Revival [5]

As the day draws to a close, and the sun now lingers—mellowed by the dusky haze—over the horizon, down vaguely to the right, for a while, before bidding the shore goodnight, I start feeling just a tad chilly, and I’m not alone.

Much as there was no gong and no whistle, no starting gun and no fanfare to announce the beginning of the Bournemouth & Boscombe Nude Beach Stroll this midsummer Sunday, so there is no clarion to call people back into their clothes, or to summon them into the pubs and the bars, or back to their houses, should they have no friends, and made none during the day, or simply show no inclination to hang out into the evening. Instead, with the colder air breezing in from the sea, and the rays at their acuter angle subdued, you start to spot a jumper here, and a cardigan there. The hats come off, for a while, as they are no longer needed for shade and not yet against wind, and the T-shirts go on, and once you’re wearing a top there really is not much of an incentive not to also wear something around your wriggly rump any more. So on come the shorts, gradually, and the jeans and the chinos, without anyone making a deal of it, big or small; and by and by, the beach and the seafront, the deckchairs, the benches, the plastic seats outside the beach huts, and all the promenade, they start to look ‘normal’ again.

Of course, I’m bound to find myself asking, what’s ‘normal’? And it’s not a facetious question, this, here. A Sunday talking to people—all kinds of people—strolling and pausing, stopping here for a drink, there for a tea, meeting friends of my new friends and their friends who introduced me to theirs, my frame of reference for any such thing as normality has been blown wide open, and it hadn’t exactly been narrow to begin with.

There was a university lecturer from Leicester whose sister lives in the country with her husband and their three kids; they all were out and about, the kids mainly playing down by the water, the adults mainly standing around, nursing pints. There was the former MP whom I thought I recognised, but I didn’t: I got her mixed up with somebody else, and from the wrong party. She was there with her boyfriend, and he had bumped into some mates who were actually kicking around a ball for a while. That was quite a sight, for, I warrant, these were not athletes… There was a bus driver and the obligatory cab driver too, and several nurses and teachers. Some middling managers of one enterprise or another, and a sizeable contingent of hipsters, in every sense of the word.

The overriding feel of the entire day was defined by nothing so much as by its extraordinary ordinariness. Perhaps it’s the mindset: the easing into this ease, the deliberate nonchalance of letting it all hang out, quite literally, and not paying attention, to any of it. All day long. I suspect that regular goers to nude beaches find none of this anywhere near as noteworthy as I do; I imagine that they’ve been saying so, all along. For me, it was new. Though not, hand on heart, entirely unexpected.

I don’t know what I expected, but planted in my mind from somewhere had been a vision of a perfectly normal day in the sun, with perfectly normal people doing perfectly normal things, in the nude. And that’s just exactly what it was. More or less. Of course, there was something of a garden party atmosphere, with all this milling and strolling and stopping for chats and Pimmses and fruit bowls and the ubiquitous tea. Of course, it was an especially leisurely day. In an especially ordinary way.

Is nudity a great leveller? Of course it is. Is it liberating? In some sense, no doubt. Is it practical? Absolutely not. Do I wish me more nude days in more towns of this world, just like this? I’m not even sure. One of the things that makes the Bournemouth & Boscombe Nude Beach Stroll on the last Sunday in June every year such a special occasion is, perhaps, that it is, after all, special. And it really helps being by the seaside. Near a small town. (Or a couple of them, to be precise.) It helps being in England, maybe, I don’t know. There is still—after all—an unruffled no-nonsense albeit quaintly eccentric friendliness in this country that, with all the madness in and around it, manages just about to keep it sane. At least so it feels. Especially on a day like today. Or is it all just nostalgia? Am I hankering after a world that has changed beyond recognition, that simply no longer exists, and projecting upon what is there my idyll, in a quirky distortion?

Not from my experience today. The people I met and spoke with today are just exactly as I’ve always experienced them, only more so. Maybe that’s what the nudity does, more than anything: it lays us bare, of course, that’s pretty obvious, but does being bare make us more vulnerable? Certainly. In every way. Does being more vulnerable make us more honest? Very possibly. Does being more honest make us better humans? I like to think so. Honesty in all cases in all circumstances in all situations? Maybe not. Maybe a civilisation needs to mask part of its face some of the time (maybe some part of it even all of the time?); maybe in order for it to be civilised in the first place, it needs to be clothed, in something or other. Skins, textiles, manners, etiquette, agreed upon forms of conduct, the compact of the exchange to make it bearable, pleasant even…

I’d been taken, all through the day, with how civil everyone was. How unirritable, how forgiving. Perhaps that’s what it does to us, being naked: could it be that perhaps it encourages us, allows us, even, to forgive?


< Revival [4]       Revival [6] >

 

Pyromania [6]

The display on the night was magnificent: the dreadful beauty of destruction. Summer Solstice in Bournemouth and Boscombe would never be the same again. Some people, idiotically, would refer to it later as the ‘Midsummer Massacre’. It was, of course, nothing of the sort. But it was violent, catastrophic. And exceptionally elegant too.

The people in Totland, on the Isle of Wight, probably had the best view, apart perhaps from some revellers who had gone down to the Needles and stayed there till sunrise.

George and Andy never gave a name to what they did, and by no stretch of the imagination could it truthfully be described as a ‘massacre’, either by intention or by effect. That it therefore, somewhat clumsily and by the uncomfortable default that envelops events which happen too quickly and then linger, became known as the Solstice Spectacle, is largely attributable to a couple of unassuming and in most senses of the word pretty average men in their thirties, Stefano and Paul, one Italian, the other English, who had decided to spend the afternoon on Studland Beach and—having previously been oblivious to its naturist stretch—found themselves teased out of their swimwear for the first time in a more or less public place by sheer opportunity.

They had brought along a picnic hamper and two bottles of Verdicchio (Stefano had insisted it not be Pinot Grigio, for once!) and gone through said bottles with unsurprising ease by the time it got dark. After that, they felt comfortably relaxed, but also just a tad horny, and not wanting to risk making a nuisance of themselves or incurring the wrath of other naturists, they withdrew a bit behind some dunes and the long grass, where they no more than lay in each other’s arms and maybe fondled each other a bit before, in the unusually warm air of the night—even for a Midsummer Night on an English beach—they dozed off.

They woke up again at what must have been some time after midnight, maybe close to one, and the alcohol having eased off but not so much their libido, Stefano remembered that he may just have a tiny bit of M left in his backpack, from a session he had been to with a couple of guys a few months earlier, which had been really rather enjoyable.

This proved to be the case, and although the little sachet he’d pushed down one of the outside pockets of the backpack at the time on parting and more or less forgotten about contained just enough for maybe twice two shortish lines, that was certainly enough to give them a pretty good time for the next couple of hours or so.

Stefano was in a blissful place looking out over the expanse of the sea upside down on the sandy slope towards the beach with Paul over him and inside him, the two of them so into each other, so in synch, so absorbed in their rhythm that nothing, nothing else mattered, that everything, everything was good and warm and I-am-you-and-you-are-me, and the way they were together they both got to the point where soon—but please not just yet!—they both would erupt; and they built up to it and they moaned and groaned and called each other’s names and oh yeah and oh god and dio mio and not yet! and I want to cum, and me too and yeah do it and yeah do it and just as they did—Stefano a fraction sooner, which tipped Paul now over the edge too—just at that moment the sky and the beach and the sea lit up and their orgasms lasted and lasted and their happiness and their joy and their union was complete and a chain of lights adorned the coast, in explosion after explosion, like gorgeous fire crackers in the distance, and blue flashes sparked and yellow flames danced and thick smoke rose in the purple red orange skies and both of them lost their minds for minutes and maybe for hours but for these moments they were it all and it all was they and that was the universe and the universe was wonderful and one.

There were maybe two dozen or so other nude people who had elected or ended up spending the night on the beach and none of them had really been particularly aware of these two. Sure, if those who had settled in closest had kept quiet and still for a while they would probably have heard, faint in the distance, the unmistakable noises of two people getting high on a recreational substance and on each other, but nobody did, because they had their own conversations, one small group even had their guitars, some had their whispers and others their quieter unions to celebrate, and so nobody had minded or noted the glorious coming together of Stefano and Paul.

But now everybody was on their feet, by the water, watching the spectacle unfolding on Bournemouth and Boscombe Beaches, all the way from Sandbanks to Christchurch; it was awesome in every original sense of the word: awe-inspiring and profound. Stefano, still high as a kite, and like the others on the beach largely naked—some, perhaps, had put on a shirt or wrapped a shawl round their shoulders—was in a Heaven all of his own, exclaiming in Italian, ‘mamma mia! che bello! dio mio! che spettacolo! che spettacolo! che spettacolo’ and Paul, equally high but less Mediterranean in his expression, kept hugging him and smiling and laughing and smiling and kissing him and then they just held hands and stood there, naked as the universe had made them, among the others who stood there naked and amazed and awed.

And so it came to be that by far the most vivid, most famous, most watched and most liked, most discussed, also, most shared and most, in its own peculiar way, cherished video of the most horrific devastation ever unleashed on the English Seaside was also, and looked and felt and sounded and would be experienced for decades by people the world over as, a fantastic, poetic, ecstatic celebration of humans just as they are, as they are when in love.


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