{Bereavement}

This is not on The Tape, but I’m reminded of it here, and part of me thinks it doesn’t belong here, part of me thinks it doesn’t belong anywhere really, part of me wonders does everything somehow, ultimately, need to be told, and part of me knows: this is exactly where it belongs.

I hear myself overall so happy, so optimistic on The Tape. Improbably casual and emotionally understated: my delivery suggests I’m giving an account of a trip to Milton Keynes, but the words I choose—carefully, even cautiously, deliberately always—speak of a young person with everything going for himself, with abundance of confidence, and imbued with great hope. And I’m so glad to hear him thus, though in the tone of the voice and the distance to the heart I also hear the youth from which this young person had emerged, then relatively recently.

I’ve been blessed in that I have, to this day, had to suffer the loss of three people only. And of a cat. Of these three, one was someone I’d met once, very briefly, but really didn’t know: Diana, the Princess of Wales. There is no rhyme or reason to this, but her death shook me to the core and disorientated me for a week. I cried more over her than any of my grandparents, all of whom I loved dearly. All my grandparents died over the years, but that seemed the normal course of the world: people get old, then they die. Obviously, their passing was, in each case, a loss, and felt as one, too. But you can prepare for this, you know it’s going to happen, and when it does, you deal with it, and then you honour them in your thoughts and keep their memory alive in your soul. Princess Diana being torn out of our culture was a cataclysm. Of its own kind. It came out of nowhere, and it seemed to change everything, and, irrational though this was, it left a gaping hole in my life, in a way that I, myself, never expected. It was an extraordinary experience, unique, I am certain, to her.

One was a dear friend who decided to leave us. That was both shocking and unexpected, even if it had been, in a way, predictable, sadly. I mourned her, and I knew then, as I know now, that I had to let that be as it was. It was just so. More than anything I felt I was called upon to respect her, and her decision. And that’s what I did, and that’s what I do.

Losing our cat as a boy was dreadful: I loved that cat. I was unspeakably sad when we were told he’d been hit by the tram. I got over it.

And one is still around and still a good friend, and when we see each other now we have excellent conversations, but when I first lost him—I was fifteen, he fourteen—my world fell apart. We had been best friends at school, and we were in essence together. Not as lovers, not romantically, not anything other than as friends, but as friends we were as one. People didn’t even tease us, it was just the accepted thing, that where I was there was he, and where he was was I.

It had come about over several years, and it was my normality. Of course I loved him, but I didn’t know that. I had no conception of love (and none of sexuality, for that matter), I spent no time thinking about how much I needed him, or enjoyed being with him, or relied on him always being around. That was all just the way it was. It was solid, it was dependable, it was real.

And then something happened that I hadn’t seen coming, ever: he turned away from me. It was gradual, simple, undramatic, and also in its own way normal: he just started spending time with someone else, more than with me. At first I barely noticed, there was no cut-off point, no moment I could pinpoint where it began, it just gradually dawned on me: we are no longer one.

The other boy was a good person, still is: we’re still friends as well, he and I. He wasn’t cruel, he didn’t manoeuvre, or manipulate, he just took my place, without, probably, even knowing what was happening, either. I had been the one who was always by my friend’s side, and now he was there. At first he was there too, but soon he was there more than I, and then I realised I had lost my love. I still couldn’t name it that, because I still didn’t know that that’s what it was, but the incision was brutal. I was cut off. I bled.

I was lost. Abandoned. Bereaved. I couldn’t name the way I felt any of these things, because I didn’t know what they were, I only knew that I didn’t want to live. Really didn’t. Not melodramatically, attention seekingly didn’t, just didn’t. There was no point. I was distraught, yes, but more than that I was destroyed. There was no word for it, no expression, no therapy and no remedy, there was just emptiness, complete.

This lasted for eighteen months, maybe twenty. It was a crisis so profound, so categorical, so total, I felt that it would break me. I saw no way that it couldn’t. It was absolute, the despair. And all of this over the loss of a friend? Today, with perspective, I know it was obviously more than that: losing my friend was the trigger. What his extracting himself from my life did was tear open a wound which drew all manner of complications. The insecurity. The loneliness. The mind’s confusion over the heart. The heartbreak over the part of the soul that was missing. The pointlessness. The disorientation.

What sustained me was my brother, because I could talk to him—not about this, but about everything else that was going on in my teenage life—and my mother of course, because I could not then, and I would not now be able to, bring myself to do anything deliberately that would cause her grief.

And then something happened that I also didn’t expect: I found a way out. I hadn’t been looking, not consciously anyway, I wouldn’t have known where to start, but the subconscious knows and searches and finds, and without thinking much what I was doing, I wrote.

It was going to be and started out briefly as a novel, but then I remembered something our English teacher had said: that writing plays is way more efficient than writing novels: you need far fewer words to tell your story and to create your characters.

And so I wrote my first play. I was seventeen now, I called it 19. It dealt with a young man taking his life, and how that affects everyone around him. It had an original structure, because rather than going in a linear plot from beginning through middle to end, it started with events about a year or two (I can’t remember exactly) before and after the suicide and then circled in, closer and closer, to end with the moment of no return. That structure, too, was not something I really thought about, I just wrote it that way. Although the play has never been performed, nor ever even been read in public, it achieved several things for me.

Firstly, it was my catharsis. By abstracting the youth’s self-inflicted death and putting it on a character in a play, I was able to ‘deal with’ what I was going through, and absolved myself from actually having to do the same thing for real.

Secondly, it showed me I had a new friend. I gave this piece—which was really very revelatory, open and incredibly honest—to somebody I had started spending time with at school, and his reaction was perfect: he took it seriously, but he didn’t panic. He just talked about it as a piece of writing, and encouraged me to show it to other people, which I did. I knew now I had someone again I could trust.

Thirdly, it made me realise I was able to write. I gave the piece to my German teacher at school who, unbeknownst to me, gave it to a man who happened to be my favourite actor at the Stadttheater Basel, where we routinely saw maybe a dozen plays each season. Henning Köhler. He was invited to our school to give a talk about theatre and acting generally, and at the end of that talk he said: “and one of you has written a really good play.” I went up to him afterwards and said: “that may have been me.”

Nothing happened with or to the play, he was quite apologetic about that—‘I’m really sorry, I can’t do anything for you in terms of getting it on at the theatre’—but for Henning Köhler, to my mind the best actor in town, to have read my play and to have made a point of mentioning it, that was enough. That was something I could hold on to.

And it also paved the way for me to lose my virginity, at last. There was a man whom I knew well and liked and respected a lot, a writer, actor, performer, who lived in St Gallen, of all places, and I sent him the play. I knew he was gay, he was a few years older than me, in his early twenties. He was cool. And nice. And in an unspectacular way attractive.

He read the play and asked me if I wanted to come and talk about it, and I said yes. I went to visit him, and we talked about the play, and at the end of the evening, I went to sleep on the sofa, and he came over and said: “If you want to you can come to my bed?” And I said, “yes.”

The doors were finally flung open. It wasn’t quite the proverbial floodgates, though in a Hollywood rendering of the story there would probably have to be strings; but it was good. I was happy. I’d pulled through.

And I knew then, and I’ve known ever since, that having coped with that period of my life, and survived it, I’d be able to cope with anything. That was one great big case of something that could have killed me, but didn’t, and so made me stronger. A lot.

My enduring memory of this handsome man is on stage. He was singing a version of Es liegt was in der Luft—‘there’s something in the air’to which he had written new lyrics. He’d turned it into a satirical number, as part of an environmental cabaret revue. It was glorious. And a roaring success. He was so alive, so in it, so buoyed by the love from the audience, so overjoyed about doing this, and doing it well.

Many years later—not on this trip, another eight years or so after that—I was in Basel where I’d heard he had since taken on a job as Artistic Director of a small theatre.

It was a sunny afternoon, and I walked into the foyer, to see if he happened to be around, just to say hello, on a whim. I asked a young man who was doing something to the display. “Oh,” he said. And I can still see the look on his face, of surprise and regret: “No. I’m sorry. He died a few months ago.”

I salute you, my friend, and I thank you for the time, the patience, the generosity and the inspiration: you genuinely helped me find my way – your spirit lives.


< Helvetia       Les Grands Amours >


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Earth

And so, back. Down. To Earth. Where I belong? This, my home? This desert wilderness of beauty and voluptuousness, this abundance of colour, vegetation, insects and beasts; these cities, these people, these civilisations? This art, these quantities of stuff and rubbish; these tears, these cruelties, these abominations? This joy? These excellences, these wonders? These tastes, these smells, these flavours, these sensualities, these sweet transgressions, these experiences? This catharsis? This messiness, these quarrelsome foibles; these imperfections, these obstacles? And this weather? 

This air that I breathe, this need to do so; these urges, this hunger, this thirst for immersion, this drowning, these rocks on the road, these symbols, these signs? These abstractions? These metaphors, this poetry, this song and this dance? That we make? About what? This love.

Everything suddenly feels disconcertingly real again, and I’m not sure I like it. I’m sure I don’t dislike it, not as such, but I find these certainties confusing. These obligations to respond. These figures of speech, these formulations. These competitions for superlatives. These hyperboles. These headlines, these star-ratings, these ceremonies, these awards. These absurdities. These traumas of rejection or attraction, of interpretation of behaviour of looks and of glances, these whispered words, these games I refuse to play. These rules. These obediences, these categories, these schedules, these expectations. These parochial wordlinesses. This world.

This world perplexes, awes and bewilders me. Here I am, stunned to find myself on it, in it, part of it, and I am momentarily paralysed. This will not last, I feel sure, though why I should feel so I don’t know.

For a long time now I have felt like wading through treacle, slowly, cumbersomely, glued to the ground by a sticky morass that would not let go. There is no escape from gravity in this place, except perhaps on aerial silks or on skis. The former are not for me, the latter very much so. I think me on the mountain, gliding down the glorious white, with the Alps in the distance and the molecules in my lungs, and I know what it is to be free. That I know; that, I can relate to. Everything else does not quite make sense. Which is strange: I’ve been learning and trying to understand, but it still is mostly as alien to me as the planets from which I’ve returned, richer in mind yet not much the wiser. At the end of the day there is always the here and now to make something of, and now that I’m here, I might as well make the most of it. Thus I tell myself, over again.

‘Most’ meaning ‘best’: meaning all I can do. What could that possibly be? If I allow my youth up to say about eighteen, nineteen – why not twenty-one: if I allow that to be my formative phase that doesn’t yet count as my adult existence, then I’m now halfway at least through what my adult existence can reasonably be expected to be: I can still look forward, but as much can I, must I, look back. That frightens the hell out of me. That I’m here on Earth, effectively halfway through—way over, if you’re counting from birth—feeling pretty much as I felt right at the beginning, and not having made any impact at all. Not having really moved from the spot. Not having done more than tried, but without ever really succeeding, to take flight. Does that mean it’s too late? Is it ever, can it ever be simply too late? But for what? For some sort of attainment, of what? Of acclaim, recognition, notoriety, ‘fame’? Or even just love? Can love be attained?

“Be not afraid of moving slowly, be only afraid of standing still.” I want to know what the soul is. At a quantum level: the science, the understandable, perceptible, conceptualisable part of existence that is not material, not intelligent, not rational, not emotional; intangible, insubstantial but essential and real. A Quantum Philosophy. I want to know what that is.

That part of me that I can’t see when I look in the mirror and that I can’t choose one of my names to put an identity to, that I can’t express in words—and if I write another million or ten—that I sense is forming and taking shape (without shape, of course), that is there and that others, some others, recognise in an instant (others, of course, never will): that is what interests me, makes me curious to go further, encourages me, yet to delve.

And so I take my cue, once again, and affirm: I’m here now. I might as well make the most of it. Whatever that turns out to be: it probably really doesn’t matter at all, but for my soul—if nothing else—it’s better to sense me alive than just there; more joyful than to reject, to embrace; more gracious to receive what is given with thanks; and wiser to do what I can, but leave for someone else or another time what I can’t; more courageous to take the challenge, than to say no; more human, altogether, after all, to say ‘yes.’


< Mars

THE TAPE — Divestment >


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Uranus

I wander to the place I know least and for a while I maybe like best, in a way; as an idea, as a thought, as a concept: the abstract liking of something from which you are distant, the fascination with unfamiliarity, the lure of the other; the stranger, the comfort, the awe.

The steady roll on an invisible plane, the cool electric hue. The very slow seasons. Even the unwitting humour, lame though it is. It is a laconic planet I find here, unruffled, smooth and cyan. The awayness of it all, as at the end of despair. A well-neighboured distance; bookended, escorted by giants: significant in its own right but overlooked, overshadowed and, through no fault of its own, just not taken seriously: why would that be me?

There is no life here, but there is otherness, and that in itself is interesting. It feeds my curiosity: to go a step further, to move beyond. To tumble on a different axis, to fall upwards; float frozen but not still, to sense a different kind of heat on a newly defined horizon. I expect to be alone here, but I’m surrounded by character: here, in the outskirts, in the slow moving cold, there are others like me: how did we all get here? What projected us into this orbit, so far away, it would seem, from the soul, so within?

These layers, these clouds, these rocks and these crystals, these rings, this ice and these moons, this magnetotail. They are not, perhaps, home, but they are a meaning all in themselves, and they are somewhere, beautiful. True.

For quite some time I enjoy this tangentiality and become part of it, willingly, coolly; I relish the arm’s length attention I get. Nobody knows me here, or cares who I am, but my aloofness my look and my languid demeanour are being noted. My hair the peroxide silver of this unbreathable atmosphere and my clothes the black of the all that surrounds me. If you know where I am you can find me, and find me foreign and alien too.

Yet after a while I miss the simplicity of warmth. Not that I know what that means, but it means that I’m out in the cold, and I want to come back now, closer to home, closer to the sun, closer to people who don’t understand me, closer to something I vaguely remember as love. This strangeness leaves me estranged from myself, and enjoying it now seems an effort. Soon, I know, I will have to let go, and I realise now that I’m not living my life in chronological order. That puzzles me for a moment until it occurs to me that time too is down to perception, and there will come a time when it’ll all simply blend into one, as it must.

Entropy.

(Yet still, yet again, only more so, always more…)

Out here I thought I felt a sense of freedom, until that sense became quite oppressive. That, too, was a surprise. And so I let go. Slowly, at first and then readier, more. This is not for me, after all, this agreeable spectacle, this isolation: it could quite easily turn into a habit, a mannerism, a cliche, a role.

The young man at a soirée (it was that more than it was a party, a dinner, or drinks) who’d looked at me and said: ‘are you for real?’ That’s when I knew I was in danger of becoming a caricature of myself, and Uranus could be my place no more.

I like this now, this clarity, this resolution. This immense relief too, not to have to be defined by weirdness forever. Strange, yes, curious, always, different, maybe (then ‘different’ to what?), but not impenetrable and not obscure.

Not even, in that sense, mysterious, really: there are so very few mysteries in the universe, apart from the multiverse of all possible universes itself, and that, too, is only a matter of consciousness and the cumulative number of brain cells firing at it: one day it will be just another reality too. Like blossoms, like spring. Like the awakening, too.

I’m getting better at this, being me. This walk seems to be doing wonders…


< Venus       Saturn >


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Venus

Venus troubles me. I come here reluctantly; so bright. So mystifying, so inscrutable. So tenebrous, as well, beneath that gleaming skin. Moist. Overwhelming, warm; so uninhabitable, at least for me.

And still I feel I ought to spend some time here. Wherefore, I know not. For the experience? For the completion of my being? For the expansion, yet, of my horizon? These planets travel far and yet not wide, except they do. They are—we all are—on a forward motion we don’t notice.

Venus knows. This is a body that’s imbued with universal wisdom, which it can’t express. We move in spirals, not ellipses, our sun drags us with her, and whenever we feel we’ve been here before, we have, but we’re a little further down our path: it’s not the direction of our nose that we travel in, it is the direction of our pate. We have no eyes there, at the top of our head, we have only a string that pulls us, and still we resist.

Here on Venus, everything feels strange; the smells, the flavours, the embrace. The fuzzinesses and the softness, they unsettle me. Long before I become comfortable I become complacent, and that will not do. I start to fidget, restless. I think I am getting ready to settle in some sort of way, but settledness entails a great deal of immobility. I like the rest of motion. I need to be alone. Not all the time, but enough. Venus asks me too many questions. It’s not that I can’t find any answers, these answers can mostly be found, but the effort is out of proportion. The thinking that normally invigorates me tires me out here. The obviousnesses, the courtship; the irrationalities, repetitions.

At the time there was no myth and no meaning. The time being the beginning, the beginning being the origin, the origin being unknown. I suddenly feel alert, a little, and happier to exist, mainly because of this old realisation that I can’t, I just can’t expect myself to make sense of it all. Any of it, really, it’s just there. Annoying as it may be. I take a step back, and I look at my thoughts as they spread out before me, and find them unsatisfactory. The thinking I’m doing is inelegant, crude; it will not suffice. Nor is it poetic. And thinking without poetry is like love without mathematics. It has no substance, no structure, no special tingle of satisfaction, no meaning. It is like sex in a haze of drunkenness with someone you don’t fancy. I’m becoming self-referential and it irks me.

Womanhood. Much like aliens, women don’t so much scare me as baffle. I’ve hardly ever thought this through, but there comes a time. And a place. I seriously doubt that now is that time or this that place, but when or where will it ever be, and does it matter? I contend myself mostly with knowing that there are things I can’t know, and go where my curiosity takes me, which is not normally here. Nor abnormally. I’m out of my depth, out of my comfort, out of my pond. The mountains, the seas and the rivers, the streams. The landscape and the disorientation. There are too many things happening all at once to get a handle on any of them, and there is also the new mix the new blend the new fusion. That both excites and frightens me, a little. Not because I dread the loss of myself, but because I really like my delineations as much as I like my inbetweennesses and my blurrage; the overlappedisation of our existence, I like it. Entropy.

I hear a warm soothing voice that is not in my head and it is not in my memory; it is not my mother, my sister, my wife. The voice comes from the ground and from the cloud that envelops the ground and from the all about the sphere that I have wrapped my body around, and it says that there are no mysteries and there must be no sorrow. She’s trying to reassure me; I’m not sure she succeeds, but her sentiment is kind. I feel her hand on my back on my neck on my thigh, and the touch is tender and real. I recall once upon a time being deeply at ease in this presence and as deeply afraid of it too. What embraces you may ensnare you, what holds you can crush you, what loves you kill you, what desires you own you. What owns you is you. And you thought you knew who you were.

Did I? Maybe a couple of aeons ago; it is possible, then, when I did not yet exist, that I was really quite sure of myself. I had an arrogant streak, not mean, not cocky, but aloof. My journey humbles me. I sense I’m getting closer to the truth, and like everyone else I know that there is no such thing, though deep down I want there to be, and maybe there is. If not a truth, then a value, perhaps, to hold on to.

The energy that we are. The quantum states. The potentialities. The particles and the waves. Of course I am Venus as much as Venus is me: we share the constituent parts, and yet: I don’t belong here. It’s sometimes good to know where you belong, and also good to know where you don’t. There’s nothing definite, ever, and anything can and does change, and you never say never and all that goes with it, and in any case there is only so much existing you can expect to be doing at any one time, but by the time your energy dissolves and changes its form, time ceases too, and you are quite literally reborn, only not in the way that you thought you didn’t want to think about, or were taught, or wanted to believe to be nonsense. From one state to another. These states are all within us contained. The energy that you are is your matter your body your molecules your thoughts your emotion your wants and your needs (always, they come as a pair: you knew that already), your shades and your textures, and when they go they don’t go, they are simply reconfigured, because energy cannot be destroyed, it can only, and will, be transformed.

I shall not miss myself when I’m gone, for I am always around. So are you, so is Venus. So are the superclusters of our sistergods.

I am much happier now than I was before I came here. I knew I would be, I doubted it not. But now, much as I sense the draw of the earth that is so near and so familiar and so welcoming too, I must surely go on a detour and find me a distant adventure. Home beckons, but I have to explore…


< Mercury       Uranus >


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Jupiter

I shall return to Saturn. I’ll not ignore it, not have passed it for good, unawed by its majesty, unwondered by its spheres. Unswayed. It sways me, Saturn; but not now. Now I am drawn on further, down—not down, across—the path: the gravitation is too strong, its presence too immense, I must succumb to Jupiter. For a moment. For a while.

For an eternity that lasts a fraction of a thought. For a whirl of a gas storm. For a communion. With Callisto. Io, Ganymede. Europa. These friends I have not met. These habitations. These absorptions; moments, these ideas. Sensations. My body, more than my spirit, attracts them and they me. We enter each other’s orbits, and dance. Moons they may be, mere satellites to a planet all of their own, but I enjoy them, their company, their zest, their life. Their juvenation. I visit them, they me. We journey not together, we relish the here. The nowness of it all, it is not mere. Have I not longed so long to be in the now?

This here is good, I like it, though it will not, doesn’t have to, last. The mightiness that overshadows us encumbers us not: we are not oblivious, but we don’t care; choose not to be intimidated by this massiveness, this bold inelegance.

The world right now, that world that is not this world and that is this world still though we may never wish it so, it bears great force, great danger; anger too. But not for us. We delicate ourselves out of its artless rage. We are not like that. Are not of it. It not of us. I no longer feel the need to explain myself, and I no longer long for the need to be free.

I am free, now, having got this far, and I relish that freedom more than I treasure my life. I am not Jupiter, nor ever want to be. That bulk, that pompousness. That body of hot air, covered in cold. That implacability. That dehumanising fervour.

And yet, these satellites, seductive with their charm. I’m glad I came here. Happy to have paused. I’ve long abandoned the idea of destination. These are sojourns on a celestial perambulation. How privileged I am. How powerful. How small.

Here, seeing Jupiter be big, be brash, though not beguiling, I believe my time has come. This is not new, I’d thought on one or two occasions once or twice before I’d felt the tug above my wings, but here I realise my strength is not outwith. You may be one and a half score septillion times the size of me, but you are no match to my mind. You have the mass; the sun has all the power: I have the intellect. To survive, to thrive even. To discern. To accommodate myself in this universe, or any other. 

I launder my library of references by adding experience. The hunger to live. The need to swallow. The acceptance of millions of potentialities in one go. The taste and the texture. A slither of hope, of forbearing, of premonition. A spark of the imagination; a tenderness, returned. And wanted. Handsomenesses. No warriors, these, no battle axe ire, no strategy and no plan. No tactics. No goal. A glorious swim in the sea, a pool of tadpoles of random configurations, a swirl in the mind of the gods. Ye gods. Ye godlinesses. Ye buds of brimming boisterousness. Ye flowers and sparks. Ye spermly waggers of tails. Ye lusciousnesses. Ye beetrootjuiceredvoluptuousness. Ye inspiration.

Ye words.

Saturn calls me back, I know. I’ll have to detour there, a loop. This Jupiter wilfulness cannot last. I feel for Ganymede, I feel for Europa. Ye Kepler-452b. I feel for you too. I feel for my brother who is writing these words in a universe just like ours only different, having acceded that that’s what he’s doing without knowing why. I feel for my coccyx; I feel for you.

I feel for you and I sense you are there, and I feel strongly for a new love a new warmth a new glow a new smile a new touch of a new hand a new face and new dimples a new tuft of hair and a belly button; a new mind, a new generous heart on the horizon. Where is the horizon, in space, in the orbit of Jupiter, near one of his moons? I baffle myself into submission and accept the reality as it is, though I know full well that there is no such thing; and there is no such thing as necessity, distance, perspective or pain. There is pain, it is felt, it is lived. Does it have to be, ever? It need not be celebrated quite so. There is no hate, it is an illusion, and there is no anger, it disappears. There is there is there is love.

I like that thought and take comfort in it although I can’t prove it, and I think of my new love on the horizon whom I haven’t yet met. Literally, have not yet met. We know each other, we are in communication, we are getting closer all the time, but the whisper of the unknown persists, and we both hold on to it a while longer, not because we want to, but because we want to believe that we must. So we must. So we do. We’re pragmatic like that, and we have lives to live. So we think, so we hope, so we trust.

I salute Jupiter for all his preposterousness and kiss each of his moons goodbye. I’m not sure I need to come back here: this was great, this was fun, this was excellent, while it lasted. But possibly, probably, for me, it has now run its course.

I bid thee farewell, most mighty of planets: you have been, I know, quite misunderstood. But don’t worry, my gaseous friend, so have we all…


< Neptune       Mercury >


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The Ice King – 7: The Beginning

The End. Stillness. Like Neptune viewed from a distance: all turmoil at bay. The Ice King and I are no more, we have surrendered our identity to being. We both are both particle now and wave. We float, directionless, emotionless in the cell that is our universe and bob like a bubble in amongst the infinitudes of multiverses.

We are everything we can imagine and everything that we can’t, nor can imagine could be imagined at all. There is no fear and no joy, no pain and no longing, no aching desire for love, for compassion, for that which is and remains unattainable, or that which we already have; there is a bliss only that simply persists.

Out of the nothing that is everything that is the blue that is the colourless white darkness that is the presence of invisible energy comes the spark of an idea, and the idea is a signal that we’re alive.

We are animated, willing. I had forgotten the idea as I had forgotten the toenail, as I had forgotten the mole on my chest and my glasses.

The Ice King sits facing me in the open space; we seem to be orbiting, circling away from our sun. His smile now is knowing and satisfied. I see myself reflected in him though I know I look nothing like him, and with this recognition comes a new kind of want, a new kind of need, a new kind of desire. I stand up, and as I do, so does he; and I look him in the eyes—wherein lie worlds and histories, characters and motions, achievements and hours of unspeakable pleasure—and I offer him my hand. He takes it. We acknowledge each other, I him, he me. The grip of his hand is soft and firm, like his skin like his heart like his glans like his lips like his medial plantar, and I inhale him once more ere I go.

I leave rich, filled with power. As I walk through space past the planets that are really mere pebbles, I pick up the garments his tailors have woven throughout the ages, and I put on ones that take my fancy, those of my choosing, what I accept as my attire. I leave all the rest. I leave him behind, not with disregard or as obsolescence, but in love.

The love that I bear him I now bear myself, and I bear it out into the nerve ends of Laniakea and beyond. I fill my universe with this love, I pervade the dark matter and the light, I become that I am that I am.

I don’t stride, I don’t float, don’t proceed: I expand, I infuse. Somebody walking by says to me, in the casual, friendly manner that raises no eyebrow, ‘all right?’ and I know this is not a question, nor is it an observation; it is an invitation. I smile at him with kindness and wisdom. With love. Not of my doing but of my being, not my desert but my gift. Not my accomplishment not my credit and not my reward. My absorption, my purpose, my meaning.

I answer his invitation, ‘all right?’…


< 6: The Core

THE PLANET WALK — Preamble >


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The Snowflake Collector – 12: There Was Nothing Now But the Snow

When Yanosh found him, lying in the snow, he was as cold as the earth and as grey as the sky and as still as the heart that stopped beating. For many years, Yanosh had been coming to visit him, up at the end of the valley, even though he had long ceased to live in the hamlet outside the village, an hour or so’s walk from the hut; and for many days The Snowflake Collector had been lying on the ground in the snow, on his back, his eyes facing up to the sky whence the snowflakes kept on descending.

These eyes, these cheeks, now sunken-in, these bristles of his beard, had long been covered by a blanket of white, and no birds were up here, this time of year, to pluck at the eyeballs, no vermin or hungry beast to tear at his flesh: he was already at rest. When Yanosh wiped the snow off his face, he saw that he’d closed his eyes and fallen asleep, there was no stare, there was no anguish in his features, there was nothing now but the snow.

He had long since grown at one with the universe, The Snowflake Collector, and nothing else mattered now. He had his meaning. He had his hut and his priceless collection of snowflakes which grew every day that the sky brought him snow, he had a friend in Yanosh who came to see him every so often when he was in the country, and a friendly face in Yanosh’s mother Yolanda whom he saw at the inn on the few and fewer occasions he went down there for an ale, and he had the occasional visitor who had seen Yanosh’s pictures of his snowflakes online or read about his collection in an article or heard about it from a local or an acquaintance, or learnt of it from a book.

Very rarely, hardly ever, had he accepted an invitation to go down from the valley and undertake a journey, by bus and by train and sometimes by plane, to one of the cities to address a conference or a symposium or a convention and talk about his understanding of snowflakes.

He knew that he could not communicate his understanding of snowflakes to the world by talking about them, and he couldn’t by writing about them—which he never attempted—and he couldn’t by showing them to Yanosh who photographed them and posted his pictures of them online. But he felt he could perhaps give something back to a universe that had, in the end, and on balance, treated him fairly and with care, by humouring these people who now, now that he no longer craved their attention, clamoured for him and professed that they longed to know of his mind.

He knew, The Snowflake Collector, that snowflakes had many dimensions—seven at least he could think of, but probably more—and he could see these dimensions clearly and distinctly in his mind’s eye even though he knew he would never be able to see them with his physical eye, nor represent them visually, nor show them to Yanosh, or anyone else. He would not be able to explain them, nor would he ever be able to convince anyone in the world that these snowflakes had many dimensions, seven at least, but probably more, because he knew enough of the world and its violent rejection of anything it couldn’t see with its eyes and measure with its instruments and comprehend in the context of its current science, to realise that any attempt of his to do so would remain futile; he knew of the world’s irrational fear of anyone and anything it deemed irrational, and he felt not foolish enough, any more, to argue or make a case.

What he could do, and did do, was to collect these snowflakes in their physical three dimensions as one who knows of their further dimensions and as one who knows that what he was able to show Yanosh, and what Yanosh was able to show the world, was not just less than half of what a snowflake was, but only the tiniest fraction, because he also knew, The Snowflake Collector, that each additional dimension does not add to a thing as much as the previous one, but each additional dimension increases the complexity of the thing exponentially.

He would never, he knew, be able to explain this or convince anyone that this was so, but the thought of it alone made The Snowflake Collector extraordinarily happy; and elated by this happiness, he felt, for the rest of his days on this earth, in his valley, in love. He was in love with George, the first snowflake he had successfully collected by his own particular method, and he was in love with Yanosh whose loyal friendship sustained him, and he was in love with the valley and the mountains that made the valley, and with the stream that ran through it, and with the trees that he planted on the plot of land that he kept by the stream, two young trees for each old tree he cut down, and with the old trees he cut down just as much, and he was in love with Yolanda who served him his dependable ale when he went to the inn on few and fewer occasions, and he was in love with the universe, and he sensed, because of this, the universe, in equal measure, love him.

And he knew, then, The Snowflake Collector, that he would be able to communicate to the world his understanding of snowflakes and their dimensions not through words, not through the snowflakes he collected in the glass cubes that he cut, one inch by one inch by one, not through the pictures that Yanosh took of these snowflakes in their glass cubes, floating in the mysterious, but not magical, gel that he had developed, not through drawing, describing or dancing them, but through love.

And if only one other person—be it Yanosh, or be it Yolanda, or be it a random visitor to his hut, or be it someone who came across him or his snowflakes or his story somewhere—were to experience that love and through that love these dimensions and through these dimensions were to know of the soul of the snowflake, then his work, he was certain, was worthwhile and his communion complete.

He was now, he felt, as he took all the glass cubes from the cases he had carefully crafted, which, over the years, had needed their own formidable shed, and broke each one open and allowed the gel to evaporate and the snowflake he had collected in it to escape back into the universe and become what it needed to become next, and, having spent many hours so freeing his snowflakes, lying down on his back in the snow, welcoming down upon him new snowflakes that he no longer now would collect but simply become a part of, he was now, he knew, as he lay there, after another hour or so closing his eyes and holding his hands open to the sky and allowing the blood to drain from his brain and the pulse to ebb from his temples, he was, now that he had been and no longer needed to be The Snowflake Collector, he was now at one with it all.


< 11: He Was, Now More Than Ever, His Own Man

THE ICE KING — 1: The Chamber


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