it. I couldn’t then. But I can now see it then. I can now see that then I am beautiful. I have a gentle face and searching eyes, and an almost translucent skin; I have my life in front of me; not my childhood, not my youth, but my whole adult existence. I am overcome with compassion. How brave I was, and needed to be. How unencumbered I was. How I looked forward, unafraid. How strong. How fragile. How soft, how resilient; how steadfast. How honest. How vulnerable. How resolute not to hurt, not to fail, or if to hurt then not to cry, not to grumble, and not to succumb; yet to prevail…

I sense the time has come. I trust it now, much more, the sense. All the things I know and all the things I don’t know are the same: they all abide by and reside in me. No words of wisdom, no advice. Let me make my own mistakes. Let sorrow, loss and lingering despair crush me to tears. I won’t protect me from myself: that would be crueller still.

Across from me, at the Limonlu Bahçe, Istanbul: George. I lean forward a little, my chair creaks, he looks up at me, curious, askance. Unimpressed. Unruffled. Unspoilt. Unused. Undamaged. Unfathomable, even to me. I know how you feel, I’ve been there, believe me, I’ve been you, but no, I don’t know you at all. I know you no more than I know any boy your age. Man! You never liked being a boy, much, a youth, maybe, yes; do you like being a man? I hear myself think the question and in a flicker of recognition—probably imagined, only by me—he says: ‘Do you relish being a man?’ (‘Relish.’ That’s better. ‘Like’ is so lightweight, it’s neither here nor there. He could have said ‘enjoy’ but that, too, has long since been eroded, diminished to some middling marketed meaninglessness.)

‘I do.’ I say: ‘I will. If I haven’t till now, then henceforth I shall.’

‘Henceforth?’ He gives me that smile, that bemused, too knowing, wry play on his lips, a light in his eye.

I don’t want to burden myself with the responsibility of having interfered with my own life. Not here, not now. I used to be troubled. Then charming. Then enigmatic. I’m still working on wise.

‘Be generous, be kind.’ (I thought I was not going to give me advice. Is it that hard to refrain?) ‘Forgive. Live and let live, and trust the universe is on your side.’ He looks at me, unsmiling, unconcerned, frank. He knows all this already, everyone does. ‘Felicity, fortune and favour all balance out, over time. Take your time. Let not there ever be any hurry. Go you about with a heart that beats warm, and a mind that keeps open and a soul that is free, and your path will lead you where you need to be.’ (That’s done it: I’ve lost him.) His eyes linger long and soft, not hard, then, inscrutable now, he nods. ‘Just remember…’ (Stop it! Stop it now! No counsel, no words, no well-intentioned guidance from yonder!) ‘…if you want a squirt of milk in your pail you have to squeeze the odd teat now and then.’

I get up; the temptation to ruffle his hair proves almost too much, but I know I used to hate this and so I desist.

‘Fare well.’ I say, in two words. He looks up at me and, unsmiling still, but gamely returns: ‘Fare thee well.’

And then I remember and I turn around to him before I leave and I stand at the bottom of the steps that lead up through the house, from the garden, onto the street, and the garden is busy again now, and buzzing, and I see myself sitting there, alone but not lonely, quiet, composed, a little aloof, just the way I was in that photograph, just the way I now feel, and I spread my arms to this Garden of Eden afore me and I demand, at the top of my voice, of it all: BE MAGNIFICENT!

And, having said what I needed to say now, I leave myself to myself: my adventure, my journey, my love.

And here I was and I will be, but mostly now, here I am.

(And the good thing about fiction? I unimagine it, and it’s gone…)

Redemption

I forget about Bournemouth & Boscombe and dedicate myself to other matters, other places, other subjects, other themes. The world is a wondrous sphere, I am reminded, as I travel, as I learn. As I love: I meet new people, form new connections, find myself enthralled to new ideas and smitten by new beauty. New affections, new reciprocities, new inspirations. New experiences.

Out of the blue, an email arrives in my inbox, via my website: the kind of message that comes in the shape of a contact form. I get those now and then, though rarely. Seldom enough, in fact, for me to take note and think: ah, someone has gone to the trouble of writing to me.

This one is more unusual still: it’s a letter. Not a note or an enquiry, not a compliment or a rebuke, not a proposition of a collaboration or a proposal for a project. As I read, my hopes and doubts coalesce into a balm of both comfort and pain. The pain that has been caused and that has not been forgiven, the comfort of sensing that forgiveness may, after all, be attained. It is not, however, for me to forgive. I have not been wronged. No more, at any rate, and no less, than we all have by those who trespass not against us personally but against our understanding of what it is to be human, and to be good. The two don’t always go cheek by jowl, I know, but deep down, is it not the case that we would wish them to?

We know when our sense of justice, of respect and compassion is offended, and the offence this letter speaks to is a grave one, truly, genuinely. The way this offence offends is not the kind that we hear expressed now so often when somebody faces an opinion they don’t like or encounters an expression that is outdated maybe, even archaic. It is an offence that comes from a senseless act of destruction that ended and altered lives which had no reason and no need and certainly no desire to be so altered, so ended. It is the offence of an irredeemable act of violence, a cruel and wanton incision into a community’s whole existence.

The letter offers a kind of reconciliation. It is written in a direct, unembellished style, though carefully worded and a little formal. Its authors have clearly given it thought, and, by the looks of it, rather than simply typing it into the online contact form, they have composed it, edited it, spell-checked it: it contains no trivial errors as would be attributable to haste or lack of concentration. It is purposely positioned to be read and absorbed, not fired off as a quick response. It goes like this:

Dear Sebastian

We enjoyed your piece on the Bournemouth & Boscombe Nude Beach Stroll a lot. Enough for us to feel moved to break our silence. Our silence was part self imposed, part decreed. We felt for a long time that no-one should hear from us, ever again. The anger we caused, and the pain. The loss. We don’t talk about it, ever, and we don’t like to write about it either. Words seem weightless, when put into the balance of what we have done. At the time of our trial, we were very young. Some people have taken us saying so as an insult. ‘You were young,’ they say, ‘but you knew what you were doing.’ We did, and we didn’t. When we say we were young, we don’t mean to make an excuse for our actions. We mean to say: we had very little experience of what it is to be alive and we had very little understanding of what makes us human. We had no excuse. Nor did we have a reason. But we did something we knew at the time was wrong. Deeply, fundamentally so. We knew this, we just didn’t know how not to do it. That may not make much sense to you and you may wonder, what on earth does it have do with the Bournemouth & Boscombe Nude Beach Stroll?

You see, the hatred we faced, and the loathing; the anger that was vented against us, in words that were brutal and vicious, they shocked us. What did we expect? Praise? Obviously not. We didn’t expect anything. Once what we’d done and the effect that it had had sunk in, we didn’t expect any leniency or compassion. We couldn’t understand ourselves, how could we expect anybody else to understand us. But perhaps—just perhaps—it is true to say that we were hoping for some form of forgiveness. And we were frightened and perplexed that that did not seem to be forthcoming. At all. From a society steeped in a religion that puts sin and forgiveness at the core of its meaning, we received no indication that this society at large was prepared to forgive us. Ever. There were some exceptions. But the general tone from the people, as far as we could hear, was a clamour for revenge. Newspaper journalists—again with some notable exceptions that you are well aware of—echoed this general people’s call for us to be hanged. And damned. Or, at the very least, locked up in eternity, with the keys thrown away. We were teenagers. Yes, we had taken innocent lives, including the lives of two beautiful girls. That that was not our intention is, we realise, irrelevant. We could have known, and we were old enough to appreciate, that setting fire to hundreds of beach huts with a series of small but devastating explosions would endanger our fellow human beings, and do so in a way that we could not control.

At our trial—it has been noted with disgust—we did not express any remorse, let alone ask for forgiveness. It is hard to explain why: did we not realise we had wronged people, and not just the ones who were directly affected, but also everyone who knew and loved them; in fact, everyone, because who would not see and not know that destroying people’s property so wantonly is wrong? Again, we don’t want this to sound like an excuse. But expressing your sorrow, your remorse and contrition for something that is so obviously, so categorically and so monstrously wrong, is almost impossible. If you accidentally make a mistake and knock into someone on the pavement or spill a drink and cause a little damage: that’s easy. It’s easy to say ‘sorry’ for a mini-misdemeanour. But for a crime against society? We didn’t have the words. We didn’t have them then, we barely have them now. When today we write to you to say: we are truly and profoundly sorry for what we have done, do you accept that, as our apology? Maybe you do, because maybe you can, but you are just a distant bystander, an observer: a recounter of events, a narrator. What about the parents of the girls? The grown up children of the elderly couple? Those who loved and needed and cherished them? What about the owners of the dog? And what about those who nursed and attended those injured. In the end we were responsible for the deaths of two girls aged five, an elderly couple, and the little dog; and there were seventeen injured; two, we later learnt, with life-changing injuries. Can they ‘accept an apology’? Ever? Even we don’t see how. Even we don’t see how anything we could say would ever be enough. How anything we could do would ever be enough. We are unable to atone for our crime, because the crime was so futile, so pointless, so deliberate and yet so random.

Us being unable to atone for our crime, and there being no words that we can find to say we are sorry, it took us a long time—until now—to formulate anything at all. We have lived in silence, mainly so as not to compound our offence. We’d been separated at our arrest and were kept apart for a while after sentencing. But our social workers and eventually our probation officers agreed that we were not a danger to society any longer, and we were allowed to get back together. We have been together ever since: we live together, with our new identities that we were given to protect us from the wrath of the people, in a remote part of these isles, which of course we cannot and wouldn’t wish to disclose. And we thought: perhaps there is something we can try. It was, yet again, not something we fully thought through. But at least it was harmless. And we had to break the terms of our parole, but we’d been out of prison quite a few years by then, and we thought, perhaps this is not going to redeem us and it certainly isn’t going to make things good for those whom we’d wronged, but perhaps we can almost run this as a test. We will either be caught and found out and probably—so we felt—torn to pieces on the spot, or we will get away with it and that will be that. The universe, we will then accept, has found a way to allow us to be now. We are, after all, now completely ordinary. Really. We both have jobs in our local community. Nobody knows who we are, and they like us. We are the kindly, now soon-to-be middle aged couple who shop at Waitrose together and go for walks. We admit it: we enjoy our lives. That alone, we also understand, will to many people be outrageous. It is unfair, unjust, even.

We have done time in prison, we have undergone many hours of therapy with our workers, we have cost the taxpayer hundreds of thousands of pounds. And we are happy. We are not light of heart or full of joy: that will never be possible. We are too conscious and too conscientious for that ever to be the case. The burden of our past and our great offence will rest on our shoulders forever. But we are content. We are content that we have found a way now of being good citizens and of contributing to our community, without fuss. It is not atonement, so much, as it is a rational way of handling the day to day reality of being alive, after all. Was it worth sparing us, or would the world have turned into a better place if we’d been done away with? We can’t answer that question objectively, we’re too close to ourselves. But we like to think that the world is a slightly better place for having us in it, still. It can say: ‘These boys, they did something unforgivable, but in a way we forgave them. We rose above their crime, we allowed them not to be defined solely by their premeditated act of cruelty. Ours is a world in which that is possible.’ This, we believe, is a better world than a world that can only say: ‘an eye for an eye and a tooth for a tooth, and you wronged me so I wrong you back just the same, and your right to life is forfeit because you took life: you have no chance of redemption, ever.’

So a few years ago, when we were still quite young, but no longer the juvenile delinquents of yore, we did something we thought was worth a try. We took a train to Bournemouth. We were not strictly allowed to do so: we are not now and will never be allowed to set foot on the scene of our crime, but we did so anyway, because we wanted to test the water. Not literally, but metaphorically. We wanted to find out what the people of Bournemouth & Boscombe were really like. We’d seen so much of the ugly face of people’s understandable scorn and anger, hatred and pain, we had forgotten, we felt, what being normal, human and gracious would be. So we stripped off all our clothes. We were going to run, at first, because we were incredibly scared, as you perhaps can imagine. But within minutes we realised: these people, these good people of Bournemouth & Boscombe: they are not angry or hateful at heart. They were angry and hateful because we had wounded them so. But now, now that we laid ourselves bare and walked along that same beach in front of those same huts—the huts that had taken the places of those we’d destroyed—people smiled at us. They started talking to us. They even joined us. They had a laugh with us, and a banter. A pint and a stroll. All we’d really wanted to test was whether we’d survive the people of Bournemouth & Boscombe for half a day.

We did not mean to start a new thing. But here, and this is something we are today really glad to tell you, we were met with love. People were friendly and generous, good-humoured and kind. That’s what we will forever now cherish and what we will take to our graves, whenever they should beckon. We are both not very religious, but we light five candles every night: two for the girls, two for the elderly couple, and, yes, one for the dog. That dog was somebody’s friend. It deserved not to die at our hands. And while until a few years ago that moment in the evening of honouring and remembering them was mainly filled with remorse and sorrow, since we went on our beach stroll in Bournemouth & Boscombe in the nude, it is filled now also with love. The love these people gave us—those same people whom we had so badly abused and who had therefore so understandably hated us so—sustains us today. We are grateful for it, and we appreciate it. And we love you all back.

We take no credit for having ‘invented’ the Bournemouth & Boscombe Nude Beach Stroll. If the people of Bournemouth & Boscombe didn’t have it in them to do this every year, it would not have caught on. The fact that it did and that it now attracts visitors from allover the world has nothing to do with us. Nobody even knows about us. It has everything, and only, to do with the people who make it happen each year: the people of Bournemouth & Boscombe. They own it, and for as long as they want it, they may keep and enjoy it.

So should we even tell you about us, if we don’t matter at all? We thought long and hard about this, and many times before we sent this letter to you decided against it. But there was something about your piece that convinced us, in the end, that the truth—even though it be painful and maybe unwelcome—is still part of the picture, and the picture is only truthful if in the end, at some point, when it is ready to be so, it can be rendered complete. The colours, the layers, the light and the shade. And so we commend this letter to you to do with it as you see fit. But we thank you for having prompted us now to write it.

Yours humbly

Andrew & George

I’m struck by the fact that they’re signing it ‘Andrew & George’. Was not Andy the junior partner, drawn into the maelstrom of cataclysm by the older, more devious George? Maybe time has levelled their relationship, as it levels everything, and in all seriousness: does it matter? By sending me their letter they have given me two options only: to either be the keeper of their secret, or to be the agent of their revelation. It is a simple choice to make. I cannot be the keeper of a secret that was volunteered to me as a revelation. And as I believe in redemption, and in catharsis as a step towards it, I opt to let this stand now, here, as it is.

In my universe, hatred to love is as darkness to light: one may not exist without the other, but there is no question, ever, of which yields to which:

Love conquers all.

Istanbul

We wander on for a bit, and I breathe it all in: the people, the tourists, the tram and vendors; the noise and the scent and the flavour.

George, I’m beginning to realise, is telling me everything I need to know. He’s hardly said more than a couple of dozen sentences since we met, improbably and unfathomably, a few hours ago, but I know now that seeing him, listening to him, looking at him, being with him—in his presence, in no other than that simple, literal sense—has triggered in me the abundance of memories, connexions and emotions, the thoughts and the synaptic excursions, the diversions, the captions, the mild insurrections of heart, mind and soul, that I need, to move on.

Move on from what? Had I got stuck? Most severely. Had I manoeuvred myself into a dead end? More than of sorts. Was I on the verge of becoming obsolete, not just to myself, but to the universe that has somehow produced me? I fear me I was. Is that now all at an end? Who knows…

I again put my arm around George, instinctively, without thinking, and he doesn’t shirk or pause or look at me, he just lets it be. My George: that’s how I know him. We wander, like father and son, like brothers, like friends, but not lovers—can one constellation embody all these in one, even, ever?—and I feel me an abundant sensation of love. Of loss too, and of forgiveness. Most of all of forgiveness: I forgive you, George, for everything, really. All your inadequacies. Your presumptions, your misunderstandings. Your aloofnesses and your hesitancies. Your delusions and your noble intentions. Your foibles, all of your weaknesses. Your constant quest to connect, your patent inability to do so in so many senses. There are too many things to mention.

Too many things too, for which I do not need to forgive you, for which I can quietly, humbly, respect you: even admire you. Your sense of justice and your faith in humans. Your optimism, your hope. Your openness, your curiosity. It may, ultimately, have killed the cat, but the cat had nine lives and so it continued. It lived. You’re not unlike a cat, George, I’ve known this for centuries, for all the millennia that I’ve known you. And I’m beginning to know you now, George, and I’m glad on’t.

We reach Taksim Square where we take a turn to the right and keep wandering. Not aimlessly so much as non-directionally. We both have no particular place to go, not at the moment. We end up by a steep small street that looks a little familiar and quite attractive, and decide to head up it, rather than down, and before long we recognise a wooden house and a half hidden entrance: we have inadvertently come back to right where we started: the Limonlu Bahçe.

There is, probably, in some way some significance to this: have we actually gone round in a circle? I like to think not, not least because we are not moving in three dimensions. We have, at any rate, walked a spiral, a triangular shaped one, as it turns out, but that is most likely quite by the by. Some things have meaning, others less so. Some things are profound though we but capture the surface, others are really surface. Or maybe I’m being lazy. At some level, most likely, everything has some other layer, some other meaning, some other significance that could or could not be, or become, at some point quite relevant. We can’t take it all in, all at the same time: we do need a filter. And that’s yet another insight I’m having, right there.

We’ve not walked very far, maybe less than an hour, perhaps a bit more; we’ve been ambling really, rather than striding. We’ve not been saying all that much more. Metaphorically, though, we have come a long way. In my mind I have travelled a little light year. Is there a big light year? Or even one of average length? Aren’t all light years the same? It is not, of course, and I realise, a year, and it’s not one of light. Some metaphors don’t stack up. I have percolated, I feel me, through my own conscience and come out enriched. If that makes sense. Does it have to? Make sense? To me, it doesn’t have to, even though somehow it does. I don’t think it matters to George if it does. Does it matter to you?

I realise I have a reader. I realise I need you as my reader, because without you I don’t exist. I realise I am not alone in this, nor only with George: I realise we are, in our own constellation, triangular. Hello, Reader: welcome to my world.

George and I are both creatures of habit, and having walked for an hour or so—maybe a little less, possibly just a bit more—we both fancy another drink, and we readily, easily, without thinking or negotiation, decide to go back to the Limonlu Bahçe: we liked it there, we were comfortable there, why would we not now go back there, seeing we are already here.

I like that about George and about me: we can stay in one place for hours and never get bored. We both never get bored, George and I. That is a realisation I had and passed on to him long before I knew I would be him: if you watch paint dry close enough, it’s entirely riveting. At molecular level, let alone subatomic: there’s a riot of things happening, a mesmerising display of spectacular wonder. How could you ever get bored?

We head down the hidden staircase back into the garden which is now not full and not empty, but at that agreeable mid-to-late afternoon state when luncheon has petered out and dinner hasn’t yet started. The table we had been sitting at has been taken, but we find one as pleasant in the mid-to-late afternoon speckled shade two or three tables removed and sit down, and our angular waitress returns and recognises us and smiles, and we order another couple of mojitos and some chips, just to nibble.

Now, for the first time in maybe a million years, I am here. George, because of the configuration of the table, the bench and the chairs, has naturally sat down next to me, not opposite, so he can survey the garden with me, this paradise of our own making. This Eden. “Look at me now, and here I am,” she had said, and I had understood her, immediately. Joyce, Shakespeare, Stein. Then Shakespeare again, then no particular order.

I can be at home with myself in a paradise of my making that doesn’t know what it is, in a city I’ve never been before, within an instant and find me not tempted by knowledge, in no need of a companion, at ease. Not forever, of course, just for now. The curiosity and the fascination, the alertness and also the need will soon get the better of me, that I know, it has ever been thus.

But now. And here. We are.


< {Memories of the Past}



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EDEN miniatures

 

Plea

There need to be nooks and crannies; there need to be inbetweennesses.

There need to be othernesses and odd-ones-out that defy gravity, expectation, formula, form. The enemy of perfection is impatience, I know, and yet I find me a-longing, what for I know not. Could it be as banal as attention? This Monday was bluer than I have rhyme for or reason. Or song. And it was the Blue Monday, by name. Need I dramatise myself better, spectacularise myself? Invite preposterousness, scandal, sensation, or noise? Or simply dress up and say: ‘oi!’?

‘The problem,’ Sedartis muses, in what seems a conciliatory mood, ‘with standing in the room shouting loudest just to make sure you get heard is that you don’t hear anyone else in the room, let alone perceive what is happening quietly, under the din. The greatest menace and greatest wisdom have this in common: they enter the fray in silence. The menace by stealth; it creeps up on you, seemingly harmless, sometimes friendly even, or if not friendly, then maybe quaint. The wisdom though simply spreads, where it can, unspectacular, slowly, like the proverbial dawn, until it is really quite splendid and inescapably heralds the day. I’m mixing my metaphors. You get my meaning.’

I inwardly nod. None of this seems new to me, or revelatory.

‘The problem with standing in the room silently, or muttering to yourself, is that you may not just be forever ignored, which is one thing, and bad enough, but taken for mentally unstable, dangerous even, certainly weird. There is nothing in itself wrong with weirdness, but when your task is to be taken seriously, it’s unhelpful. Your task is to be taken seriously. Accept the challenge.’

This piques my interest: how then, I wonder at Sedartis who has been with me, dispensing his snippets of ‘insight’ liberally, as a Father Christmas hands sweets to children, for the last twenty months now, do I make myself heard while being able to listen, do I speak but not mutter, do I send signals, not simply make noise?

‘That is easy,’ Sedartis, unsurprisingly, now that I think of it, claims: ‘You stand in the room, upright and tall as you are, not flustered, not blustering, not puffing yourself up, not screaming, not shouting, but saying what you have to say, with confidence, clear. When you’re spoken to, listen. When you see someone in the room who isn’t being paid any attention, go to them: pay attention. Give yourself a rest now and then and sit quietly in the corner to observe. There, if somebody joins you, you may yet have your most meaningful conversation.

‘Keep an eye and an ear out for the people regaling themselves, roaring with laughter. More often than not they are harmless, even if they’re annoying. But be alert. Keep a feeler out for the subtleties, the changes of tone in the room, the small movements, the quiet arrivals. The sudden departures.

‘Listen out for the music that’s setting the mood. Who do they dance to, who stand aside for. And then you may just have to pick your own moment. Because this room has no host. So it may never happen that someone who knows you invites you to say a few words and bids the others, “pray silence!” – You may have to pick your own moment and command the attention. As you are. Without fuss, but with authority, flair. Then, though, know what you’re talking about. That moment may just be brief. So be prepared and worth listening to, even if just to one or two, three or four. That’s enough. Be patient. Be humble. Be strong. And if you speak any truth at all, prepare to be shouted down, even chased from the building. Such, I’m afraid, is the world that you live in. Your reward may never materialise: do not expect a reward.’

I do not expect a reward, do I?

‘Yes you do,’ Sedartis thunders, now vehemence in his wrath. ‘Rise above this need to be appreciated.’ Is that even possible, I now seriously ask myself and Sedartis in tandem: isn’t being appreciated simply another expression for being loved?

Sedartis is quiet. Have I managed to shut up Sedartis? Really? I feel a minuscule pang of guilt, but triumph as well. It doesn’t last long:

‘George.’ I don’t think Sedartis has ever called me by any of my names before: ‘Your need to be loved is only human. You cannot, nor should you, be super or let alone subhuman. But learn to be loved in manifold ways, unspoken, unreciprocated, unneedy, generously, unspectacularly. Appreciate love when it is not shown, not expressed, but still felt. Yours is a singular path, maybe lonely, at times: fear it not. You’ve been given advice on this matter before, and you will be again: heed it, it was sound. Accept love, don’t crave it: give love, don’t take it for granted; don’t overstate it, don’t desire it, don’t keep it: be love.’


< Outrage      Phantom >


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Saturn

Dione, Tethys, Mimas, Enceladus – your friendly moons’ names sound like characters to me, in a pastoral play. Even Titan and Iapetus; they have been overthrown, dwell in the pantheon no longer: neighbours now, living downstairs, or, to wave at, across the street.

Your rings, though no more mysterious now than you, are delicate still; and you are inviting too. Against thy will, methinks; like the old rustic who grumbles at first and enjoys the thought of himself as forbidding, but turns out to be at heart quite congenial.

I am at the stage now where I feel there are fewer surprises. Fewer certainties too, and fewer woes. Fewer intransigencies and fewer instances of despair. That can only, I sense, be a good thing. Journeying has put me at ease with myself. I feel millions of miles away still from where I envisage I should be, but this seems natural now, and of little concern. The hereness and thereness of it all: the potencies of the potential. The meta nomenclature of the id. The closer I get to being myself, the more I disperse myself across the quanta of energy: thought. Insubstantive meanderings that then turn out to make sense after all. At some point, at some level, in some way. Not conscious, perhaps, but innocuous, calm.

I sit down on one of these rings and let my legs dangle in the brook of what looks from afar like a void that surrounds it, and my toes tingle at the excitement of being and wriggle with a childlike and clean and unjaded joy: they haven’t walked as far yet by far as it seems, they have simply strolled. Over the meadows of this spacescape, this English garden, this Ermitage. I feel my thin body, pale and slender but resilient and robust, as it was back then, when I was a boy. It never preoccupied itself with itself. The etherealness of it all, the curiousness. And always, always the wonder. Nobody joins me, yet, and maybe none ever will now, and it saddens me not, I am free.

From where I perch on my borrowed bank, my legs suspended, my hand—the left one—playing with marbles, the molecules, the droplets, the pebbles and the whists of yellow-blue algae that get trapped in my fingers, cool and gentle, soft and strong, my eyes, inclined toward what lies below and therefore what also above, my face reflected (reminiscent, perhaps, after all, of Narcissus, though he, I know, does not belong here any more than he does on Mercury), my lips catch my attention, and for a fleeting moment I wish me a one for them to be kissed. The longing, the curiosity, still, and the awe.

I am on the brink, I realise, and at this point, sooner or later, there does come the point where you have to decide. Do you jump, assuming that you will fly, or don’t you, fearing that you might drown.

Why do I do this from here, and not where I started? Have I conspired with circumstances to manoeuvre myself onto the fence of a planet whose patron is the god of the farmer of all things to finally return to the George in me and embrace him as much as release him in exactly the same gesture, at exactly the same time, for exactly the same reasons and to exactly the same end? It wouldn’t surprise me. Hardly anything would. The universe finds a way, of that I have long been certain, and whatever happens next is bound to happen, just as what happened before was in its own liquid way quite inevitable.

All the querulousnesses of adversaries (they were friends in disguise), all the insurmountablenesses of obstacles, varied and frequent and each in its own right unreasonable, from here, from this tholin perspective, rotating at speed, and wobbly, a little bit drunk on the juices of life, but steady and safe in myself now—as far as there even exist such notions as ‘steadiness,’ ‘safety’ and ‘self’—look irrelevant now and benign.

My right hand that has been holding on to the ice, to the carbon, the substance, such as there was, in a vain grip on something the brain interpreted as ‘reality,’ still, after only another decade or so of faint hesitation, lets go, and, much as expected, I sink not, and nor do I soar: I float, once again, now earthwards, I’m sure.


< Uranus       Mars >


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The Ice King – 6: The Core

Into the core I dissolve.

I remember The Ice King, he lingers. In my body. In my senses. My mind. In my nature; my idiom. In my eyes. In my aptitudes. I was never like The Ice King at all, yet I am he, he is me, was that unavoidable, or was it my wish?

Down at the core of the centre of the stem of the flow of the pulse there is no movement, no stillness, no anger, no pain. No cold and no ice and no view and no argument, no perspective. There is liquid lava only. The core is the place at which everything starts and everything comes together and everything ceases to be, and everything is alive, but the heat melts the molecules and causes nuclear fusions: it’s as close as we get to the sun. The energy. The source.

As I come up for air I realise to my joy I’m still breathing. In, breathing out. Im Atemholen sind zweierlei Gnaden. I remember things I never knew were instilled in me, but they, like The Ice King, remain; they are rooted, they grow.

I grow. I grow out of the core and through the pole, and I form into something almost human. I laugh inside. Not happy, relieved. The fact alone that there is a core. That there is a pole. That there is a word. That there is a thought. That there is a kiss. That there is a chamber. That there is ice, that there is a king. That the king rules me because I want him to only. He has my permission. I am his subject, he is my slave. We get on swimmingly.

Like happy spermatozoa we float in the semen of our need towards the egg of our imagination, flagella wagging, willing us on to imminent fertilisation. Often we fail. But we are not unique, we are two among millions, and the consciousness from which we have squirted is generous, patient. There is more. There is plenty. We are not alone. We are not lost. We are not meaningless. We are not wasted.

Up through the salty water I burst, slithery wet and elated. If this be living I’ll have me some more of it, yes. The Ice King, tranquil now, regal, mischievous, hot, smiles at me knowingly. He knows me better than I care to admit, but I care not. I have him in my mind and he has me in his gonads. Together we’re strong. Let this be our universe. The force that holds us together may yet tear us apart, but for now there is only the idea of what may be.

Strengthened, revived, I emerge. The Ice King walks with me now, as I go. I am The Ice King, I am the snowflake, I am The Snowflake Collector, the wonder and George. The innocence lost and found. The anguish, the great satisfaction. The invention. The story.

I walk on an empty plane that extends into all directions, without end. Absence of colour surrounds me. I have conquered my fear. Not lost it, not abandoned it, no: embraced it, loved it, wrestled it, made it my own. I am the master of that I create. I am god. I breathe in, I breathe out. I breathe in, I breathe out. The swirls of air from my mouth form a flurry of flowers whose pollen disperse and populate the void. It is a paradise. It is rich. It is the land of beauty, abundance. This is where I belong; this is home.


< 5: The Pole       7: The Beginning >


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World

‘There has to come a point when it stops being about anything, when it just is,’ George tells me, as we climb up the steep, picturesque Yeni Çarşı Caddesi towards the main drag that leads from Galatasaray to Taksim Square.

‘When it’s not about the numbers and not about the acknowledgments and not about the recognition and not about the rewards and not about the money. It’s never been nor can it ever be about the money.’

I’m a little impressed with this insight—not that it’s not about the money, that’s just stating the obvious—but that there has to come a point when it stops being about anything, ‘when it just is.’ I don’t remember having that insight then, but clearly I did. How and when and why did I lose it, ever? What a loss. What rediscovery.

I marvel at the people around us, and, as I always do, I feel a profound love for them all. I wish I could tell them, or, if not tell them, make them sense it, let them know that they are loved, all of them, but I don’t know how, and I realise it doesn’t matter.

I’ve left my Eden. I have done so alone. I am in the world. George walks next to me up the hill in silence, and I wonder how far I can take him with me now. Does he still belong here, by my side, or do I have to let him go. His place may be taken by somebody else some day, but I don’t know who, and I certainly don’t know when, if at all.

Having left my Eden, I realise for the first time that I had an Eden. A garden of peace. Of innocence. Of everything being possible and nothing yet being done or undone. The Serene Confidence of the Now. I left it and searched for the Thrill of the When, only to be reunited with the Certainty of Always. Is there a Certainty? Is there an Always? The expanse of time is funnelling not to the future but to the present. That’s what so reassures me. And so excites me too: has leaving Eden landed me on a planet that is but a springboard to a place where all possible consciousnesses collide?

I want to hold George by the hand to signal: I can guide you. But I can’t guide him. I know what he’s about to embark on, and I want to tell him that he’s going to be fine. But he’s not going to be fine. He’s going to be in pain and in love and in anguish and in joy and in despair and in awe and in uncertainty and in these moments of bliss that seem to make it worthwhile and in the turmoil and in the quiet and in the other and in the self. Does it need to be worthwhile? What worth, what while?

As we reach the top of the hill and turn right to immerse ourselves in the current of the city, I put my arm around George’s shoulder, and we walk on the now even street, still in silence. He knows who I am, I am sure. He won’t remember when he is me to have met me, but he’ll sense my presence, and that’s enough. He knows that he’s not alone.

I want to hug him to my chest, and I feel my arm pull him into me just a little harder to reassure him, but he is too sure of himself now to notice. I like that about George, though it also scares me a little. You are not alone in this world, I want to say to him, but you’re choosing a lonely path. They won’t get you, most of the time; they won’t join you, or walk with you; they will see you wander and think: there goes George.

And that is all right. Because after all, that’s the only path you can go that takes you where the universe needs you. If the universe needs you. And if it doesn’t, it still is the only path you can go that you recognise as your own. It will lead you here, to me, caring deeply about you, much more than you do; but who knows whence from now: maybe to the person who is us in his eighties, sitting on a bench or in a cafe or in a bar, waiting for us to join him, in thirty years’ time…

I stand still in the middle of the bustling throng, and my heart jumps: have I lost him already? That quick? So accidental? Ah no. A sigh of relief: he’s just paused to give someone a light. The young man, a little older than he, cups his hand around George’s, as George holds his lighter up towards his face, and he looks George in the eyes and gives him a smile. George is oblivious to anything this might mean; he wanly smiles back and, to the young man’s flirtatious ‘thank you’—not unfriendly but factually—replies: ‘you are welcome.’ Oh George…


< {Amble}       {Memories of the Past} >


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