Istanbul

We wander on for a bit, and I breathe it all in: the people, the tourists, the tram and vendors; the noise and the scent and the flavour.

George, I’m beginning to realise, is telling me everything I need to know. He’s hardly said more than a couple of dozen sentences since we met, improbably and unfathomably, a few hours ago, but I know now that seeing him, listening to him, looking at him, being with him—in his presence, in no other than that simple, literal sense—has triggered in me the abundance of memories, connexions and emotions, the thoughts and the synaptic excursions, the diversions, the captions, the mild insurrections of heart, mind and soul, that I need, to move on.

Move on from what? Had I got stuck? Most severely. Had I manoeuvred myself into a dead end? More than of sorts. Was I on the verge of becoming obsolete, not just to myself, but to the universe that has somehow produced me? I fear me I was. Is that now all at an end? Who knows…

I again put my arm around George, instinctively, without thinking, and he doesn’t shirk or pause or look at me, he just lets it be. My George: that’s how I know him. We wander, like father and son, like brothers, like friends, but not lovers—can one constellation embody all these in one, even, ever?—and I feel me an abundant sensation of love. Of loss too, and of forgiveness. Most of all of forgiveness: I forgive you, George, for everything, really. All your inadequacies. Your presumptions, your misunderstandings. Your aloofnesses and your hesitancies. Your delusions and your noble intentions. Your foibles, all of your weaknesses. Your constant quest to connect, your patent inability to do so in so many senses. There are too many things to mention.

Too many things too, for which I do not need to forgive you, for which I can quietly, humbly, respect you: even admire you. Your sense of justice and your faith in humans. Your optimism, your hope. Your openness, your curiosity. It may, ultimately, have killed the cat, but the cat had nine lives and so it continued. It lived. You’re not unlike a cat, George, I’ve known this for centuries, for all the millennia that I’ve known you. And I’m beginning to know you now, George, and I’m glad on’t.

We reach Taksim Square where we take a turn to the right and keep wandering. Not aimlessly so much as non-directionally. We both have no particular place to go, not at the moment. We end up by a steep small street that looks a little familiar and quite attractive, and decide to head up it, rather than down, and before long we recognise a wooden house and a half hidden entrance: we have inadvertently come back to right where we started: the Limonlu Bahçe.

There is, probably, in some way some significance to this: have we actually gone round in a circle? I like to think not, not least because we are not moving in three dimensions. We have, at any rate, walked a spiral, a triangular shaped one, as it turns out, but that is most likely quite by the by. Some things have meaning, others less so. Some things are profound though we but capture the surface, others are really surface. Or maybe I’m being lazy. At some level, most likely, everything has some other layer, some other meaning, some other significance that could or could not be, or become, at some point quite relevant. We can’t take it all in, all at the same time: we do need a filter. And that’s yet another insight I’m having, right there.

We’ve not walked very far, maybe less than an hour, perhaps a bit more; we’ve been ambling really, rather than striding. We’ve not been saying all that much more. Metaphorically, though, we have come a long way. In my mind I have travelled a little light year. Is there a big light year? Or even one of average length? Aren’t all light years the same? It is not, of course, and I realise, a year, and it’s not one of light. Some metaphors don’t stack up. I have percolated, I feel me, through my own conscience and come out enriched. If that makes sense. Does it have to? Make sense? To me, it doesn’t have to, even though somehow it does. I don’t think it matters to George if it does. Does it matter to you?

I realise I have a reader. I realise I need you as my reader, because without you I don’t exist. I realise I am not alone in this, nor only with George: I realise we are, in our own constellation, triangular. Hello, Reader: welcome to my world.

George and I are both creatures of habit, and having walked for an hour or so—maybe a little less, possibly just a bit more—we both fancy another drink, and we readily, easily, without thinking or negotiation, decide to go back to the Limonlu Bahçe: we liked it there, we were comfortable there, why would we not now go back there, seeing we are already here.

I like that about George and about me: we can stay in one place for hours and never get bored. We both never get bored, George and I. That is a realisation I had and passed on to him long before I knew I would be him: if you watch paint dry close enough, it’s entirely riveting. At molecular level, let alone subatomic: there’s a riot of things happening, a mesmerising display of spectacular wonder. How could you ever get bored?

We head down the hidden staircase back into the garden which is now not full and not empty, but at that agreeable mid-to-late afternoon state when luncheon has petered out and dinner hasn’t yet started. The table we had been sitting at has been taken, but we find one as pleasant in the mid-to-late afternoon speckled shade two or three tables removed and sit down, and our angular waitress returns and recognises us and smiles, and we order another couple of mojitos and some chips, just to nibble.

Now, for the first time in maybe a million years, I am here. George, because of the configuration of the table, the bench and the chairs, has naturally sat down next to me, not opposite, so he can survey the garden with me, this paradise of our own making. This Eden. “Look at me now, and here I am,” she had said, and I had understood her, immediately. Joyce, Shakespeare, Stein. Then Shakespeare again, then no particular order.

I can be at home with myself in a paradise of my making that doesn’t know what it is, in a city I’ve never been before, within an instant and find me not tempted by knowledge, in no need of a companion, at ease. Not forever, of course, just for now. The curiosity and the fascination, the alertness and also the need will soon get the better of me, that I know, it has ever been thus.

But now. And here. We are.


< {Memories of the Past}


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Plea

There need to be nooks and crannies; there need to be inbetweennesses.

There need to be othernesses and odd-ones-out that defy gravity, expectation, formula, form. The enemy of perfection is impatience, I know, and yet I find me a-longing, what for I know not. Could it be as banal as attention? This Monday was bluer than I have rhyme for or reason. Or song. And it was the Blue Monday, by name. Need I dramatise myself better, spectacularise myself? Invite preposterousness, scandal, sensation, or noise? Or simply dress up and say: ‘oi!’?

“The problem,” Sedartis muses, in what seems a reconciliatory mood, “with standing in the room shouting loudest just to make sure you get heard is that you don’t hear anyone else in the room, let alone perceive what is happening quietly, under the din. The greatest menace and greatest wisdom have this in common: they enter the fray in silence. The menace by stealth; it creeps up on you, seemingly harmless, sometimes friendly even, or if not friendly, then quaint. The wisdom though simply spreads, where it can, unspectacular, slowly, like the proverbial dawn, until it is really quite splendid and inescapably heralds the day. I’m mixing my metaphors. You get my meaning.”

I inwardly nod. None of this seems new to me, none revelatory. “The problem with standing in the room silently, or muttering to yourself, is that you may not just be forever ignored, which is one thing, and bad enough, but taken for mentally unstable, dangerous even, certainly weird. There is nothing in itself wrong with weirdness, but when your task is to be taken seriously, it’s unhelpful. Your task is to be taken seriously. Accept the challenge.”

This piques my interest: how then, I wonder at Sedartis who has been with me, dispensing his snippets of ‘insight’ liberally as a Father Christmas hands sweets to children, for the last twenty months now, do I make myself heard while being able to listen, do I speak but not mutter, do I send signals, not simply make noise? “That is easy,” Sedartis, unsurprisingly, now that I think of it, claims: “You stand in the room, upright and tall as you are, not flustered, not blustering, not puffing yourself up, not screaming, not shouting, but saying what you have to say, with confidence, clear. When you’re spoken to, listen. When you see someone in the room who isn’t being paid any attention, go to them: pay attention. Give yourself a rest now and then and sit quietly in the corner to observe. There, if somebody joins you, you may yet have your most meaningful conversation. Keep an eye and an ear out for the people regaling themselves, roaring with laughter. More often than not they are harmless, even if they’re annoying. But be alert. Keep a feeler out for the subtleties, the changes of tone in the room, the small movements, the quiet arrivals. The sudden departures. Listen out for the music that’s setting the mood. Who do they dance to, who stand aside for. And then you may just have to pick your own moment. Because this room has no host. So it may never happen that someone who knows you invites you to say a few words and bids the others, ‘pray silence!’ – You may have to pick your own moment and command the attention. As you are. Without fuss, but with authority, flair. Then, though, know what you’re talking about. That moment may just be brief. So be prepared and worth listening to, even if just to one or two, three or four. That’s enough. Be patient. Be humble. Be strong. And if you speak any truth at all, prepare to be shouted down, even chased from the building. Such, I’m afraid, is the world. Your reward may never materialise: do not expect a reward.”

I do not expect a reward, do I?

“Yes you do,” Sedartis thunders, now vehemence in his wrath. “Rise above this need to be appreciated.” Is that even possible, I now seriously ask myself and Sedartis in tandem: isn’t being appreciated simply another expression for being loved?

Sedartis is quiet. Have I managed to shut up Sedartis? Really? I feel a minuscule pang of guilt, but triumph as well. It doesn’t last long.

“George.” I don’t think Sedartis has ever called me by any of my names before: “Your need to be loved is only human. You cannot, nor should you, be super or let alone subhuman. But learn to be loved in manifold ways, unspoken, unreciprocated, unneedy, generously, unspectacularly. Appreciate love when it is not shown, not expressed, but still felt. Yours is a singular path, maybe lonely, at times: fear it not. You’ve been given advice on this matter before, and you will be again: heed it, it was sound. Accept love, don’t crave it: give love, don’t take it for granted; don’t overstate it, don’t desire it, don’t keep it: be love.”


< Outrage       …

 

Saturn

Dione, Tethys, Mimas, Enceladus – your friendly moons’ names sound like characters to me, in a pastoral play. Even Titan and Iapetus; they have been overthrown, dwell in the pantheon no longer: neighbours now, living downstairs, or, to wave at, across the street.

Your rings, though no more mysterious now than you, are delicate still; and you are inviting too. Against thy will, methinks; like the old rustic who grumbles at first and enjoys the thought of himself as forbidding, but turns out to be at heart quite congenial.

I am at the stage now where I feel there are fewer surprises. Fewer certainties too, and fewer woes. Fewer intransigencies and fewer instances of despair. That can only, I sense, be a good thing. Journeying has put me at ease with myself. I feel millions of miles away still from where I envisage I should be, but this seems natural now, and of little concern. The hereness and thereness of it all: the potencies of the potential. The meta nomenclature of the id. The closer I get to being myself, the more I disperse myself across the quanta of energy: thought. Insubstantive meanderings that then turn out to make sense after all. At some point, at some level, in some way. Not conscious, perhaps, but innocuous, calm.

I sit down on one of these rings and let my legs dangle in the brook of what looks from afar like a void that surrounds it, and my toes tingle at the excitement of being and wriggle with a childlike and clean and unjaded joy: they haven’t walked as far yet by far as it seems, they have simply strolled. Over the meadows of this spacescape, this English garden, this Ermitage. I feel my thin body, pale and slender but resilient and robust, as it was back then, when I was a boy. It never preoccupied itself with itself. The etherealness of it all, the curiousness. And always, always the wonder. Nobody joins me, yet, and maybe none ever will now, and it saddens me not, I am free.

From where I perch on my borrowed bank, my legs suspended, my hand—the left one—playing with marbles, the molecules, the droplets, the pebbles and the whists of yellow-blue algae that get trapped in my fingers, cool and gentle, soft and strong, my eyes, inclined toward what lies below and therefore what also above, my face reflected (reminiscent, perhaps, after all, of Narcissus, though he, I know, does not belong here any more than he does on Mercury), my lips catch my attention, and for a fleeting moment I wish me a one for them to be kissed. The longing, the curiosity, still, and the awe.

I am on the brink, I realise, and at this point, sooner or later, there does come the point where you have to decide. Do you jump, assuming that you will fly, or don’t you, fearing that you might drown.

Why do I do this from here, and not where I started? Have I conspired with circumstances to manoeuvre myself onto the fence of a planet whose patron is the god of the farmer of all things to finally return to the George in me and embrace him as much as release him in exactly the same gesture, at exactly the same time, for exactly the same reasons and to exactly the same end? It wouldn’t surprise me. Hardly anything would. The universe finds a way, of that I have long been certain, and whatever happens next is bound to happen, just as what happened before was in its own liquid way quite inevitable.

All the querulousnesses of adversaries (they were friends in disguise), all the insurmountablenesses of obstacles, varied and frequent and each in its own right unreasonable, from here, from this tholin perspective, rotating at speed, and wobbly, a little bit drunk on the juices of life, but steady and safe in myself now—as far as there even exist such notions as ‘steadiness,’ ‘safety’ and ‘self’—look irrelevant now and benign.

My right hand that has been holding on to the ice, to the carbon, the substance, such as there was, in a vain grip on something the brain interpreted as ‘reality,’ still, after only another decade or so of faint hesitation, lets go, and, much as expected, I sink not, and nor do I soar: I float, once again, now earthwards, I’m sure.


< Uranus       Mars >

 

 

The Ice King – 6: The Core

Into the core I dissolve.

I remember The Ice King, he lingers. In my body. In my senses. My mind. In my nature; my idiom. In my eyes. In my aptitudes. I was never like The Ice King at all, yet I am he, he is me, was that unavoidable, or was it my wish?

Down at the core of the centre of the stem of the flow of the pulse there is no movement, no stillness, no anger, no pain. No cold and no ice and no view and no argument, no perspective. There is liquid lava only. The core is the place at which everything starts and everything comes together and everything ceases to be, and everything is alive, but the heat melts the molecules and causes nuclear fusions: it’s as close as we get to the sun. The energy. The source.

As I come up for air I realise to my joy I’m still breathing. In, breathing out. Im Atemholen sind zweierlei Gnaden. I remember things I never knew were instilled in me, but they, like The Ice King, remain; they are rooted, they grow.

I grow. I grow out of the core and through the pole, and I form into something almost human. I laugh inside. Not happy, relieved. The fact alone that there is a core. That there is a pole. That there is a word. That there is a thought. That there is a kiss. That there is a chamber. That there is ice, that there is a king. That the king rules me because I want him to only. He has my permission. I am his subject, he is my slave. We get on swimmingly.

Like happy spermatozoa we float in the semen of our need towards the egg of our imagination, flagella wagging, willing us on to imminent fertilisation. Often we fail. But we are not unique, we are two among millions, and the consciousness from which we have squirted is generous, patient. There is more. There is plenty. We are not alone. We are not lost. We are not meaningless. We are not wasted.

Up through the salty water I burst, slithery wet and elated. If this be living I’ll have me some more of it, yes. The Ice King, tranquil now, regal, mischievous, hot, smiles at me knowingly. He knows me better than I care to admit, but I care not. I have him in my mind and he has me in his gonads. Together we’re strong. Let this be our universe. The force that holds us together may yet tear us apart, but for now there is only the idea of what may be.

Strengthened, revived, I emerge. The Ice King walks with me now, as I go. I am The Ice King, I am the snowflake, I am The Snowflake Collector, the wonder and George. The innocence lost and found. The anguish, the great satisfaction. The invention. The story.

I walk on an empty plane that extends into all directions, without end. Absence of colour surrounds me. I have conquered my fear. Not lost it, not abandoned it, no: embraced it, loved it, wrestled it, made it my own. I am the master of that I create. I am god. I breathe in, I breathe out. I breathe in, I breathe out. The swirls of air from my mouth form flurry of flowers whose pollen disperse and populate the void. It is a paradise. It is rich. It is the land of beauty, abundance. This is where I belong; this is home.


< 5: The Pole       7: The Beginning >

 

World

‘There has to come a point when it stops being about anything, when it just is,’ George tells me, as we climb up the steep, picturesque Yeni Çarşı Caddesi towards the main drag that leads from Galatasaray to Taksim Square.

‘When it’s not about the numbers and not about the acknowledgments and not about the recognition and not about the rewards and not about the money. It’s never been nor ever can it be about the money.’

I’m a little impressed with this insight—not that it’s not about the money, that’s just stating the obvious—but that there has to come a point when it stops being about anything, ‘when it just is.’ I don’t remember having that insight then, but clearly I did. How and when and why did I lose it, ever? What a loss. What rediscovery.

I marvel at the people around us, and, as I always do, I feel a profound love for them all. I wish I could tell them, or, if not tell them, make them sense it, let them know that they are loved, all of them, but I don’t know how, and I realise it doesn’t matter.

I’ve left my Eden. I have done so alone. I am in the world. George walks next to me up the hill in silence, and I wonder how far I can take him with me now. Does he still belong here, by my side, or do I have to let him go. His place may be taken by somebody else some day, but I don’t know who, and I certainly don’t know when, if at all.

Having left my Eden, I realise for the first time that I had an Eden. A garden of peace. Of innocence. Of everything being possible and nothing yet being done or undone. The Serene Confidence of the Now. I left it and searched for the Thrill of the When, only to be reunited with the Certainty of Always. Is there a Certainty? Is there an Always? The expanse of time is funnelling not to the future but to the present. That’s what so reassures me. And so excites me too: has leaving Eden landed me on a planet that is but a springboard to a place where all possible consciousnesses collide?

I want to hold George by the hand to signal: I can guide you. But I can’t guide him. I know what he’s about to embark on, and I want to tell him that he’s going to be fine. But he’s not going to be fine. He’s going to be in pain and in love and in anguish and in joy and in despair and in awe and in uncertainty and in these moments of bliss that seem to make it worthwhile and in the turmoil and in the quiet and in the other and in the self. Does it need to be worthwhile? What worth, what while?

As we reach the top of the hill and turn right to immerse ourselves in the current of the city, I put my arm around George’s shoulder, and we walk on the now even street, still in silence. He knows who I am, I am sure. He won’t remember when he is me to have met me, but he’ll sense my presence, and that’s enough. He knows that he’s not alone.

I want to hug him to my chest, and I feel my arm pull him into me just a little harder to reassure him, but he is too sure of himself now to notice. I like that about George, though it also scares me a little. You are not alone in this world, I want to say to him, but you’re choosing a lonely path. They won’t get you, most of the time, they won’t join you, or walk with you; they will see you wander and think: there goes George.

And that is all right. Because after all, that’s the only path you can go that takes you where the universe needs you. If the universe needs you. And if it doesn’t, it still is the only path you can go that you recognise as your own. It will lead you here, to me, caring deeply about you, much more than you do; but who knows whence from now: maybe to the person who is us in his eighties, sitting on a bench or in a cafe or in a bar, waiting for us to join him, in thirty years’ time…

I stand still in the middle of the bustling throng, and my heart jumps: have I lost him already? That quick? So accidental? Ah no. A sigh of relief: he’s just paused to give someone a light. The young man, a little older than he, cups his hand around George’s, as George holds his lighter up towards his face, and he looks George in the eyes and gives him a smile. George is oblivious to anything this might mean; he wanly smiles back and, to the young man’s flirtatious ‘thank you’—not unfriendly but factually—replies: ‘you are welcome.’ Oh George…


< {Amble}       {Memories of the Past} >

 

No Compromise

When I look at pictures of myself of the time when I was as old as I am now that I am sitting opposite me at the Limonlu Bahçe, I don’t recognise myself any more or any better than when I listen to my voice on The Tape from the era.

It feels like an era because it is so remote in the past—so distant—that it might as well be an epoch. Thirty years, thereabouts. Just over a generation. I now could easily, comfortably, be my own father then. That messes with my mind a bit, but it literally figures: I left home, aged twenty-one, ten days before my mother’s fiftieth birthday.

It never once occurred to me, then, that it would perhaps be a good idea to stay for my mother’s fiftieth birthday and then leave home, as the last of her children to do so. My mind simply did not entertain that notion. It was not callousness or insensitivity, as such, it was a complete unawareness that that would even be a reasonable thing to do.

I did get my wonderful friend Asta to pick up a thin golden ring that I had bought from the jeweller’s, on the inside of which I’d had the words engraved: In Gratitude. Asta picked up the ring with some flowers, for which I presumably had given her the money, and took them to my mother on her birthday. That to me seemed reasonable then. My mother still wears the ring, of course. And while I can’t to this day explain my behaviour to her, I can see that the memento means something to her, and it means something to me that it does.

Now, as I’m sitting opposite myself at the Limonlu Bahçe in Istanbul with a sense of wonder, I no longer, in that other sense, wonder. This really has changed. For so long I simply wondered, at everything about all things, all of the time.

I used to wonder what the future might hold, I used to wonder how things were in the present, I used to wonder what I was and what I was to become, I used to wonder, naturally, why? Why everything, why anything, really; and I used to wonder how I could come back to this place—any place—and do it for real.

This used to be a pervading feeling of mine: I must come back to this place and do it for real. It was almost like I was on a recce, accumulating intelligence, information on how to do this when it counted, when it was real. It was never real. Now—now ironically being the time and the age and the era when I do a good solid part of my living virtually—it’s beginning to be real. And I am immensely relieved. A little scared, perhaps, yes, but in a good way, the way that you get stage fright before you go on in a play, or do a gig.

I thought at first, as first I was beginning to realise who that is, having a mojito with me, that I would want to ask myself innumerable questions. And now I realise, they don’t matter now. Now that they could be asked, they evaporate. Could it be I’m beginning to accept myself just as I am. Love myself, even? Is that conceivable, still? It’s a big word. Love.

I don’t think I ever hated myself, I’ve hardly ever hated anything or let alone anyone, but I also don’t think I’ve ever been able to love myself. I’ve overestimated myself, bemused myself, irritated myself, entertained myself, and imagined myself somehow exalted, but loved myself? I don’t know what that would feel like, so I don’t think I have.

I want to have a conversation with myself about something that isn’t me, and I ask young George how he’s been spending his time travelling across Europe. The details he tells me neither surprise nor remind me: they sound like the indifferent anecdotes of a young man who’s been travelling across Europe. The stories he’s telling me are intimate, even provocative. In a nonchalant way. I had forgotten that aspect of me: I used to be quite provocative, in a nonchalant way. I used to be rebellious, certainly, and deliberately daring. Never quite as daring as deep down I thought I ought to be though; this too, I seemed to conduct almost as a rehearsal: my daring.

George speaks in a measured, quiet tone, not dissimilar to the tone I hear on The Tape. I’m beginning to wonder whether I have already listened to The Tape, and this is essentially a memory constructed from The Tape, so as not to call it a ‘dream,’ or whether I’m yet to find The Tape; but then the chronology, in a situation where I’m sitting opposite my thirty years younger self in a delightful garden cafe in Istanbul, having mojitos and talking about travels and Europe and daring and art does not particularly seem to matter.

‘I cannot bear a compromise, in art,’ I hear myself tell myself; and young me, George, looks up and smiles that nearly-smile that I’m beginning to recognise, even like. ‘I find it abhorrent. Compromise is something, certainly, for politics, perhaps for a relationship, I don’t know; but for art: no.’ I agree with myself on this, emphatically: ‘Yes,’ George says, ‘I agree with you. Do you smoke?’ And we finally have our first cigarette together.

The silence is soothing and reassuring, and I’m reminded of a teacher at school whose name I can’t now remember who taught us clay modelling. At the school I went to, this was one of the things we did, and I enjoyed it, in principle, but I was going through a crisis.

We were modelling heads, near life-size (about two thirds or three quarter) and, having finished one of a girl, quite generic, which I thought looked all right but which didn’t excite me, I had started a second one, this of an African boy. I couldn’t get his features right. I was getting frustrated and I must have expressed this somehow, though I don’t remember the how, and our teacher, a German woman in her forties who to me then seemed neither ancient nor young but really curiously both at the same time, and whom I didn’t know well enough to like or dislike her, but whom I was able, for her empathy and her concern for my work, to respect, looked at my head and at me and then said: ‘Ein Kunstwerk muss durch den Tod gehen.’ A work of art has to go through death.

I intuitively knew what she meant, and although I couldn’t entirely comprehend it, I liked the fact that she had used the words ‘work of art’ and ‘death’ in one sentence, and combined them so that one was to conquer the other, and I thought nothing of the fact that she seemed to refer to my high school project as a work of art.

She did two or three things to my head that took all of about ninety seconds, and the way was paved for me to finish the project. I completed the head, and it spent the next two or three years in pride of place in my bedroom on a black cloth with a round badge pinned to it on which the words “BLACK IS BEAUTIFUL” were printed in small yellow capital letters on a black background; and when I moved out of my parents’ home, I left it behind, and since then it has been living on top of a large commode in the living room of my parents’ holiday flat in the mountains. I see it there often, and while I’m not sure it is quite a work of art, I certainly know it had to go through a death before it turned into something that still, after all this time, is in its own right, quite beautiful.

We finish our cigarettes and I ask George if he would care to go for a walk, and he says: ‘why not?’


< {Mojito}       {Amble} >

 

∞ Pyromania

The police had no trouble getting the boys to confess to their actions, in detail. What they had great trouble with was understanding them: their motives, their emotions, their reasons; their unnerving casual calm, even now, even now that the extent of the damage, the depth of destruction, the heinousness of their deed was put before them.

The boys, in turn, seemed to understand and simply accept that all of this was exactly the way it was. They expressed no regret, or if so then only when pressed on an angry detail: the twin girls; these beautiful, lovely, five year old girls: did they not feel sorry for them. Yes, they said, they did. And the dog? The cute little spaniel? And the dog too, yes.

The police were not alone in being incapable of understanding the boys. The moment they issued a statement confirming their arrest, hate rose from the ground, like the stench of poison and decay. It spread and quickly it turned into anger: fury against an incomprehensible evil that the people, the good people of Bournemouth and Boscombe felt had nested in their midst and that had, as far as they could tell, nothing whatever to do with them. 

The Earnest Psychologist who had not actually met with or spoken to the boys, invoked many possible causes: disillusionment, suppressed sexuality, self-loathing, confusion, disorientation, parental neglect, parental overbearing, nondescript feelings of persecution, projection, detachment. The words to the people who had lost their huts, let alone those who had lost a friend, a lover, a husband, a wife; a sister, a brother, a mother, a father; least of all though to those who had lost their gorgeous twins, and also not to those who had lost their little dog, to them, these words meant nothing, they were just noise. And it made these people, these good people, angrier still, and more hateful.

And the hate ate into them and turned their misery into madness: a kind of madness, an uncontrollable fear and loathing. For their first court appearance, the boys were driven in two separate vans – why the two separate vans, some people wondered? – the short distance from their police cells to the court building and angry, hateful crowds gathered and shouted vile words and curses at them and called for their heads. Banging on speeding police vans, endangering their own lives, rather than keeping the peace.

The ugliness was pervasive: faces distorted in pain and wrath and dismay. Loud voices, high pitched declamations, over and over again: ‘they’ve ruined our lives.’ ‘They should be shot.’ ‘These two: they belong locked up and the keys thrown away.’

The Angry Prophet wasn’t having any of it: ‘don’t you see,’ he berated them, ‘you made these boys and you will make more of them: unless and until you look into yourselves and begin to ask questions of you and what kind of people you are that you ignore in your midst those you dislike, there will be ones at ever recurring junctures that will do some unspeakable thing, just to be heard, just to be seen, just to know they exist. Wake up, you dull, you smug, you sleep-walking idiots and ask why you are so punished!’

The people did not like to hear this, they shut off his rants, if not from their ears – he was loud! – then from their minds: he has ever berated us thus, he is the madman here, this has nothing to do with us, these kids have gone wrong.

The Sacred Sage was silent for a long long time. He feared not for his life nor for his wisdom, he feared for the humanity in these humans. After the Hapless Messenger had been kicked to the ground in The Square and punched in the face and kicked in the guts and stabbed in the neck with a broken bottle and been left to bleed to death, the Sacred Sage knew: we’re undone. We’re undone: we need to redo ourselves.

She was just a journalist, but not of the kind that quickly make up a convenient narrative that is simple and clear and easy to understand and that puts the headline “MONSTERS” on the front page with pictures of the two young perpetrators, as others did, without hesitation, she was one who had spoken to George’s crestfallen, hollowed father, to Andy’s shellshocked mother, to one or two teachers and one or two friends and who had written a piece that simply and plainly and in gentle, differentiated language, but clearly, had stated that these two boys, Andy and George, were not evil, or different, or monstrous or inhuman: they were simply two boys who had done a terrible, perhaps inexplicable thing, but that it was not unforgivable. That in fact perhaps the only way we who now grieve for the elderly couple, the twins and the dog, and the others, perhaps the only way we can now move on and make things better again is to forgive them. Soon. Not absolve them, not shrug our shoulders and say: shit happens. But forgive them. Step towards them, embrace them, comprehend them.

The people were not ready to hear this, to read it in their local paper. They let a day pass, then another, then their rage took over and they waited for her, in broad daylight: she stepped out of her office at the Bournemouth Echo on Richmond Hill and was making her way towards the Koh Thai Tapas on Poole Hill for a bite to eat with a friend, when they pounced on her in The Square and took her life for speaking a truth they were not ready to hear.

The Sacred Sage saw only Sorrow. But he knew then that he needed to counsel, and be his counsel never heard. He knew that his lone voice would be drowned out and that the anger, the fury, the pain and the hatred would stir these people and eat into them for a while, but if ever the the anger were to surrender to wisdom, the fury abate into knowledge, the pain ease into power and the hatred reveal itself to be love, then he would, sooner or later, have to counsel, and this would be hard and seem futile but it was all he could do and it was at the same time everything that he must.

And he spake thus to anyone who would listen, though nobody would: you are these boys and they are you. Every fibre, every molecule, every thought, every heartbeat, every quantum particle that they are is you. You have not made them, you are them. You are them as much as you are the lovely twins and the cute little dog and the beautiful elderly couple. Own this part of you. And then heal it. Heal it not by hating it, attempting to expunge it, heal it by accepting that you are capable of this. You are capable of building these huts and putting into them quaint souvenirs and enjoying them with your lover, your neighbour, your friend, your gorgeous five-year-old twins and your grandparents who have been together for sixty years and who have never done or said anything vile in their lives, and you are capable of blowing them up and burning them down. You and these boys are one. I and you, we are one. I am no wiser, no sager than you. I am you too. The Messenger, whom you destroyed: she is you. All is one. We are this. This is who and what we are. We are Boscombe Beach, we are Bournemouth Town, we are the country, the world and the universe. We are God. And we are Andy and George. And Andy and George therefore, too, are God. Everything we do and everything we do not do and everything we say and everything we do not say and everything we think and everything we do not think is who we are. And since we are God, it is for us and for us alone and for us together to make ourselves Divine.

And having spoken thus, the Sacred Sage, unheeded, stood, bare but for his simple robes, forlorn, and smiled. He smiled because he knew, being sacred, and sage, that no matter how angry, how furious, how pained and how hateful these humans were now, they were also still God and their godliness would one day – perhaps far into an unfathomable future not yet envisaged, unknown to us yet and deep as the reach of the Thought of God itself – come true. For surely, surely it is so.