∞² Revival

I grow interested in the myth. More than interested, intrigued. Why is it a myth? Clearly there must be some foundation to it. But nobody knows. Does nobody want to know? Everybody wants to know everything, always; but do they really? Is it kinder on the mind, and warmer on the heart, not to be certain, about certain things?

Who, I wonder, were these ‘two guys in their twenties’. Shouldn’t there be a plaque to them? Should they not be celebrated as local legends in their own, quite literally, lunchtime? (It was around then, after all, that they stepped, in the nude, into leisurely ‘action’.) Do they still take part now, many years later, perhaps in their thirties, approaching their forties or even fifties? They could be dads, by now; in fact, if – as in any respect other than their initiation of this curious custom they appear to be – they are fairly average males then all likelihood suggests that they are. Do they live in Bournemouth, still, or Boscombe? Did they ever?

That may be a clue: perhaps they weren’t actually from here. Maybe they were just visiting, this is a distinct possibility. Because if they were native to the Bournemouth and Boscombe community then surely, but surely, somebody would know who they are. Then again, if, as is said, some ‘mates’ joined them on their first stroll, then there must have been mates to do so. Maybe they were visiting too? Perhaps they were part of a group, of an Australian sports team? Maybe a language school? They could have been hearty Scandinavians, here to learn English! Or maybe they actually didn’t have any mates here at all, maybe they were just talking to strangers at first, but became readily friendly with them, and these erstwhile strangers who were now effectively friends had mates and they joined them, impromptu, and that’s how it all happened. Who knows. Well, exactly: who actually knows?

My early investigation into this matter of waxing importance – waxing, in importance, at any rate, to me – yields nothing. Yes, the Boscombe & Bournemouth Nude Beach Stroll happens each year on the last Sunday in June; yes, it attracts a fair bit of attention nowadays, people come to participate from all over the region, even the country, maybe the world, but there is no website and no guide. No official history, and no founders. No club and no charitable foundation. More than intrigued now, I’m fascinated: how do these things come about?

My mind latches onto something, but it doesn’t know what. Maybe it’s my subconscious mind: it knows, it wants, it needs there to be more to this than meets the eye (though what meets the eye would, on occasion, seem quite enough…) and it thinks it knows that there usually is. So likelihood would suggest. And in the absence of certainty, likelihood is our friend. I want to go with that, that notion, that thought. My mind senses, below reasoning, above intuition, that there is a connection and that this can be found. But not by ‘traditional’ means. (What, in any case, are ‘traditional’ means?) It realises, my mind, now, that it has to let go and take an approach that is not a route, that is not direct, that is not determinate or determined, that is neither logical nor pure, neither chaotic nor abstract, neither instinctive nor wise.

So what is it? Perhaps I am making it all up but that doesn’t matter: I stand on the beach looking out to the sea and I notice the air coming in from vaguely the right. Over there. By the headland. Is it a headland? Is it a beach. I like the waves, they are steady and impermanent at the same time. They are waves and particles too. They are full of tiny molecules, but that is not what I mean. They are wet but their power is implacable.

If nobody knows, then maybe they need to be told. I decide to delve deeper and take a detour, via the sea. There is something somewhere that somebody would rather were not the case. I shall find it and let it be so…

6 Projection

Sedartis holds no store with opinion:

‘If you want to know the giants, the masters, the geniuses of your age, look whom the critics disparage. You’ll find no surer guide than them: they dance on the ashes of the works their alleged wit has burnt to the ground, congratulating themselves on their deconstruction, but from these ashes rise the phoenixes that will soar for future generations to adore. Trust me, on this, for I know.’

What we project onto our heroes. How we prize them; how we invest in them. How we see our own inadequacies fade into nothing and our misdemeanours absolved: those sporting legends, in their own lifetime, their careeryears elevated to seasons of gods. Who are we then, without them. Why would we not heap fortunes on them for the privilege to watch them chase a ball? Why would we not conspire to see in one artist’s art all our selves reflected while in another’s we see nothing and resent being confronted with our nothing to the point of hatred? We are so simple, when it comes to our primeval responses and, yes, so complex; so light, so effervescent, so intricate, so delicate and delicious, and then again at a stroke so brute. So basic. Instinctive.

I let Sedartis know that I don’t understand what he’s talking about. ‘No matter,’ he says, in his calm, forever reassuring and slightly annoying manner, ‘it will all make sense.’

‘It will?’

‘It will. Liberate yourself from the urge to understand, within your head, immediately. That may seem, to you, sophisticated: it is not. Not at the level you will want to attain. Allow yourself to be subsumed into the thing around, within and through you. You will begin to sense your truths and untruths and their inbetweens in a whole different way.’

Sedartis to me seems like the philosopher from a different world who in his spare time drives a minicab. There is no other explanation. I would book him through an app if I had to, but he sits next to me, whenever I’m on a train. Sometimes, rarely, when I’m on a bench or at a café, waiting for a friend. Never when I’m having a drink. Is Sedartis only of the unadulterated mind?

What we want to see in ourselves we see in others, and vice versa. We need these icons, these exponents, these majestic figures, even though we don’t know who they are. And so we make them. Of whoever offers themselves up. We sacrifice them to our hunger for existence: build them up, tear them down, abuse them on the way, pretend to love them, really love them. Want to be them. Not be them, but feel as if we were. How strange, and, yes, how obvious.

I separate myself from my intention and begin to float. That feels lovely. Nary a care in the world. Compos mentis and completely lost. In that agreeable way. Sedartis smiles at me and takes his leave, for the time being only. I know he’ll be back and tell me more. I just know.