Sea – EDEN by FREI

Revival [5]

As the day draws to a close, and the sun now lingers—mellowed by the dusky haze—over the horizon a while, down vaguely to the right, before bidding the shore goodnight, I start feeling just a tad chilly, and I’m not alone.

Much as there was no gong and no whistle, no starting gun and no fanfare to announce the beginning of the Bournemouth & Boscombe Nude Beach Stroll this midsummer Sunday, so there is no clarion to call people back into their clothes, or to summon them into the pubs and the bars, or back to their houses, should they have no friends and made none during the day or simply show no inclination to hang out into the evening. Instead, with the colder air breezing in from the sea, and the rays at their acuter angle subdued, you start to spot a jumper here, and a cardigan there. The hats come off, for a while, as they are no longer needed for shade and not yet against wind, and the T-shirts go on, and once you’re wearing a top there really is not much of an incentive not to also wear something around your wriggly rump any more. So on come the shorts, gradually, and the jeans and the chinos, without anyone making a deal of it, big or small; and by and by, the beach and the seafront, the deckchairs, the benches, the plastic seats outside the beach huts, and all the promenade, they start to look ‘normal’ again.

Of course, I’m bound to find myself asking, what’s ‘normal’? And it’s not a facetious question, this, here. A Sunday talking to people—all kinds of people—strolling and pausing, stopping here for a drink, there for a tea, meeting friends of my new friends and their friends who introduced me to theirs, my frame of reference for any such thing as normality has been blown wide open, and it hadn’t exactly been closed narrow to begin with.

There was a university lecturer from Leicester whose sister lives in the country with her husband and their three kids; they all were out and about, the kids mainly playing down by the water, the adults mainly standing around, nursing pints. There was the former MP whom I thought I recognised, but I didn’t: I got her mixed up with somebody else, and from the wrong party. She was there with her boyfriend, and he had bumped into some mates who were actually kicking around a ball for a while. That was quite a sight, for, I warrant, these were not athletes… There was a bus driver and the obligatory cab driver too, and several nurses and teachers. Some middling managers of one enterprise or another, and a sizeable contingent of hipsters, in every sense of the word.

The overriding feel of the entire day was defined by nothing so much as by its extraordinary ordinariness. Perhaps it’s the mindset: the easing into this ease, the deliberate nonchalance of letting it all hang out, quite literally, and not paying attention, to any of it. All day long. I suspect that regular goers to nude beaches find none of this anywhere near as noteworthy as I do; I imagine that they’ve been saying so, all along. For me, it was new. Though not, hand on heart, entirely unexpected.

I don’t know what I expected, but planted in my mind from somewhere had been a vision of a perfectly normal day in the sun, with perfectly normal people doing perfectly normal things, in the nude. And that’s just exactly what it was. More or less. Of course, there was something of a garden party atmosphere, with all this milling and strolling and stopping for chats and Pimmses and fruit bowls and the ubiquitous tea. Of course, it was an especially leisurely day. In an especially ordinary way.

Is nudity a great leveller? Of course it is. Is it liberating? In some sense, no doubt. Is it practical? Absolutely not. Do I wish me more nude days in more towns of this world, just like this? I’m not even sure. One of the things that makes the Bournemouth & Boscombe Nude Beach Stroll on the last Sunday in June every year such a special occasion is, perhaps, that it is, after all, special. And it really helps being by the seaside. Near a small town. (Or a couple of them, to be precise.) It helps being in England, maybe, I don’t know. There is still—after all—an unruffled no-nonsense albeit quaintly eccentric friendliness in this country that, with all the madness in and around it, manages just about to keep it sane. At least so it feels. Especially on a day like today. Or is it all just nostalgia? Am I hankering after a world that has changed beyond recognition, that simply no longer exists, and projecting upon what is there my idyll, in a quirky distortion?

Not from my experience today. The people I met and spoke with today are just exactly as I’ve always experienced them, only more so. Maybe that’s what the nudity does, more than anything: it lays us bare, of course, that’s pretty obvious, but does being bare make us more vulnerable? Certainly. In every way. Does being more vulnerable make us more honest? Very possibly. Does being more honest make us better humans? I like to think so. Honesty in all cases in all circumstances in all situations? Maybe not. Maybe a civilisation needs to mask part of its face some of the time (maybe some part of it even all of the time?); maybe in order for it to be civilised in the first place, it needs to be clothed, in something or other. Skins, textiles, manners, etiquette, agreed upon forms of conduct, the compact of the exchange to make it bearable, pleasant even…

I’d been taken, all through the day, with how civil everyone was. How unirritable, how forgiving. Perhaps that’s what it does to us, being naked: could it be that perhaps it encourages us, allows us, even, to forgive?

< Revival [4] Revival [6] >

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{Mystery}

I wake up wondering once again, as so often, how the little horse got on the boat in the first place, let alone why it voyaged so far: who let it on, was there no one to lead it off, by its halter, for example, back onto dry land, to its own pastures, that were maybe not so green, but familiar, at least? Why was it by the pier, near the harbour even? I suppose horses do live by the seaside, it is not unheard of, but it vexes me. A horse belongs onshore, as far as I’m concerned, in my inexpertise.

I try to think this through and come up with several potential scenarios, none of which satisfies as an explanation. Perhaps the little horse accidentally strayed onto a cargo ship and was mistaken there for one of the ones that were actually being exported, by coincidence, just then. Maybe it wasn’t so much a coincidence, maybe the horse got friendly with, even enamoured of, one of the horses that—very possibly against their own will or better instinct—were being embarked right now, and just followed it, in equine loyalty and affection.

Perhaps it was being sold: it could simply be that it was ‘mine’—as in the person writing the song, thus narrating the story and lamenting the absence of ‘my’ little horse, wishing it back—only by extension, and really it belonged to the family or to my father, and he, for reasons best known to him (though there are many imaginable: economic hardship, disaffection with the beast, or having gambled it away to a foreign sailor, notwithstanding the riddle as to what a sailor, of all people, would do with a pony – perhaps sell it on?…), maybe he, my father, had exchanged it for goods or money, or forfeited it; and now, as I sit here on my own watching the waves roll in from afar, it has long since sailed away, right over the ocean, over the sea.

Then suddenly it hits me, out of the blue. It has all been a misunderstanding. Where I went to school, in Basel, we had an annual ‘bazar’. I can’t be sure any more was it at this bazar, which everybody pronounced ‘bahtzar’, and which happened a few weeks before Christmas to raise funds for the school, or was it at the summer fete, which happened every year in the summer, probably just before the big holidays, to the same end, or both, but there was a little patch of wood in the school grounds where sometimes, not always, some generous soul would bring along a couple of ponies, so the children could go pony riding for a franc or two. This was almost the only occasion that ever presented itself for me to see, or think of, or hear about, ponies. Even though they spelt ‘Pony’ the same as in English, just with a capital for being a noun, everybody called a pony ‘es Bonny’, pronouncing it with an at best half committed P and without the prerequisite diphthong, making it sound exactly like ‘Bonnie’. For years—years!—I would stand in class amongst my gschpänlis and intone with devotion a plea for someone, anyone really, to bring back, bring back, oh bring back my little horse to me. And for years—years!—I could not fathom why the little horse had ever strayed so far, there just seemed to be no plausible explanation for this. And now—now!—it turns out there didn’t ever need to be.

At last, one of the great bewildering conundrums of my childhood simply, quietly, fades away…

< Whist Perfection >

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The Ice King – 5: The Pole

At the pole the world finally stops. Respite at last. The world doesn’t end, it ceases to turn. At the core of the axis there is no motion, there is only the centre, and the centre is both still and alive. Everything spins around us, and we are the point that extends in no dimensions and all dimensions at once.

Here in this space that has no expansion and no description and no volume and no coordinates, we are at one with everywhere, and The Ice King rules: I am his. His court, his jester; his courtier. His counsel, his subject. His servant. His chosen. His man. Am I his Queen?

I do not want to be what The Ice King is, and nor can I. Here, the Ice is eternal for as long as Eternal exists, and here it is ever in motion, and here it is still absolutely; and here the snowflakes are effervescent sparkles in our mind, which now is conjoined as one, but not one alone, but one that has in it the snowflakes like gossamer dust and the depths and the infinities of the sky in which there are stars that do not make sense any more than the snowflakes which they outnumber by magnitudes of improbable potentialities.

I lie on the ice bed The Ice King has bid me rest on, as he stands on the edge of his universe, overlooking everything with the eye of his mind, which is my mind, which is the mind of the snowflakes and the mind of the stars, which is the mind of the glacier, the river, the sea; which is the mind of the water, the air and the ions, which is the mind of the magnetic force of his presence and the electricity of my spirit; which is the mind of the other side and this, and the mind of the shadow he casts not on the ice but into the core that has no expansion and no dimension and no rotation; and I know that soon I must leave him, but not now.

Now The Ice King turns around to me, and I see that he is made of ice as I thought. And the ice, as I thought, and as everyone knows before they are told, is like fire; and the fire is just the energy dying and the energy dying is the source of all life and life is preserved in the ice and the ice is nothing but water and water is living and living is knowing and knowing is forgiving and forgiving is patience and patience is growth and growth is taking the energy on and becoming the other and the other is just an extension and the extension is continuation and continuation is the reflection and the reflection is the same as what is and the same is the all and the all is the now.

I welcome The Ice King onto me with my eyes, and as he melts into my open-arm, open-rib, open-mind being, I feel we are no longer one, we now simply are; and having him having me makes the ice disappear and the fire burn out and the water rise up and the energy surge and the stillness the stillness prevail.

I look down on the pole, spinning on my own axis as I lift up above; I see myself writhing and being consumed, I see The Ice King drowning me out and myself burn up in blue and greenpurple flames that dance on the water, and I know now I know now I am.

< 4: The Word 6: The Core >

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The Ice King – 3: The Thought

I feel the ice melt under my skin, I sense us slip away in the rush of torrents, surging up, then drowning into the depths; my eyes closed, I heave into his brain.

Where there were colours there is now only green and blue and that purple and the sting of the white in flashes between: I bounce and tumble and dissolve, the water rushes through me, the glacier crashes all about us as we tumble down the mountain, turn into a stream—the quicks, the pools, the depths, the shallows and the waterfalls—into the valley, then the river, the calm.

Then the meadows passing and the flowers on the hill. The trees. Is that a sun in the sky? I haven’t seen one in years. The Ice is gone, the King is no more. What have I done?

I float on the easy current along the stately swans and the comical ducks, and I wonder. Was that necessary? Was that emotion? Was that too much? The cloudlets above sing a round that lulls me into a new kind of sleep, and I dream that I am already restored to my senses, but senseless in love. I know not what that means, but it’s a feeling I have.

As we reach the towns and beyond these the cities, it is more a case of becoming a boat, or a ship, from which to greet the other farers of waterways, and nod at them gravely: the river has turned so serene. I am not sure I want this. I’m not sure I’m ready to leave him behind or to see him head off, onto land, into the streets, the multitudes, become a citizen: like everyone else. I cling on to him, but he is no longer there, has he never existed at all?

I refuse to panic and say to myself, it’s only a phase, it will pass, it’s all in my mind, soon I’ll wake up in the glacier, gazing at him by my side, and I’ll marvel at the tone of his skin and the glint in his eye, and the nearly-smile that says, I nearly get you, you’re not quite alone.

I dream that I’m not alone and for a moment feel warm, and the glow that encompasses me is enough for a while to soothe, to restore.

We yield into the wide, and buoyed by the salt, and cheered by the seagulls, we stretch our limbs, and with strong strokes make for the open, the free. I half expect a dolphin to greet us, but it seems we are heading north, which is just as well. At least we are now at sea.

Soon the seals and the icebergs. I’m not at home here, although the shades are familiar. I feel I have lost myself and I want not to mind.

He’s in my head now, I in his body, and against all odds we’re afloat, but are we together? I don’t even know who he is. He is The Ice King, but I’ve turned him into a fish. That is not true, of course, I have turned him into a captain. I have not turned him into anything, he’s still The Ice King, but like me he is out of his element now, and so he may just be a prawn. He may be a wave or a plastic bottle discarded in old Amsterdam. He may be a thought or a lover. He may be my nemesis. Can he be my salvation?

I want to say, ‘polar bear, be not afraid,’ and mean it. We’re here to help. The Ice King looks at me kindly now, maybe for the very first time, and thinks a thought of astonishing beauty. This, I know, is the noble mind. And the thought alone that thoughts can be beautiful, and merely to know that a mind may be noble, fills me with joy.

< 2: The Kiss 4: The Word >

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Revival [5]

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EDEN was originally published in random order. Starting 1st August 2018 it is being reposted in sequence. To follow it, choose from the subscribe options in the lefthand panel (from a laptop) or in the drop-down menu (from a mobile device).

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{Mystery}

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The Ice King – 5: The Pole

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The Ice King – 3: The Thought

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