Lesson

What, I wonder to myself in a manner that brings to mind Morrissey, complete with a hint of a self-pitying whine, as I sit by another waterside—this time the almost too picturesque, too pristine Windermere—if life suddenly became real? Would I recognise most of it, still?

I had not intended to involve Sedartis in this query, but since joining me on a train from a small town outside Zürich towards my least favourite city in Switzerland, he has never entirely left my side, and he has honed to an art the disconcerting skill of hearing my thoughts before I’ve had a chance to formulate them, and responding in kind: he never says a word, yet his pronouncements are crystal clear.

I’m not sure I like this about Sedartis. His clarity. His straightforwardness. His unreconstructed linearity. Aren’t we supposed to have moved into the Age of Diffusion? Of vulnerabilities and fluidity, of connectedness, in all directions; of openness and of infinite potentialities? I probably don’t understand him, yet.

If I had a life, I would be that much happier sharing it, I surmise, almost as an afterthought, and Sedartis now latches onto me:

‘Liberate yourself,’ he urges, ‘from the Tyranny of Opinion. Yours and other people’s.’

The expression on my face betrays doubt continued.

‘Banish that.’

‘Really?’

‘Don’t banish doubt, of course,’ Sedartis clarifies, as if the idea of doing so were preposterous, though he himself comes over so doubt-free: ‘and make allowance for their doubting too; but banish weariness and eagerness to please. You had it once, don’t you recall: the Freshness of Thought, the Arrogance of Youth, the Wonder of Everything New.’

There are a lot of capitals, all of a sudden. But I do remember, I remember it fondly and well; but was I not, I also wonder, also just blind to my own …Inadequacies?

(And now italics, as well…)

‘Of course you were! Therein lay your Power. Remember Goethe, remember Boldness, remember Genius.’

I do. I remember Goethe; he is, unsurprisingly, indelibly ingrained on my mind.

Sedartis, I realise, is nowhere near as mild-mannered as I believed I had reason to expect him to be. He reminds me of someone I know—not just a literary figure I have a sense I’m confusing him with, but someone I have actually met—but he’s too fast for me, I get no respite from him; not at this moment, though he counsel patience:

‘Learn to distinguish between those who know what they’re talking about and those who just talk. Listen out for the quiet voices, the tender, the considered, thought-through ones. Those with nothing to say shout the loudest. You live in a terrible, terrible din. Find the dial and tune out the noise. Listen for the Gentle Song of Truth, it always, always plays on, it never fades out; not completely.’

I want to, I do.

‘Opinion is cheap. And instant opinion may well be worthless. If you, or the person you’re listening to, hasn’t had time to reflect, has not expended thought, has not at least slept on their ukase then you are ill advised: heed it not. Demand earnest discourse. Reject quick fixes as you scorn fast food. You would not stuff your face with salt-fat-sugar bombs from a garish-liveried American chain. Why do you allow your brain to be poisoned by rash judgments, soundbites and rushed ratings? Insight and wisdom are dear, they are earnt. They weigh substance with value. Everything else is just froth.’

I get the feeling I’m being lectured to by Sedartis, and having never suffered being told what to do, my porcupine prickle stirs under my skin. His unvoiced tone changes. He is with me, he tells me, not against:

‘Experience everything new. You once knew how to, you still know now. Free yourself from the familiar, and delve into the exhilarating fear of the unknown.’

‘It’s hard, that,’ I offer, all too feebly, ‘pulling yourself up, again and again, summoning the strength, expending the effort, over and over, from scratch…’

‘Of course it is,’ Sedartis asserts, laconic, then suddenly severe: ‘if it were easy it too would be spume, but:…’ I don’t want to hear any more, I feel a little sad now and somewhat dejected. Sedartis pays no attention to my discomfort: ‘…the universe gives us each the challenges we need to grow.’


< Sedartis       Autumn >


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Sedartis

Sedartis appears out of nowhere and joins me on my train journey from Zürich to the unfortunately named Chur, making his presence felt in the empty seat next to mine, as I glance out of the window.

(When I say ‘Zürich,’ I mean a small lakeside town outside Zürich, some ten minutes along the route, where I had boarded the train, having spent the night on the other side of the hill with friends and colleagues, talking mainly about things I am only ever half sure I half understand, but which nevertheless never fail to feed my hunger for thought, to invigorate my imagination and to massage my malleable mind.)

Where did you suddenly come from, I want to ask him, and how is it I know your name; but before I can speak we are already in conversation:

‘So,’ asks Sedartis, ‘wouldn’t you like a boat on Lake Zürich?’

‘Most certainly not,’ say I in reply, though the question seems scarcely to warrant one.

‘Why not?’ Sedartis insists.

‘Why,’ retort I, ‘what would I with a boat on Lake Zürich?’

‘Whatever you fancy,’ Sedartis enthuses: ‘sail on the water, enjoy it, splash about in it a bit!’

The puppy dog wag of his voice wearies me.

‘I enjoy water much as I enjoy women,’ I say in measured tones, unsure of the ground I’m suddenly skating on, without consciously having made any decision to foray at all, onto ice thick or thin: ‘from a distance. To look upon and marvel at their splendour, be it shallow or deep. I have no need to sail upon or splash about in them.’

Sedartis seems saddened by my lack of alacrity on the matter and produces an apple, far too symbolically. He contemplates it for many a long second and then takes a bite from it in a manner that could, though perhaps it ought not to, be described most accurately as ‘hearty.’

He vaguely reminds me of a character in a book I undoubtedly once would have read, but I don’t remember the book or the story (not least as I’m unsure I’ve even done so yet, or whether this is something I am still to do), and I feel that now he’s here it would be rude of me to dismiss, blank or reject him, or to send him away; and so part of my onward journey, simply, unassumingly and innocuously enough, he becomes.


(<) ISTANBUL – Istanbul

Lesson >


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{Coda}

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Shea

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Critical Mass

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Phantom

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{Irk}

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Trivia

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Plea

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Success

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