I look at myself. Not in the mirror, not as a person with a yen for profundity and meaning, but in a picture. I find the picture among my belongings as I clear out my flat because it’s being renovated: for the first time in decades I go through every object I own and therefore am owned by and decide whether to keep it, or whether to part. Keep it or part. Keep? Or part: divest, my mind mostly suggests, and my heart, in most cases, though not quite all, affirms, yes divest!
I am unambitious but consistent in the pursuit of my task, as I progress through each item one by one. I look at every photograph, and every photograph looks at me. I don’t notice me at first, not in an ‘oh, here I am, look at me!’ kind of way. I just know I’m there. In the picture. As anyone ever photographed by necessity is. In this particular stack, I am part of a collection of early black and white ten by eights that I must have had done when I first decided to be an actor. This dates them in the mid to late nineteen-eighties and me at about twenty-two, twenty-three. I don’t notice me, not this time round. I’m simply there.
The second time round I notice myself. I have been away for seven weeks, nearly eight, and I’ve come back into my flat, which is all new and fresh and still so familiar and more home now than ever, and as I unpack the boxes I once again go through almost every thing I own and am therefore owned by, only this time I do so not one by one but in batches, just to make sure. And this time round I jump out at myself: I am beautiful. I wish I’d known that. I wish I’d known then that I was beautiful, but I didn’t. I still don’t. But I was. And I am. Only I can’t feel it now, I can’t even see it. I couldn’t then. But I can now see it then. I can see now that then I am beautiful. I have a gentle face and searching eyes, and an almost translucent skin; I have my life in front of me; not my childhood, not my youth, but my whole adult existence.
I am overcome with compassion. How brave I was, and needed to be. How unencumbered I was. How I looked forward, unafraid. How strong. How fragile. How soft, how resilient; how steadfast. How honest. How vulnerable. How resolute not to hurt, not to fail, or if to hurt then not to cry, not to grumble, and not to succumb; yet to prevail…
I sense the time has come. I trust it now, much more, the sense. All the things I know and all the things I don’t know are the same: they all abide by and reside in me. No words of wisdom, no advice. Let me make my own mistakes. Let sorrow, loss, and lingering despair crush me to tears. I won’t protect me from myself: that would be crueller still.
Across from me, at the Limonlu Bahçe, Istanbul: George. I lean forward a little, my chair creaks, he looks up at me, curious, askance. Unimpressed. Unruffled. Unspoilt. Unused. Undamaged. Unfathomable, even to me. I know how you feel, I’ve been there, believe me, I’ve been you, but no, I don’t know you at all. I know you no more than I know any boy your age. Man! You never liked being a boy much, a youth, maybe, yes; do you like being a man? I hear myself think the question, and in a flicker of recognition—probably imagined, only by me—he says: ‘Do you relish being a man?’ (‘Relish.’ That’s better. ‘Like’ is so lightweight, it’s neither here nor there. He could have said ‘enjoy’ but that, too, has long since been eroded, diminished to some middling marketed meaninglessness.)
‘I do.’ I say: ‘I will. If I haven’t until now, then henceforth I shall.’
‘Henceforth?’ He gives me that smile, that bemused, too knowing, wry play on his lips, a light in his eye.
I don’t want to burden myself with the responsibility of having interfered with my own life. Not here, not now. I used to be troubled. Then charming. Then enigmatic. I’m still working on wise.
‘Be generous, be kind.’ (I thought I was not going to give me advice. Is it that hard to refrain?) ‘Forgive. Live and let live, and trust the universe is on your side.’ He looks at me, unsmiling, unconcerned, frank. He knows all this already, everyone does. ‘Felicity, fortune, and favour all balance out, over time. Take your time. Let not there ever be any hurry. Go you about with a heart that beats warm and a mind that keeps open and a soul that is free, and your path will lead you where you need to be.’ (That’s done it: I’ve lost him.) His eyes linger long and soft, not hard; then, inscrutable now, he nods. ‘Just remember:’ (Stop it! Stop it now! No counsel, no words, no well-intentioned guidance from yonder!) ‘If you want a squirt of milk in your pail, you have to squeeze the odd teat now and then.’
I get up; the temptation to ruffle his hair proves almost too much, but I know I used to hate this, and so I desist.
‘Fare well.’ I say, in two words. He looks up at me and, unsmiling still, but gamely returns: ‘Fare thee well.’
And then I remember and I turn around to him before I leave and I stand at the bottom of the steps that lead up through the house, from the garden, onto the street, and the garden is busy again now, and buzzing, and I see myself sitting there, alone but not lonely, quiet, composed, a little aloof, just the way I was in that photograph, just the way I now feel, and I spread my arms to this Garden of Eden afore me and I demand, at the top of my voice, of it all: ‘BE MAGNIFICENT!’
And, having said what I needed to say now, I leave myself to my self: my adventure, my journey, my love.
And here I was and I will be, but mostly now, here I am.
(The good thing about fiction? I unimagine it, and it’s gone…)
these days it appears
attractive to young men
attracted too, of course, but that’s not news
and not newsworthy: young men are
even people who aren’t generally attracted to young men can see this
and even if they can’t see it, they are still
attracted to them
their gender their inclination their
their emotion their wisdom their inhibition, their assessment of any given
whether they want to or not and believe that they are or that they aren’t
(except those few who are not and they are few and are not and are therefore the
what’s new is that more than before
more than ever
as far as i ever can tell
(and often i can’t)
or recall (and i could if i would)
men half my age or just slightly older or occasionally just slightly younger still too
come to me, seek me out
not i them
of the men i have met, spoken to, spent time and been with lately
most, though not all, have been those
that are half my age or slightly older or on occasion slightly younger even
and who have come to me, sought me out
not i them
this flatters me, of course, maybe honours me, but more than that does it
because i don’t do anything to attract them, not
consciously: if anything i do the opposite
i grow a beard
i wear a jacket left me by a friend more than ten years ago, which was vintage then
my shoes are worn out and my jeans
i don’t go to the gym i don’t wear my lenses i don’t
a young voice or vocabulary
more than they have ever done before, even when
when i was their age
come to me, seek me out
i don’t go after them. on a park bench at a party in a bar
i mind my own business more or less
i say hello maybe, or
greet a smile with a smile
but that’s it
i don’t do anything more; maybe
that’s what it is
maybe that’s what makes me
to young men: it may be that
in the past, when i was
i was just trying too hard to be
something, someone, some other
person than the one that they saw
because they saw through me then to me now
what they see is what they get
and if they are friendly and kind and intelligent too
(apart from being attractive: being young, they’re always
i see no reason
why they shouldn’t get
what they see if
what they see is
what they desire
is life not give and take after all and are we not in it
to share of ourselves
as we lose ourselves in each other?
my summer of love leaves me warm-hearted light-headed and simple of soul